Emile Zola Ernest Alfred Vizetelly Popular Books

Emile Zola Ernest Alfred Vizetelly Biography & Facts

Émile Édouard Charles Antoine Zola (, also US: , French: [emil zɔla]; 2 April 1840 – 29 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined J'Accuse…!  Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the southeast when Émile was three years old. In 1845, five-year-old Zola was sexually molested by an older boy. Two years later, in 1847, his father died, leaving his mother on a meager pension. In 1852, Zola entered the Collège Bourbon as a boarding student. Those were hard years for young Zola: he would later complain about poor nutrition and bullying in school. In 1858, the Zolas moved to Paris, where Émile's childhood friend Paul Cézanne soon joined him. Zola started to write in the romantic style. His widowed mother had planned a law career for Émile, but he failed his baccalauréat examination twice. Before his breakthrough as a writer, Zola worked for minimal pay as a clerk in a shipping firm and then in the sales department for the publisher Hachette. He also wrote literary and art reviews for newspapers. As a political journalist, Zola did not hide his dislike of Napoleon III, who had successfully run for the office of president under the constitution of the French Second Republic, only to use this position as a springboard for the coup d'état that made him emperor. Later life In 1862 Zola was naturalized as a French citizen. In 1865, he met Éléonore-Alexandrine Meley, who called herself Gabrielle, a seamstress, who became his mistress. They married on 31 May 1870. Together they cared for Zola's mother. She stayed with him all his life and was instrumental in promoting his work. The marriage remained childless. Alexandrine Zola had a child before she met Zola that she had given up, because she was unable to take care of it. When she confessed this to Zola after their marriage, they went looking for the girl, but she had died a short time after birth. In 1888, he was given a camera, but he only began to use it in 1895 and attained a near professional level of expertise. Also in 1888, Alexandrine hired Jeanne Rozerot, a 21-year-old seamstress who was to live with them in their home in Médan. The 48-year-old Zola fell in love with Jeanne and fathered two children with her: Denise in 1889 and Jacques in 1891. After Jeanne left Médan for Paris, Zola continued to support and visit her and their children. In November 1891 Alexandrine discovered the affair, which brought the marriage to the brink of divorce. The discord was partially healed, which allowed Zola to take an increasingly active role in the lives of the children. After Zola's death, the children were given his name as their lawful surname. Career During his early years, Zola wrote numerous short stories and essays, four plays, and three novels. Among his early books was Contes à Ninon, published in 1864. With the publication of his sordid autobiographical novel La Confession de Claude (1865) attracting police attention, Hachette fired Zola. His novel Les Mystères de Marseille appeared as a serial in 1867. He was also an aggressive critic, his articles on literature and art appearing in Villemessant's journal L'Événement. After his first major novel, Thérèse Raquin (1867), Zola started the series called Les Rougon-Macquart. In Paris, Zola maintained his friendship with Cézanne, who painted a portrait of him with another friend from Aix-en-Provence, writer Paul Alexis, entitled Paul Alexis Reading to Zola. Literary output More than half of Zola's novels were part of the twenty-volume Les Rougon-Macquart cycle, which details the history of a single family under the reign of Napoléon III. Unlike Balzac, who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start, at the age of 28, had thought of the complete layout of the series. Set in France's Second Empire, in the context of Baron Haussmann's changing Paris, the series traces the environmental and hereditary influences of violence, alcohol, and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of the family—the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts—over five generations. In the preface to the first novel of the series, Zola states, "I want to explain how a family, a small group of regular people, behaves in society, while expanding through the birth of ten, twenty individuals, who seem at first glance profoundly dissimilar, but who are shown through analysis to be intimately linked to one another. Heredity has its own laws, just like gravity. I will attempt to find and to follow, by resolving the double question of temperaments and environments, the thread that leads mathematically from one man to another." Although Zola and Cézanne were friends from childhood, they experienced a falling out later in life over Zola's fictionalised depiction of Cézanne and the Bohemian life of painters in Zola's novel L'Œuvre (The Masterpiece, 1886). From 1877, with the publication of L'Assommoir, Émile Zola became wealthy; he was better paid than Victor Hugo, for example. Because L'Assommoir was such a success, Zola was able to renegotiate his contract with his publisher Georges Charpentier to receive more than 14% royalties and the exclusive rights to serial publication in the press. Subsequently, sales of L'Assommoir were even exceeded by those of Nana (1880) and La Débâcle (1892). He became a figurehead among the literary bourgeoisie and organised cultural dinners with Guy de Maupassant, Joris-Karl Huysmans, and other writers at his luxurious villa (worth 300,000 francs) in Médan, near Paris, after 1880. Despite being nominated several times, Zola was never elected to the Académie française. Zola's output also included novels on population (Fécondité) and work (Travail), a number of plays, and several volumes of criticism. He wrote every day for around 30 years, and took as his motto Nulla dies sine linea ("not a day without a line"). The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works were inspired by the concept of heredity and milieu (Claude Bernard and Hippolyte Taine) and by th.... Discover the Emile Zola Ernest Alfred Vizetelly popular books. Find the top 100 most popular Emile Zola Ernest Alfred Vizetelly books.