Barbara Jaques Popular Books

Barbara Jaques Biography & Facts

Hattie Jacques (; born Josephine Edwina Jaques; 7 February 1922 – 6 October 1980) was an English comedy actress of stage, radio and screen. She is best known as a regular of the Carry On films, where she typically played strict, no-nonsense characters, but was also a prolific television and radio performer. Jacques started her career in 1944 with an appearance at the Players' Theatre in London, but came to national prominence through her appearances on three highly popular radio series on the BBC: with Tommy Handley on It's That Man Again; with ventriloquist Peter Brough on Educating Archie; and then with Tony Hancock on Hancock's Half Hour. After the Second World War Jacques made her cinematic debut in Green for Danger (1946), in which she had a brief, uncredited role. From 1958 to 1974 she appeared in 14 Carry On films, playing various roles including the formidable hospital matron. On television she had a long professional partnership with Eric Sykes, with whom she co-starred in his long-running series Sykes and Sykes and a.... The role endeared her to the public and the two became staples of British television. In private, Jacques led a turbulent life. She was married to the actor John Le Mesurier from 1949 until their divorce in 1965, a separation caused by her five-year affair with another man. Jacques, who had been overweight since her teenage years, suffered ill-health soon after the separation from Le Mesurier and her weight rose to nearly 20 stone (280 lb; 130 kg). She died of a heart attack on 6 October 1980, at the age of 58. Her biographer, Frances Gray, considers Jacques had a "talent for larger-than-life comedy which never lost its grip on humanity", while she could also display "a broader comic mode" as a result of her "extraordinary versatility". Biography Early life: 1922–1944 Jacques was born Josephine Edwina Jaques on 7 February 1922 at 125 Sandgate High Street, Sandgate, Kent. She was the youngest child of Robin Rochester Jaques, an officer in the British Army and later a flying officer in the Royal Air Force, and Mary Jaques (née Thorn), a nurse who served in the Voluntary Aid Detachment (VAD). The Jaques family were predominantly non-theatrical, with the exception of Mary who appeared in the small role of Harry Hathaway in the Christmas pantomime Robinson Crusoe at the Palace Theatre, Cologne, in 1920. Mary enjoyed the theatre, and took Jacques to live performances from an early age. The result had a "profound effect" on the young girl, particularly a love of dance. Robin Rochester Jaques, who attained the rank of flight lieutenant with the RAF, was a keen sportsman and became a semi-professional footballer. He signed to Clapton Orient and Fulham F.C., but his career was cut short when he died in a flying accident on 8 August 1923. Upon his death, Mary, Jacques and her elder brother Robin moved from Newton in Lincolnshire to London, where Jacques was sent to the Lady Margaret primary school in Chelsea. In July 1930 Jacques started her secondary schooling at the Godolphin and Latymer School in Hammersmith, and also attended a local dance school, the Dean Sisters Academy, where she was a principal dancer in the academy's shows. She left Godolphin and Latymer in the summer of 1939 with unremarkable grades. She continued intermittently with amateur theatricals, and in May 1939 appeared with the Curtain Club in Barnes in productions of Fumed Oak and Borgia. At the outbreak of the Second World War Jacques became a nurse in the VAD; she served in a mobile unit in London, attending bombed sites during the Blitz. After a reorganisation in the VAD, Jacques sought new work and, in the summer of 1943, she became a welder in a factory in north London, a job that lasted until the end of the year. Around this time she became romantically involved with an American soldier, Major Charles Kearney. Jacques later claimed that the pair had been engaged and that Kearney had been killed in action, although her biographer, Andy Merriman, discovered that Kearney had a wife and children in the United States when he had proposed to Jacques, and had returned to them after the war. Early post-war work: 1944–1950 In 1944, after being auditioned by Leonard Sachs, Jacques made her professional theatrical debut as Josephine Jacques—adding a "c" to her birth name as she did so—at the Players' Theatre, London in a revue called Late Joys. Almost immediately she became a regular performer with the company, appearing in music hall revues and playing the Fairy Queen in their Victorian-style pantomimes. Her biographer, Frances Gray, described the Players' as being Jacques's drama school, as she acted, directed, wrote lyrics and "developed the persona she was to use in pantomime for years, the large, bossy, but vulnerable fairy queen". It was while appearing in a Late Joys revue in June 1946 that she made her debut on television, when the show was broadcast on the BBC. While appearing at the Players' in 1946 she acquired the nickname "Hattie" after performing in the minstrel show Coal Black Mammies for Dixie. A member of the backstage staff compared her "blacked up" appearance with the American actress Hattie McDaniel, known for her work in Gone with the Wind, and Jacques adopted the name for the rest of her life. Jacques made her big-screen debut, briefly and uncredited, in the 1946 film Green for Danger, directed by Sidney Gilliat. In December that year, she joined the Young Vic Theatre Company and played Smeraldina in The King Stag. The play ran at the Lyric Theatre for a month before going on a five-month tour of the UK. It received favourable reviews; the Gloucestershire Echo described the piece as "a noble play", and thought that Jacques was "very solidly in step". In March 1947 Alberto Cavalcanti's film Nicholas Nickleby was released, in which Jacques had her first credited big-screen role as Mrs Kenwick. While engaged at the Players' in June 1947, Jacques was introduced to the actor John Le Mesurier and the two began a relationship. Le Mesurier was married but estranged from his wife. In August 1947 Ted Kavanagh, the scriptwriter of the BBC Home Service show It's That Man Again (ITMA), visited the Players' and invited Jacques to audition for the series, which she did on 18 September, for a fee of five guineas. She became so nervous during the audition that Tommy Handley, the show's star, held her hand, which she found made her more nervous. Jacques joined the cast of ITMA as the greedy schoolgirl Sophie Tuckshop, where she "would regale listeners with terrifying accounts of epic binges", before finishing her stories with the catchphrase "But I'm alright now". Jacques started her run in ITMA in September 1947, at the beginning of series eleven, which ran for 38 episodes, and was paid ten guineas per episode. For much of 1948 Jacques continued to record episodes of ITMA for half the week, while spending evenings in the Players' Theatre; she also found time during th.... Discover the Barbara Jaques popular books. Find the top 100 most popular Barbara Jaques books.

Best Seller Barbara Jaques Books of 2024

  • Portia synopsis, comments

    Portia

    Barbara Jaques

    A short cautionary tale; when does a stranger become something more?

  • Following Alice synopsis, comments

    Following Alice

    Barbara Jaques

    Sun, sea and sand serve only to perpetuate an annual nightmare

  • Lonesome Corpse synopsis, comments

    Lonesome Corpse

    Barbara Jaques

    A creepy short story of why it is always better to stay on the path

  • Fibre synopsis, comments

    Fibre

    Barbara Jaques

    A short tale of threading lives and private stories where not everything is as it seems.

  • Baggy synopsis, comments

    Baggy

    Barbara Jaques

    With a nod to Roald Dahl's Tales of the Unexpected, Baggy is the story of a boy's playful pranks and the price he must pay for his fun.

  • Anita Smith. synopsis, comments

    Anita Smith.

    Barbara Jaques

    Life is a bus journey. Or is it a lottery, where you select your own numbers or even make a random choice? Whichever, the odds do not change. What does matter, however, is what you...

  • The Front Door synopsis, comments

    The Front Door

    Barbara Jaques

    An unexpected tale of opportunity in the rental market. Inspired by Mary Shelley's Frankenstein and Roald Dahl.

  • Number Ten synopsis, comments

    Number Ten

    Barbara Jaques

    The decision of one man seems to change the course of the day for many. But was change coming, anyway?

  • Party Bus synopsis, comments

    Party Bus

    Barbara Jaques

    A short story of life. Waiting in a supermarket car park, in a small English town, is a bus decorated for fun. But what sort of party starts at 8am and includes the young the old a...

  • Cold Bones synopsis, comments

    Cold Bones

    Barbara Jaques

    Two cycling friends take a short break from family life and find themselves caught up in a nose twitching puzzle.

  • We Are Who synopsis, comments

    We Are Who

    Barbara Jaques

    The age of technology? The ride might be longer than you think.

  • Sterling Close synopsis, comments

    Sterling Close

    Barbara Jaques

    Sterling Close is the short story of a tiny community and their very particular, and rather unexpected, tastes. From the author of other unexpected short stories, novelist Barbara ...

  • Listen to Me synopsis, comments

    Listen to Me

    Barbara Jaques

    A short tale of two people finding warmth at an ancient ritual and a dark, unwanted obsession.