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Rudaali (pronounced "roo-dah-lee"; transl. Female weeper) is a 1993 Indian Hindi-language drama film directed by Kalpana Lajmi, written by Lajmi and Gulzar and based on a 1979 short story of the same name by Bengali author Mahasweta Devi. Set in a small village in Rajasthan, the film stars Dimple Kapadia as Shanichari, a lonely and hardened woman who, despite a lifetime of misfortune and abandonment, is unable to express grief through crying and is challenged with a new job as a professional mourner. Raakhee, Raj Babbar, and Amjad Khan appear in supporting roles. Produced by the National Film Development Corporation of India and Doordarshan, the film was labelled part of India's neo-realist parallel cinema, but it employed several of the common elements of mainstream Hindi cinema, including songs composed by Bhupen Hazarika. Rudaali was a critical and unexpected commercial success. Particular critical praise was directed at Kapadia's performance, with further appreciation of the film's script, music, technical achievements, and Lajmi's direction. The film won three National Film Awards, including Best Actress for Kapadia, and was nominated for three Filmfare Awards, earning Kapadia a Critics Award for Best Performance. Kapadia won Best Actress honours at the 8th Damascus International Film Festival and the 38th Asia-Pacific Film Festival, where Hazarika was awarded for his music. The film was selected as the Indian entry for Best Foreign Language Film at the 66th Academy Awards, but was not accepted as a nominee. Plot Thakur Ramavtar Singh, the zamindar (transl. landlord) of Barna (a village in the desert), on his death bed, bemoans that none of his relatives would shed tears for him. He calls for a famous rudaali named Bhikni, to mourn him after his death. Bhikni stays with the widow Shanichari, who lives in the Thakur's village. As their friendship grows, Shanichari tells Bhikni her life's story, which is revealed in flashbacks. Shanichari was born on a Shanichar (Saturday), named after the planet Shani (Saturn), considered inauspicious in Hindu astrology. Shanichari is blamed by the villagers for everything bad that happens around her – from her father's death, to her mother Peewli's running off to join a theatre troupe. While still young, Shanichari is married off to Ganju, a drunkard. Her son, Budhua, whom she loves very much, likes to roam around aimlessly, just like Peewli did. Meanwhile, the Thakur's son Lakshman Singh tells her he likes her and hires her as a maid to his wife. In his haveli, Lakshman tries to get Shanichari to assert herself against social customs and encourages her to "look up" into his eyes when speaking to him. One night, after Shanichari sings at the haveli, he gifts her a house of her own, along with two acres of land. Ganju dies from cholera at a village fair. After curses and threats from the village pundit for not observing the prescribed customs, she takes a loan of 50 rupees to perform the rituals from Ramavatar Singh and becomes a bonded labourer under him. Some years later, a grown up Budhua brings home Mungri, a prostitute, as his wife. Shanichari attempts to throw her out but relents on learning that she is pregnant with his child. But the snide remarks of the village pundit and shop-owners fuels conflict between the two women and in a fit of rage after a fight, Mungri aborts the child. Budhua leaves home. Shanichari tells Bhikni that none of these bereavements brought her to tears. One night, Bhikni is called to the neighbouring village by a person named Bhishamdata. Ramavatar Singh dies a few hours later. Shanichari goes to bid farewell to Lakshman Singh, who has plans to leave the village. A messenger brings the news of Bhikni's death from the plague and tells Shanichari that Bhikni was her mother, Peewli. Shanichari then begins to weep profusely, and takes over as the new rudaali, crying at the Thakur's funeral. Cast Dimple Kapadia as Shanichari Rakhee as Bhikni / Peewli Raj Babbar as Laxman Singh Amjad Khan as Thakur Ramavtar Singh Raghubir Yadav as Budhua Sushmita Mukherjee as Mungri (Budhua's Wife)Production The film was produced by media mogul Mr. R.V.Pandit, who was also at the time the owner of famous publication house Business Press and also owner of famous magazines like Gladrags. The film is based on Mahashweta Devi's 1979 short story from the book Nairetey Megh. According to author Priya Kapoor, Lajmi's casting of Kapadia, a popular film star, was a strategic choice to cater for an audience not normally drawn to feminist, experimental films like Rudaali. Raakhee was cast in the role of Bhikni. Amjad Khan was cast in the film in one of his final roles, and the film, which released after his death, was dedicated to him in the opening credits. The film was produced by the National Film Development Corporation of India in a process that made Lajmi proclaim she would never again make a film with them. Lajmi said that Kapadia felt exhausted after filming ended.In an attempt to enhance the film's visual appeal, Lajmi chose to change the setting of the story from Bengal to Rajasthan, where she planned to make use of the desertscape and the grand havelis (mansions). The film was mostly shot on location in the village of Barna, located 40 km from the region of Jaisalmer in western Rajasthan, as well as Jaisalmer Fort, Khuri desert, and Kuldhara Ruins. The film's text was spoken in a West Indian dialect, though it was mildly polished for reasons of accessibility to the wider, urban viewers. Soundtrack The film has music by folk musician Bhupen Hazarika. The soundtrack album released on 18 June 1993 to great success. Business India wrote, "Rudaali is the first genuine crossover album to have negotiated the leap from art to mart, via the listeners' heart.The song "Dil Hoom Hoom Kare" is based on a previous composition by Hazarika which was used a few decades before in the Assmese film Maniram Dewan (1964) in a song called "Buku Ham Ham Kore". Gulzar, who authored the lyrics for Rudaali, was fond of the Assamese phrase "Ham Ham", used to denote beating of the heart in excitement, and insisted on using it in the Hindi song instead of the regular Hindi alternative "Dhak Dhak". Themes The film explores themes of caste, class stratification, gender inequality, and poverty, all portrayed through the feudal system and socio-economic marginalisation of poor villagers. Film critic Namrata Joshi says the film "placed the issue of gender and patriarchy in the broader context of class and caste divides". Sumita S. Chakravarty described it as "a film that wishes to evoke subaltern ethos". Radha Subramanyam wrote that the film "explores the many levels of oppression to which the lower-caste, impoverished female is subject". She notes the film's combinatory style as it "draws on the two strains of filmmaking extant in India; it combines the social concerns of the 'art' cinema with elements of the mass appeal of Bombay films". In the b.... Discover the Ernest Dempsey popular books. Find the top 100 most popular Ernest Dempsey books.

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