Agatha Christie Pocket Classic Popular Books

Agatha Christie Pocket Classic Biography & Facts

Hercule Poirot (UK: , US: ) is a fictional Belgian detective created by British writer Agatha Christie. Poirot is one of Christie's most famous and long-running characters, appearing in 33 novels, two plays (Black Coffee and Alibi), and 51 short stories published between 1920 and 1975. Poirot has been portrayed on radio, in film and on television by various actors, including Austin Trevor, John Moffatt, Albert Finney, Peter Ustinov, Ian Holm, Tony Randall, Alfred Molina, Orson Welles, David Suchet, Kenneth Branagh, and John Malkovich. Overview Influences Poirot's name was derived from two other fictional detectives of the time: Marie Belloc Lowndes' Hercule Popeau and Frank Howel Evans' Monsieur Poiret, a retired French police officer living in London. Evans' Jules Poiret "was small and rather heavyset, hardly more than five feet, but moved with his head held high. The most remarkable features of his head were the stiff military moustache. His apparel was neat to perfection, a little quaint and frankly dandified." He was accompanied by Captain Harry Haven, who had returned to London from a Colombian business venture ended by a civil war. A more obvious influence on the early Poirot stories is that of Arthur Conan Doyle. In An Autobiography, Christie states, "I was still writing in the Sherlock Holmes tradition – eccentric detective, stooge assistant, with a Lestrade-type Scotland Yard detective, Inspector Japp". Conan Doyle acknowledged basing his detective stories on the model of Edgar Allan Poe's C. Auguste Dupin and his anonymous narrator, and basing his character Sherlock Holmes on Joseph Bell, who in his use of "ratiocination" prefigured Poirot's reliance on his "little grey cells". Poirot also bears a striking resemblance to A. E. W. Mason's fictional detective Inspector Hanaud of the French Sûreté, who first appeared in the 1910 novel At the Villa Rose and predates the first Poirot novel by 10 years. Christie's Poirot was clearly the result of her early development of the detective in her first book, written in 1916 and published in 1920. The large number of refugees in the country who had fled the German invasion of Belgium in August to November 1914 served as a plausible explanation of why such a skilled detective would be available to solve mysteries at an English country house. At the time of Christie's writing, it was considered patriotic to express sympathy towards the Belgians, since the invasion of their country had constituted Britain's casus belli for entering World War I, and British wartime propaganda emphasised the "Rape of Belgium". Popularity Poirot first appeared in The Mysterious Affair at Styles, published in 1920, and exited in Curtain, published in 1975. Following the latter, Poirot was the only fictional character to receive an obituary on the front page of The New York Times. By 1930, Agatha Christie found Poirot "insufferable", and by 1960 she felt that he was a "detestable, bombastic, tiresome, ego-centric little creep". Despite this, Poirot remained an exceedingly popular character with the general public. Christie later stated that she refused to kill him off, claiming that it was her duty to produce what the public liked. Appearance and proclivities Captain Arthur Hastings's first description of Poirot: He was hardly more than five feet four inches but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. Even if everything on his face was covered, the tips of moustache and the pink-tipped nose would be visible. The neatness of his attire was almost incredible; I believe a speck of dust would have caused him more pain than a bullet wound. Yet this quaint dandified little man who, I was sorry to see, now limped badly, had been in his time one of the most celebrated members of the Belgian police. Agatha Christie's initial description of Poirot in Murder on the Orient Express: By the step leading up into the sleeping-car stood a young French lieutenant, resplendent in uniform, conversing with a small man [Hercule Poirot] muffled up to the ears of whom nothing was visible but a pink-tipped nose and the two points of an upward-curled moustache. In the later books, his limp is not mentioned, suggesting it may have been a temporary wartime injury. (In Curtain, Poirot admits he was wounded when he first came to England.) Poirot has green eyes that are repeatedly described as shining "like a cat's" when he is struck by a clever idea, and dark hair, which he dyes later in life. In Curtain, he admits to Hastings that he wears a wig and a false moustache. However, in many of his screen incarnations, he is bald or balding. Frequent mention is made of his patent leather shoes, damage to which is frequently a source of misery for him, but comical for the reader. Poirot's appearance, regarded as fastidious during his early career, later falls hopelessly out of fashion. Among Poirot's most significant personal attributes is the sensitivity of his stomach: The plane dropped slightly. "Mon estomac," thought Hercule Poirot, and closed his eyes determinedly. He suffers from sea sickness, and, in Death in the Clouds, he states that his air sickness prevents him from being more alert at the time of the murder. Later in his life, we are told: Always a man who had taken his stomach seriously, he was reaping his reward in old age. Eating was not only a physical pleasure, it was also an intellectual research. Poirot is extremely punctual and carries a pocket watch almost to the end of his career. He is also particular about his personal finances, preferring to keep a bank balance of 444 pounds, 4 shillings, and 4 pence. Actor David Suchet, who portrayed Poirot on television, said "there's no question he's obsessive-compulsive". Film portrayer Kenneth Branagh said that he "enjoyed finding the sort of obsessive-compulsive" in Poirot. As mentioned in Curtain and The Clocks, he is fond of classical music, particularly Mozart and Bach. Methods In The Mysterious Affair at Styles, Poirot operates as a fairly conventional, clue-based and logical detective; reflected in his vocabulary by two common phrases: his use of "the little grey cells" and "order and method". Hastings is irritated by the fact that Poirot sometimes conceals important details of his plans, as in The Big Four. In this novel, Hastings is kept in the dark throughout the climax. This aspect of Poirot is less evident in the later novels, partly because there is rarely a narrator to mislead. In Murder on the Links, still largely dependent on clues himself, Poirot mocks a rival "bloodhound" detective who focuses on the traditional trail of clues established in detective fiction (e.g., Sherlock Holmes depending on footprints, fingerprints, and cigar ash). From this point on, Poirot establishes his psychological bona fides. Rather than painstakingly examining crime scenes, he enqui.... Discover the Agatha Christie Pocket Classic popular books. Find the top 100 most popular Agatha Christie Pocket Classic books.