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Tina!: 50th Anniversary Tour was the eleventh and final concert tour by singer Tina Turner. It was the first tour by Turner in eight years, following her record-breaking "Twenty Four Seven Tour". The trek marked the singer's 50th year in music—since joining Ike Turner and the Kings of Rhythm in St. Louis, Missouri. In conjunction with the tour, Turner released the compilation album, Tina!. Beginning October 1, 2008, and concluded on May 5, 2009. With the tour, Turner continued her success in concert sales. The North American leg of the tour played 37 sold-out performances, earning over $47.7 million—becoming one of the biggest tours in the territory for 2008. The success continued for the European leg. Turner played 47 sold-out performances, earning over $84.8 million—becoming the 9th highest earning tour in 2009. The tour was seen by over one million spectators and grossed over $130 million. The concerts received additional accolades, receiving an "Excellence Award" from Live Design Magazine. Background A brand new stage show that will feature hit after hit spanning Turner's entire career, with a spectacular production including the singer's top-notch band, innovative choreography, hi-tech lighting and much more. (...) The set, the production, the songs, and Turner's unique stage presence will delight her legions of fans who have followed the legendary diva's extraordinary creative journey, while seducing new admirers and proving that her vocal majesty still continues its reign to this day. In 2008, Turner made her first appearance on U.S. television for the 50th Grammy Awards since her 2005 album promotional tour. On the show, she performed a medley of "What's Love Got to Do with It" and "Better Be Good to Me" as well as "Proud Mary" with Beyoncé. In the same night, she received an award for her contribution to River: The Joni Letters. Several months later, the singer appeared on The Oprah Winfrey Show with Cher concerning their performance history. This is where Turner announced she was embarking on a world tour. She stated it was the best time for her to go on tour as her peers were performing well on the touring circuit. She continued to say she wanted to do it before it was too late. In sequential, Turner says actress and friend Sophia Loren suggested the singer reconsider retirement because her fans wanted to see her again. Turner was also encouraged to return to the stage following the overwhelming response from her Grammy performance. She further remarks:"I was at the Armani show in Milan just chatting with Sophia Loren. I told her I was taking a break. She said for how long … I said oh, seven years. She said, 'Break over. People want to see you. Get back to work'. […] After [performing at] the Grammys when I got home to Zürich, people would come up to me in the restaurant, in the ladies room, on the street … everywhere. I started getting lots of little slips of paper and napkins with notes from fans. Some of them were so touching about my life, or a song and how it helped them. Each time I kept the note ... and suddenly there was a pile. I called my manager and said, 'It's time!'" Originally known as "Tina!: Live in Concert", Turner decided to have the tour commemorate her fiftieth year performing on stage. Turner first performed at Club Imperial with Ike Turner and the Kings of Rhythm in 1958 (at the time, Turner was known as "Little Ann"). The tour was sponsored by Amway Global and received early praise from the media and fans. Tour dates were announced in May 2008. While promoting the tour on The Early Show, Turner stated she was ready to return to perform in America and perform in familiar cities. She followed with saying she wanted the tour to start in Missouri since that is where her music career began. Rehearsals for the tour began in late September 2008 at Sprint Center in Kansas City. Production rehearsals began in July 2008 in Hershey, Pennsylvania. The singer gave Access Hollywood an exclusive backstage glimpse at rehearsals and a photoshoot for the tour and upcoming album, Tina!: Her Greatest Hits. The success of the tour was immediate as many shows sold out within minutes. Turner announced additional dates in the United States and release dates for Europe. The tour was a triumph for Turner and continued her success as one of the biggest concert draws in history. The show was recorded for a live album and DVD release entitled, Tina Live. Stage The stage for the tour was designed by Mark Fisher, who has designed Turner's stages since 1983. The stage itself is a mixture of elements from the singer's previous stages including "The Staircase", "The Claw" and "The Iris". Fisher formed a creative team with Turner's manager Roger Davies, Baz Halpin and Toni Basil to not only design the stage but also the show. The team wanted to feature elements reminiscent of Turner's previous stage productions. The stage measurements were 52.5' deep by 70' wide and weighed 75 tons. The lower tier featured an airlift while the upper tier contained a scissorlift. Due to budget constraints, the staircase was replaced with a small platform that lowered Turner onto the stages. On the upper tier of the stage featured two LED screens that opened resembling the effect used on the Twenty Four Seven Tour. A new stage prop known as "The Cage" was used for the performance of "We Don't Need Another Hero (Thunderdome)". Concert synopsis The show began with an updated version of The Beatles' "Get Back". As the song ends, the curtain rises, revealing Turner on a platform 30' above the stage. The platform lowers as the opening bars for "Steamy Windows" begin to play. The singer quickly transitions into "Typical Male" before she greets the audience, telling them, "I want you to have a good time". This leads into "River Deep – Mountain High" followed by "What You Get Is What You See", where Turner addresses male members of the audience. Turner goes into 'Better Be Good to Me" ending with a sing along with the audience. The song concludes with a dance break featuring "The Ninjas". The performance shows the two dancers fighting with a security guard as the show flows into "Won't Get Fooled Again". Turner returns onstage to perform "Acid Queen". She follows with the performance of her biggest hit "What's Love Got to Do with It?". As the song ends, Turner seeks a call and response from the audience, asking them to say "What's love got to do with it?". "Private Dancer" comes next leading into another dance interlude by The Ninjas. After a costume change, Turner returns onstage to perform "We Don't Need Another Hero (Thunderdome)" as Aunty Entity. The show then proceeds to a 30-minute intermission and returns with a video montage set to "I Don't Wanna Fight". Turner reappears to perform "Help", "Let's Stay Together", "Undercover Agent for the Blues" and "I Can't Stand the Rain" in an acoustic setting. She returns to her rock prowess with a medley of The Rolling Stones' "Jumping Jack.... Discover the David Bidler popular books. Find the top 100 most popular David Bidler books.

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    Breathe to Perform

    David Bidler

    Breathing exercises have been used for centuries by those seeking to master stress, improve health, and peak human performance. Breathe To Perform simplifies the science behind the...