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Rhetorical Structure and Poetic Vision: The Frame and Title Poems of Seguro Azar by Pedro Salinas. de Hispanofila Resumen del Libro

For Polo Coronado ALL of the nine volumes of poetry by Pedro Salinas are carefully ordered and organized to develop a central theme. (1) The poet gathers his third book around a series of dichotomies that elaborate in various ways the theme expressed in its paradoxical title, Seguro azar. The fifty poems in this collection offer "a vision which is simultaneously decisive and mutable" (Friedman 52) through the interplay and tension between certainty and chance, nature and artifice, appearance and reality, presence and absence, time and eternity, a tu and a yo. The fundamental and most pervasive duality in the book is between poetry and silence, between la palabra and la nada, for this is a book about the writer's struggle to create. As Jonathan Mayhew argues, "virtually every poem in Seguro azar comments upon the process of writing" (124); or, as Jose Bergamin states so perceptively and succinctly in a newspaper review of the book, "Arte poetico: seguro azar" (Barrera Lopez 162). (2)

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