Reseña de The Works of Robert Louis Stevenson, Complete 25 Volumes and Stevensoniana: Being a Reprint of Various Literary and Pictorial Miscellany Associated with Robert Louis Stevenson, the Man and His Work

The Works of Robert Louis Stevenson, Complete 25 Volumes and Stevensoniana: Being a Reprint of Various Literary and Pictorial Miscellany Associated with Robert Louis Stevenson, the Man and His Work de Robert Louis Stevenson Resumen del Libro

So much has been written on R. L. Stevenson, as a boy, a man, and a man of letters, so much has been written both by himself and others, that I can hope to add nothing essential to the world's knowledge of his character and appreciation of his genius. What is essential has been said, once for all, by Sir Sidney Colvin in "Notes and Introductions" to R. L. S.'s "Letters to His Family and Friends." I can but contribute the personal views of one who knew, loved, and esteemed his junior that is already a classic; but who never was of the inner circle of his intimates. We shared, however, a common appreciation of his genius, for he was not so dull as to suppose, or so absurd as to pretend to suppose, that much of his work was not excellent. His tale "Thrawn Janet" "is good," he says in a letter, with less vigour than but with as much truth as Thackeray exclaiming "that's genius," when he describes Becky's admiration of Rawdon's treatment of Lord Steyne, in the affray in Curzon Street. About the work of other men and novelists, or poets, we were almost invariably of the same mind; we were of one mind about the great Charles Gordon. "He was filled," too, "with enthusiasm for Joan of Arc," says his biographer, "a devotion, and also a cool headed admiration, which he never lost." In a letter he quotes Byron as having said that Jeanne "was a fanatical strumpet," and he cries shame on the noble poet. He projected an essay on the Blessed Maid, which is not in "the veniable part of things lost."

Thus we were so much of the same sentiments, in so many ways, that I can hope to speak with sympathy, if not always with complete understanding, of Stevenson. Like a true Scot, he was interested in his ancestry, his heredity; regarding Robert Fergusson, the young Scottish poet, who died so young, in an asylum, as his spiritual forefather, and hoping to attach himself to a branch of the Royal Clan Alpine, the MacGregors, as the root of the Stevensons. Of Fergusson, he had, in early youth, the waywardness, the liking for taverns and tavern talk, the half-rueful appreciation of the old closes and wynds of Old Edinburgh, a touch of the recklessness and more than all the pictorial power which, in Fergusson, Burns so magnanimously admired.

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