Jean Slatter Popular Books

Jean Slatter Biography & Facts

The Jean-Marie Tjibaou Cultural Centre (French: Centre culturel Tjibaou), on the narrow Tinu Peninsula, approximately 8 kilometres (5.0 mi) northeast of the historic centre of Nouméa, the capital of New Caledonia, celebrates the vernacular Kanak culture, the indigenous culture of New Caledonia, amidst much political controversy over the independent status sought by some Kanaks from French rule. It opened in June 1998 and was designed by Italian architect Renzo Piano and named after Jean-Marie Tjibaou, the leader of the independence movement who was assassinated in 1989 and had a vision of establishing a cultural centre which blended the linguistic and artistic heritage of the Kanak people.The Kanak building traditions and the resources of modern international architecture were blended by Piano. The formal curved axial layout, 250 metres (820 ft) long on the top of the ridge, contains ten large conical cases or pavilions (all of different dimensions) patterned on the traditional Kanak Grand Hut design. The building is surrounded by landscaping, which is also inspired by traditional Kanak design elements. Marie-Claude Tjibaou, widow of Jean Marie Tjibaou and current leader of the Agency for the Development of Kanak Culture (ADCK), observed: "We, the Kanaks, see it as a culmination of a long struggle for the recognition of our identity; on the French Government's part it is a powerful gesture of restitution." History When the Matignon agreements were signed between the representatives of France and New Caledonia, Jean-Marie Tjibaou, the Kanak leader of the independent movement, had mooted a proposal to set up an Agency for the development of Kanak Culture with the objective of promoting Kanak linguistic and archaeological heritage, promote Kanak handicrafts and the arts, encourage cross-regional interactions and evolve design and conduct research activities. This plan was implemented after Jean-Marie Tjibaou was assassinated, to assuage local feelings. The French President ordered that a cultural centre on the lines suggested by Tjibaou be set up in Nouméa. The "Jean-Marie Tjibaou Cultural Centre", which identifies Kanak culture and identity, was formally established in May 1998.However, based on a competition for designing the centre dated to 1991, the work was assigned to Renzo Piano and it was constructed between 1993 and 1998. The inaugural cultural director was Emmanual Kaserhou and the museum curator Susan Cochrane. The project was quite controversial because of its luxurious, expensive and monumental nature. The cost of maintenance were also very high, excessive in regards to New Caledonia's means, and the museum was described as empty.In the early 2000s, the cultural center recorded approximately 70,000 visits a year. The entry fee was four euros. Geography The site is located on the narrow Tina Peninsula, which projects into the Pacific Ocean along a ridge line, near the Tina Golf Course on the western coast of Boulari Bay, approximately 8 kilometres (5.0 mi) northeast of the old city centre of Nouméa. Though the agency (ADCK) wished to set up the centre in the heart of the city to make a statement within the strongly French-influenced city, the land allotted is between the lagoon and the bay, which is an offshoot of the sea. The lagoon side of this area is made up of dense mangroves at the water edge. Earlier, other types of trees also covered the site. There was a well-trodden path along the centre of the area of the peninsula. A ridge separated the area from the sea, which created the ecology of the area with the bay side experiencing strong easterly winds. Intense heat of subtropical sun was also another factor which affected the design of the building. Concept planning The building plans, spread over an area of 8,550 square metres (92,000 sq ft) of the museum, were conceived to incorporate the link between the landscape and the built structures in the Kanak traditions. The people had been removed from their natural landscape and habitat of mountains and valleys and any plan proposed for the art centre had to reflect this aspect. Thus, the planning aimed at a unique building which would be, as the architect Piano stated, "to create a symbol" ..."a cultural centre devoted to Kanak civilization, the place that would represent them to foreigners that would pass on their memory to their grand children". The model as finally built evolved after much debate in organized 'Building Workshops' in which Piano’s associate Paul Vincent and Alban Bensa, an anthropologist of repute on Kanak culture were also involved. The precursor for this cultural centre was the first cultural festival held in 1975 in New Caledonia, which was a focused celebration of Kanak culture. The Melanesia 2000 Festival was also held at the same venue where the centre has been established now. The centre is also termed as "A politicized symbolic project", which evolved over long period of research and intense debate.Another aspect of the Kanak's building tradition was that it did not fit in with the concept of a permanent building. They lived in temporary type of buildings made with locally available material which needed to be replaced from time to time in the subtropical climate. This involved a wood frame building built on earthen plinths and with roof covered by thatch. The form of the building also varied from island to island, generally round in plan and conical in the vertical elevation. They made the houses in groups with the headman’s house at the end of an open public alley formed by other buildings clustered along on both sides. Trees lined these alleys with a shady central gathering. This theme was adopted in the Cultural Centre planned by Piano and his associates.An important concept that evolved after deliberations in the 'Building Workshops', after Piano won the competition for building the art centre, also involved "landscaping ideas" to be created around each building. To this end, an "interpretative landscape path" was conceived and implemented around each building with series of vegetative cover avenues along the path that surrounded the building, but separated it from the lagoon. This landscape setting appealed to the Kanak people when the centre was inaugurated. Even the approach to the buildings from the paths catered to the local practices of walking for three quarters of the path to get to the entrance to the Cases. One critic of the building observed: "It was very intelligent to use the landscape to introduce the building. This is the way the Kanak people can understand". Description The architectural uniqueness of the centre is to the credit of Renzo Piano, an Italian architect. Layout The entire complex has been built along a 250 metres (820 ft) long ridge of the peninsula (a cape that extends southeast into the Pacific Ocean). The arrangement consists of 10 units called "cases," or hut pavilions, arranged in three groups or village clusters with one tall hut (the lar.... Discover the Jean Slatter popular books. Find the top 100 most popular Jean Slatter books.

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