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Edward Sheriff Curtis (February 19, 1868 – October 19, 1952, sometimes given as Edward Sherriff Curtis) was an American photographer and ethnologist whose work focused on the American West and on Native American people. Sometimes referred to as the "Shadow Catcher", Curtis traveled the United States to document and record the dwindling ways of life of various native tribes through photographs and audio recordings. Early life Curtis was born on February 19, 1868, on a farm near Whitewater, Wisconsin. His father, the Reverend Asahel "Johnson" Curtis (1840–1887), was a minister, farmer, and American Civil War veteran born in Ohio. His mother, Ellen Sheriff (1844–1912), was born in Pennsylvania. Curtis's siblings were Raphael (1862 – c. 1885), also called Ray; Edward, called Eddy; Eva (1870–?); and Asahel Curtis (1874–1941). Weakened by his experiences in the Civil War, Johnson Curtis had difficulty in managing his farm, resulting in hardship and poverty for his family.Around 1874, the family moved from Wisconsin to Minnesota to join Johnson Curtis's father, Asahel Curtis, who ran a grocery store and was a postmaster in Le Sueur County. Curtis left school in the sixth grade and soon built his own camera. Career Early career In 1885, at 17, Curtis became an apprentice photographer in St. Paul, Minnesota. In 1887 the family moved to Seattle, Washington, where he purchased a new camera and became a partner with Rasmus Rothi in an existing photographic studio. Curtis paid $150 for his 50% share in the studio. After about six months, he left Rothi and formed a new partnership with Thomas Guptill. They established a new studio, Curtis and Guptill, Photographers and Photoengravers.In 1895, Curtis met and photographed Princess Angeline (c. 1820–1896), also known as Kickisomlo, the daughter of Chief Sealth of Seattle. This was his first portrait of a Native American. In 1898, three of Curtis's images were chosen for an exhibition sponsored by the National Photographic Society. Two were images of Princess Angeline, "The Mussel Gatherer" and "The Clam Digger". The other was of Puget Sound, entitled "Homeward", which was awarded the exhibition's grand prize and a gold medal. In that same year, while photographing Mount Rainier, Curtis came upon a small group of scientists who were lost and in need of direction. One of them was George Bird Grinnell, considered an "expert" on Native Americans by his peers. Curtis was appointed the official photographer of the Harriman Alaska Expedition of 1899, probably as a result of his friendship with Grinnell. Having very little formal education Curtis learned much during the lectures that were given aboard the ship each evening of the voyage. Grinnell became interested in Curtis's photography and invited him to join an expedition to photograph people of the Blackfoot Confederacy in Montana in 1900. The North American Indian In 1906, J. P. Morgan provided Curtis with $75,000 (equivalent to over $2.5 million in 2024) to produce a series on Native Americans. This work was to be in 20 volumes with 1,500 photographs. Morgan's funds were to be disbursed over five years and were earmarked to support only fieldwork for the books, not for writing, editing, or production of the volumes. Curtis received no salary for the project, which was to last more than 20 years. Under the terms of the arrangement, Morgan was to receive 25 sets and 500 original prints as repayment. Once Curtis had secured funding for the project, he hired several employees to help him. For writing and for recording Native American languages, he hired a former journalist, William E. Myers. For general assistance with logistics and fieldwork, he hired Bill Phillips, a graduate of the University of Washington and Alexander B. Upshaw a member of the Absaroke tribe (‘Crow’). Frederick Webb Hodge, an anthropologist employed by the Smithsonian Institution, was hired to edit the series, based on his experience researching and documenting Native American people and culture in the southwestern United States.Eventually, 222 complete sets of photographs were published. Curtis's goal was to document Native American life, pre-colonization. He wrote in the introduction to his first volume in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." Curtis made over 10,000 wax cylinder recordings of Native American language and music. He took over 40,000 photographic images of members of over 80 tribes. He recorded tribal lore and history, described traditional foods, housing, garments, recreation, ceremonies, and funeral customs. He wrote biographical sketches of tribal leaders. His work was exhibited at the Rencontres d'Arles festival in France in 1973. In the Land of the Head Hunters Curtis had been using motion picture cameras in fieldwork for The North American Indian since 1906. He worked extensively with the ethnographer and British Columbia native George Hunt in 1910, which inspired his work with the Kwakiutl, but much of their collaboration remains unpublished. At the end of 1912, Curtis decided to create a feature film depicting Native American life, partly as a way of improving his financial situation and partly because film technology had improved to the point where it was conceivable to create and screen films more than a few minutes long. Curtis chose the Kwakiutl tribe, of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, for his subject. His film, In the Land of the Head Hunters, was the first feature-length film whose cast was composed entirely of Native North Americans.In the Land of the Head-Hunters premiered simultaneously at the Casino Theatre in New York and the Moore Theatre in Seattle on December 7, 1914. The silent film was accompanied by a score composed by John J. Braham, a musical theater composer who had also worked with Gilbert and Sullivan. The film was praised by critics but made only $3,269.18 (around $99 thousand in 2024) in its initial run. It was however criticized by ethnographic community due to its lack of authenticity. The Indians were not only dressed up by the movie director himself but the plot was enriched with exaggerated elements falsifying the reality. Later years The photographer Ella E. McBride assisted Curtis in his studio beginning in 1907 and became a friend of the family. She made an unsuccessful attempt to purchase the studio with Curtis's daughter Beth in 1916, the year of Curtis's divorce, and left to open her own studio.Around 1922, Curtis moved to Los Angeles with Beth and opened a new photo studio. To earn money he worked as an assistant cameraman for Cecil B. DeMille and was an uncredited assistant cameraman in the 1923 filming of The Ten Commandments. On October 16, 1924, Curtis sold the rights to his ethnographic motion picture In the Land of the Head-Hunters to the American Museum of.... Discover the Charles Lauriat popular books. Find the top 100 most popular Charles Lauriat books.