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Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–1863), Felix Holt, the Radical (1866), Middlemarch (1871–1872) and Daniel Deronda (1876). As with Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place and detailed depiction of the countryside. Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language. Scandalously and unconventionally for the era, she lived with the married George Henry Lewes as his conjugal partner, from 1854–1878, and called him her husband. He remained married to his wife and supported their children, even after she left him to live with another man and have children with him. In May 1880, eighteen months after Lewes's death, George Eliot married her long-time friend, John Cross, a man much younger than she, and she changed her name to Mary Ann Cross. Life Early life and education Mary Ann Evans was born in Nuneaton, Warwickshire, England, at South Farm on the Arbury Hall estate. She was the third child of Welshman Robert Evans (1773–1849), manager of the Arbury Hall estate, and Christiana Evans (née Pearson, 1788–1836), daughter of a local mill-owner. Her full siblings were: Christiana, known as Chrissey (1814–59), Isaac (1816–1890), and twin brothers who died a few days after birth in March 1821. She also had a half-brother, Robert Evans (1802–64), and half-sister, Frances "Fanny" Evans Houghton (1805–82), from her father's previous marriage to Harriet Poynton (1780–1809). In early 1820, the family moved to a house named Griff House, between Nuneaton and Bedworth. The young Evans was a voracious reader and obviously intelligent. Because she was not considered physically beautiful, Evans was not thought to have much chance of marriage, and this, coupled with her intelligence, led her father to invest in an education not often afforded to women. From ages five to nine, she boarded with her sister Chrissey at Miss Latham's school in Attleborough, from ages nine to thirteen at Mrs. Wallington's school in Nuneaton, and from ages thirteen to sixteen at Miss Franklin's school in Coventry. At Mrs. Wallington's school, she was taught by the evangelical Maria Lewis—to whom her earliest surviving letters are addressed. In the religious atmosphere of the Misses Franklin's school, Evans was exposed to a quiet, disciplined belief opposed to evangelicalism. After age sixteen, Evans had little formal education. Thanks to her father's important role on the estate, she was allowed access to the library of Arbury Hall, which greatly aided her self-education and breadth of learning. Her classical education left its mark; Christopher Stray has observed that "George Eliot's novels draw heavily on Greek literature (only one of her books can be printed correctly without the use of a Greek typeface), and her themes are often influenced by Greek tragedy". Her frequent visits to the estate also allowed her to contrast the wealth in which the local landowner lived with the lives of the often much poorer people on the estate, and different lives lived in parallel would reappear in many of her works. The other important early influence in her life was religion. She was brought up within a low church Anglican family, but at that time the Midlands was an area with a growing number of religious dissenters. Move to Coventry In 1836, her mother died and Evans (then 16) returned home to act as housekeeper, though she continued to correspond with her tutor Maria Lewis. When she was 21, her brother Isaac married and took over the family home, so Evans and her father moved to Foleshill near Coventry. The closeness to Coventry society brought new influences, most notably those of Charles and Cara Bray. Charles Bray had become rich as a ribbon manufacturer and had used his wealth in the building of schools and in other philanthropic causes. Evans, who had been struggling with religious doubts for some time, became intimate friends with the radical, free-thinking Brays, who had a casual view of marital obligations and the Brays' "Rosehill" home was a haven for people who held and debated radical views. The people whom the young woman met at the Brays' house included Robert Owen, Herbert Spencer, Harriet Martineau, and Ralph Waldo Emerson. Through this society Evans was introduced to more liberal and agnostic theologies and to writers such as David Strauss and Ludwig Feuerbach, who cast doubt on the literal truth of Biblical texts. In fact, her first major literary work was an English translation of Strauss's Das Leben Jesu kritisch bearbeitet as The Life of Jesus, Critically Examined (1846), which she completed after it had been left incomplete by Elizabeth "Rufa" Brabant, another member of the "Rosehill Circle". The Strauss book had caused a sensation in Germany by arguing that the miracles in the New Testament were mythical additions with little basis in fact. Evans's translation had a similar effect in England, with the Earl of Shaftesbury calling her translation "the most pestilential book ever vomited out of the jaws of hell." Later she translated Feuerbach's The Essence of Christianity (1854). The ideas in these books would have an effect on her own fiction. As a product of their friendship, Bray published some of Evans's own earliest writing, such as reviews, in his newspaper the Coventry Herald and Observer. As Evans began to question her own religious faith, her father threatened to throw her out of the house, but his threat was not carried out. Instead, she respectfully attended church and continued to keep house for him until his death in 1849, when she was 30. Five days after her father's funeral, she travelled to Switzerland with the Brays. She decided to stay on in Geneva alone, living first on the lake at Plongeon (near the present-day United Nations buildings) and then on the second floor of a house owned by her friends François and Juliet d'Albert Durade on the rue de Chanoines (now the rue de la Pelisserie). She commented happily that "one feels in a downy nest high up in a good old tree". Her stay is commemorated by a plaque on the building. While residing there, she read avidly and took long walks in the beautiful Swiss countryside, which was a great inspiration to her. François Durade painted her portrait there as well. Move to London and editorship of the Westminster Review On her return to England the following year (1850), she moved to London with the intent of becoming a writer, and she began referrin.... Discover the George Eliot Rosemary Ashton popular books. Find the top 100 most popular George Eliot Rosemary Ashton books.