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"Acrobat" is a song by rock band U2, and is the eleventh track on their 1991 album Achtung Baby. The song developed from a riff created by guitarist the Edge, and is played in a 128 time signature. Lyrically, the song expresses themes of hypocrisy, alienation, and moral confusion. Although "Acrobat" was rehearsed prior to the third leg of the Zoo TV Tour, it had not been performed live until its debut on the Experience + Innocence Tour on 2 May 2018. Inspiration, writing, and recording Lead singer Bono was influenced by the work of Delmore Schwartz when writing the lyrics of "Acrobat", to whom the song is dedicated. The title of his first book, In Dreams Begin Responsibilities, is quoted in the final verse. Bono noted the book "was on my mind when I was writing the words... It's hard to wrap the book up in a few lines, but Delmore Schwartz is kind of a formalist... I'm the opposite. I'm in the mud as a writer, so I could do with a bit of [Schwartz], and that's why I enjoy him." The song was developed from a riff guitarist The Edge developed during a soundcheck in Auckland, New Zealand, on the Lovetown Tour in 1989. He noted that the beat is unusual for a U2 song, saying it "was the jumping off point, to try and do something with an unusual beat." Producer Daniel Lanois became disoriented with the direction U2 took "Acrobat" during its recording. Bono noted "Daniel had such a hard time on that... he was trying to get us to play to our strengths and I didn't want to. I wanted to play to our weaknesses. I wanted to experiment." Bono noted that the end product "doesn't quite get off the ground the way I'd hoped it would." An early mix of the track was included on some versions of the 20th anniversary reissue of Achtung Baby. The mix, titled "'Baby' Acrobat", contained lyrics that were later modified to a different perspective ("You know I'd hit out if I only knew who to hit" instead of the final "I know you'd hit out if you only knew who to hit") or scrapped entirely ("If the sky turns to purple and the moon turns to blood / Will you dig me out when I'm face down in the mud"). Composition and theme "Acrobat" is played in a 128 time signature. The Edge noted "it's a very Irish time signature, it's used in a lot of traditional Irish music, but in rock and roll you don't really hear it that much." In the time leading up to the start of the Achtung Baby sessions, U2 listened to records which had a "hard-edged industrial kind of sound", including works by KMFDM and Sonic Youth, as well as artists such as Roy Orbison and Jacques Brel. These influences led the band to seek the creation of songs which were harder musically than their previous work, while remaining personal lyrically. "Acrobat" is one of the most personal songs on Achtung Baby with Bono acknowledging personal weakness, contradictions, and inadequacy. The Edge noted that the song contained "a bit of venom", likening it to "the bitter, John Lennon tradition of 'Working Class Hero', slightly snarling and cynical." Bono stated "as we moved from the eighties to the nineties, I stopped throwing rocks at the obvious symbols of power and the abuse of it. I started throwing rocks at my own hypocrisy... 'Acrobat' [goes] 'Don't believe what you hear, don't believe what you see / If you just close your eyes / You can feel the enemy...' I can't remember it, but the point is: you start to see the world in a different way, and you're part of the problem, not just part of the solution". In 2006, he noted it was "a song about being a hypocrite, and I think we all can be and I certainly have been. And you know, you exact very high standards on people in the world but then you don't live them personally", noting the theme was most evident in the lyric "I must be an acrobat to talk like this and act like that". Hot Press editor Niall Stokes felt The Edge's guitar playing combined elements of "Where the Streets Have No Name" with "Bullet the Blue Sky". Speaking of its theme he said "at its heart is an awareness of the ravages of time, and what it does to people and to relationships. But beyond that, there is the self-awareness that, itself, comes only with experience... Bono acknowledges his own weakness and inadequacy. He is more conscious now than ever before of the contradictions in his own position." Andy Greene of Rolling Stone believed the "aggressive and venomous" song reflected Bono's thoughts during the album sessions, saying "Nearly every lyric brims with rage... It was a new decade and it was quite possible they were about to be dismissed as a relic of the past." U2 biographer Bill Flanagan credits Bono's habit of keeping his lyrics "in flux until the last minute" with providing a narrative coherence to the album. Flanagan interpreted Achtung Baby as using the moon as a metaphor for a dark woman seducing the singer away from his virtuous love, the sun; he is tempted away from domestic life by an exciting nightlife and tests how far he can go before returning home. For Flanagan, the final three songs on Achtung Baby—"Ultraviolet (Light My Way)", "Acrobat", and "Love Is Blindness"—are about how the couple deal with the suffering they have forced on each other. Hot Press writer Joe Jackson felt that the song was dominated by a theme of moral confusion. Author John Luerssen believed the song was about "the fight to persevere". He added it "was long on piss and vinegar, as evidenced by its snarling, cynical approach." Craig Delancey, an Assistant Professor of Philosophy at the State University of New York, cited the conclusion of "Acrobat" as an example of how rock music can be "profoundly successful at evoking the mixture of anger and contempt that can keep you going in the face of seemingly overwhelming opposition." He noted that "the powerful closing sentiments of Achtung Baby's 'Acrobat' can help us feel motivated and empowered in the face of powers that want us to feel powerless." Timothy Cleveland, the Head of the Philosophy Department at New Mexico State University, wrote that the opening lyric was an introspection of the self. He noted "here feeling is contrasted with perceptual states that make one aware of the world around them. The 'enemy' that one can feel is oneself. 'To feel' in this case refers to a kind of awareness one has of oneself independent of the sensations of the outside world... Like perceptual feeling it is a kind of direct awareness and so a kind of knowledge by acquaintance." Robyn Brothers felt the line "I'd break bread and wine / If there was a church I could receive in" referenced feelings of spiritual alienation. She compared the song to "Zooropa", stating that both reference a response to uncertainty and an unavoidable feeling of alienation. Writing for Uncut, Gavin Martin wondered if the lyric "What are we going to do now it's all been said / No new ideas in the house, and every book has been read" was an examination of the band's longevity, stating "Bono sounded fragile, wounded, seemi.... Discover the Craig Delancey popular books. Find the top 100 most popular Craig Delancey books.