The Show That Never Ends: The Rise and Fall of Prog Rock Book Reviews

AUTHOR
David Weigel
SCORE
4
TOTAL RATINGS
21

The Show That Never Ends: The Rise and Fall of Prog Rock by David Weigel Book Summary

The wildly entertaining story of progressive rock, the music that ruled the 1970s charts—and has divided listeners ever since.

The Show That Never Ends is the definitive story of the extraordinary rise and fall of progressive (“prog”) rock. Epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, along with such successors as Rush, Marillion, Asia, Styx, and Porcupine Tree, prog sold hundreds of millions of records. It brought into the mainstream concept albums, spaced-out cover art, crazy time signatures, multitrack recording, and stagecraft so bombastic it was spoofed in the classic movie This Is Spinal Tap.

With a vast knowledge of what Rolling Stone has called “the deliciously decadent genre that the punks failed to kill,” access to key people who made the music, and the passion of a true enthusiast, Washington Post national reporter David Weigel tells the story of prog in all its pomp, creativity, and excess.

Weigel explains exactly what was “progressive” about prog rock and how its complexity and experimentalism arose from such precursors as the Beach Boys’ Pet Sounds and the Beatles’ Sgt. Pepper. He traces prog’s popularity from the massive success of Procol Harum’s “Whiter Shade of Pale” and the Moody Blues’ “Nights in White Satin” in 1967. He reveals how prog’s best-selling, epochal albums were made, including The Dark Side of the Moon, Thick as a Brick, and Tubular Bells. And he explores the rise of new instruments into the prog mix, such as the synthesizer, flute, mellotron, and—famously—the double-neck guitar.

The Show That Never Ends is filled with the candid reminiscences of prog’s celebrated musicians. It also features memorable portraits of the vital contributions of producers, empresarios, and technicians such as Richard Branson, Brian Eno, Ahmet Ertegun, and Bob Moog.

Ultimately, Weigel defends prog from the enormous derision it has received for a generation, and he reveals the new critical respect and popularity it has achieved in its contemporary resurgence.

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Book Name The Show That Never Ends: The Rise and Fall of Prog Rock
Genre Music
Published
Language English
E-Book Size 16.09 MB

The Show That Never Ends: The Rise and Fall of Prog Rock (David Weigel) Book Reviews 2024

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Highly recommended. Well written, well researched and well focused (an achievement in itself for such a sprawling topic). Often books about the more niche musical genres and bands are very sincere but not very readable. This is a great and interesting read. My only complaint is that it could easily be at least 50% longer without losing focus or interest. It's a nice mix of history, criticism and musical insight.

A brief narration of Prog history. In overall it is a nice book, essential for anyone who wants to discover the evolution of Prog music. It is based on a quality journalistic research that reveals many interesting turning points that shaped the character of this musical style. However, it is limited to the evolution of a very small number of groups and personalities, not being able to present all the different paths followed by several groups in their sound, but mostly focused in the endeavor of a dozen of personalities. In addition, the book offer a very brief and incomplete conclusion about the genres that were born by the original Prog era and does not offer any mention for the experimentalism that followed during the decades from the 1980s onwards. The impression after reading it is absolutely positive and it creates the motivation to search deeper in the reasons of the described events.

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Summary of The Show That Never Ends: The Rise and Fall of Prog Rock by David Weigel

The The Show That Never Ends: The Rise and Fall of Prog Rock book written by David Weigel was published on 13 June 2017, Tuesday in the Music category. A total of 21 readers of the book gave the book 4 points out of 5.

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