Hugo Munsterberg Popular Books

Hugo Munsterberg Biography & Facts

Hugo Münsterberg (; June 1, 1863 – December 16, 1916) was a German-American psychologist. He was one of the pioneers in applied psychology, extending his research and theories to industrial/organizational (I/O), legal, medical, clinical, educational and business settings. Münsterberg experienced immense turmoil with the outbreak of the First World War. Torn between his loyalty to the United States and his homeland, he often defended Germany's actions, attracting highly contrasting reactions. Biography Early life Hugo Münsterberg was born into a merchant family in Danzig (now Gdansk, Poland), then a port city in West Prussia.: 347  Münsterberg's family was Jewish, a heritage with which he felt no connection and would barely ever manifest publicly. His father Moritz (1825–1880), was a successful lumber merchant and his mother, Minna Anna Bernhardi (1838–1875), a recognized artist and musician, was Moritz's second wife. Moritz had two sons with his first wife, Otto (1854–1915) and Emil (1855–1915), and two with Anna, Hugo (1863–1916) and Oscar (1865–1920). The four sons remained close, and all of them became successful in their careers. A neo-Renaissance villa in Detmold, Germany, that Oscar lived in from 1886 to 1896 has recently been renovated and opened as a cultural center. The family had a great love of the arts, and Münsterberg was encouraged to explore music, literature, and art. Both his mother and his father died before he was 20 years old. When Münsterberg was 12, his mother died, transforming him from a care-free child to a much more serious young man. In 1880, his father also died. Education and career Münsterberg had many interests in his early years, including art, literature, poetry, foreign languages, music, and acting. Münsterberg's first years of school were spent at the Gymnasium of Danzig from which he graduated in 1882. He entered the University of Leipzig in 1883 where he heard a lecture by Wilhelm Wundt and became interested in psychology. Münsterberg eventually became Wundt's research assistant. He received his PhD in physiological psychology in 1885 under Wundt's supervision at the age of 22. In 1887, Münsterberg received his medical degree at the University of Heidelberg. He also wrote a third thesis there and met the university's other criteria for habilitation enabling him to lecture as a privatdocent. While at Freiburg he started a psychology laboratory and began publishing papers on a number of topics including attentional processes, memory, learning, and perception. In the same year he married a distant cousin, Selma Oppler of Strassburg, on August 7. In 1889, he was promoted to assistant professorship and attended the First International Congress of psychology where he met William James. They kept up a frequent correspondence and in 1892, James invited him to Harvard for a three-year term as a chair of the psychology lab even though Münsterberg did not speak English at the time. He learned to speak English rather quickly and as a result his classes became very popular with students, in fact he was attracting students from James's classes. Part of the responsibilities he assumed as part of his new position at Harvard was that he became the supervisor of the psychology graduate students, in this position directed their dissertation research. As a result, he had a great influence of many students including Mary Whiton Calkins.: 350  In 1895 he returned to Freiburg due to uncertainties of settling in the United States. However, because he could not obtain an academic position that he wanted, he wrote James and requested his old position back so that he could return to Harvard, which he did in 1897.: 350 . However, he never could separate himself from his homeland. While at Harvard, Münsterberg's career was going very well. He was affiliated with many organizations including the American Psychological Association of which he became president (1898), the American Philosophical Association of which he also became president (1908), the Washington Academy, and the American Academy of Arts and Sciences.: 348  He was the organizer and vice-president of the International Congress of Arts and Sciences at the Saint Louis World's Fair of 1904, vice-president of the International Psychological Congress in Paris in 1900, and vice-president of the International Philosophical Congress at Heidelberg in 1907. In 1910–1911, he was appointed exchange professor from Harvard to the University of Berlin. During that year, he founded the Amerika-Institut in Berlin. During his whole stay in the United States, he worked for the improvement of the relations between the United States and Germany, writing in the United States for a better understanding of Germany and in Germany for a higher appreciation of the United States. Because of his work in applied psychology, Münsterberg was well known to the public, academic world, and scientific community.: 349  The outspoken views of Münsterberg on the issues of the upcoming First World War raised storms of controversy about his ideals and position. He appeared as probably the most eminent supporter of German policies in the United States and so was at the utmost bitterly condemned by the Triple Entente (a 1907 informal understanding among the Russian Empire, the French Third Republic, and the United Kingdom of Great Britain and Ireland) and their friends, but to the pro-Germans, he appeared almost an idol. While supporting German policies, Münsterberg denounced many of the activities of the Teutonic hyphenates in the United States. Fearing a patriotic response to overt support of the German Empire would undermine his own more covert approach, he condemned the forming of an alien party within the United States as "a crime against the spirit of true Americanism" and said that its results would reach far beyond the time of the war. At his death, the general attitude toward Münsterberg had changed, and his death went relatively unnoticed because of his pro-German attitudes and his support of German policies. He tried to talk about the inaccurate stereotypes held by both the Germans and Americans. He wrote many books and articles attempting to correct them including The Americans (1904). In American Problems (1910), however, he was highly critical of Americans and said that they had the "general inability to concentrate their attention on any one thing for very long.": 350  As the war approached, Münsterberg's support of the supposed efficiency and modernity of the German autocracy caused him to be suspected of being a German spy, and many of his more liberal Harvard colleagues disassociated themselves from him. There were also threats against his life. He remained at Harvard as a professor of experimental psychology and director of the Psychological Laboratory until his sudden death in 1916 from an intracerebral hemorrhage in a lecture at Radcliffe College. Scholarship Comparisons to Wundt and James One major point of dis.... Discover the Hugo Munsterberg popular books. Find the top 100 most popular Hugo Munsterberg books.

Best Seller Hugo Munsterberg Books of 2024

  • Psychotherapy synopsis, comments

    Psychotherapy

    Hugo Münsterberg

    Psychotherapy is the practice of treating the sick by influencing the mental life. It stands at the side of physicotherapy, which attempts to cure the sick by influencing the body,...

  • Psychology and Industrial Efficiency synopsis, comments

    Psychology and Industrial Efficiency

    Hugo Münsterberg

    Our aim is to sketch the outlines of a new science which is to intermediate between the modern laboratory psychology and the problems of economics: the psychological experiment is ...

  • The Americans synopsis, comments

    The Americans

    Hugo Münsterberg

    "The Americans" by Hugo Munsterberg stands alongside Alexis de Tocqueville's American Democracy as one of the great works on the New World written by a scholar deeply f...

  • Hugo Munsterberg on Film synopsis, comments

    Hugo Munsterberg on Film

    Hugo Münsterberg & Allan Langdale

    Hugo Münsterberg's The Photoplay (1916) is one of the first and most important early works of film theory. Münsterberg's work on the emerging art of cinema remains a key document f...

  • The Photoplay synopsis, comments

    The Photoplay

    Hugo Münsterberg

    Do the photoplays furnish us only a photographic reproduction of a stage performance; is their aim thus simply to be an inexpensive substitute for the real theater, and is their es...