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Ana Celia de Armas Caso (Spanish pronunciation: [ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At the age of 18, she moved to Madrid, Spain, and starred in the popular drama El Internado for six seasons from 2007 to 2010. After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). She rose to prominence with her role as the holographic AI projection Joi in the science fiction film Blade Runner 2049 (2017). For her performance as nurse Marta Cabrera in the mystery film Knives Out (2019), she was nominated for the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. She subsequently portrayed the Bond girl Paloma in the James Bond film No Time to Die (2021) and Norma Jeane in the biopic Blonde (2022). For Blonde, de Armas became the first Cuban to be nominated for the Academy Award for Best Actress. Early life De Armas was born in Havana, Cuba, and raised in the small city of Santa Cruz del Norte. Her maternal grandparents were Spanish migrants to Cuba from the regions of El Bierzo (Leon) and Palencia, both in the north of Spain. Her father Ramón worked in various jobs, including a bank manager, teacher, school principal and deputy mayor of a town. He previously studied philosophy at a Soviet university. Her mother Ana worked in the human resources section of the Ministry of Education. De Armas has one older brother, Javier, a New York City–based photographer who, in 2020, was questioned by Cuban police due to his critical stance on Decree 349 and his links to artists under government surveillance. While de Armas grew up with food rationing, fuel shortages and electricity blackouts during Cuba's Special Period, she has described her early life as happy. During her childhood and adolescence, de Armas had no Internet access and had limited knowledge of popular culture beyond Cuba. She was allowed to watch "20 minutes of cartoons on Saturday and the Sunday movie matinee." Her family did not own a "video or DVD player" and she watched Hollywood movies in her neighbor's apartment. She memorized and practiced monologues in front of a mirror, and decided to become an actress when she was 12. In 2002, aged 14, she successfully auditioned to join Havana's National Theatre of Cuba. She sometimes hitchhiked to attend the "rigorous" course. While a student, she filmed three movies. She left the four-year drama course months before presenting her final thesis because Cuban graduates are forbidden from leaving the country without completing three years of mandatory service to the community. At age 18, with Spanish citizenship through her maternal grandparents, she moved to Madrid to pursue an acting career. Career Career beginnings in Spanish cinema (2006–2013) In her native Cuba, de Armas had a starring role opposite Álex González in Manuel Gutiérrez Aragón's romantic drama Una rosa de Francia (2006). Cuban actor Jorge Perugorría suggested that the director consider de Armas for the role, after meeting her while attending a birthday party with his daughters. The director visited de Armas's drama school and interrupted the sixteen-year-old during her audition to inform her that the role was hers. She travelled to Spain as part of a promotional tour for the film and was introduced to Juan Lanja, who would later become her Spanish agent. She then starred in the movie El edén perdido (2007) and had a supporting role in Fernando Pérez's Madrigal (2007), filmed at night without the permission of her drama school tutors. At age 18, de Armas moved to Madrid. Within two weeks of arriving, she met with casting director Luis San Narciso, who had seen her in Una rosa de Francia. Two months later, he cast her as Carolina in the drama El Internado, in which she starred for six seasons from 2007 to 2010. The television show, set in a boarding school, became popular with viewers and made de Armas a celebrity figure in Spain. In a break from filming, she starred in the successful coming-of-age comedy Mentiras y Gordas (2009). Despite the popularity of El Internado, de Armas felt typecast and was mainly offered roles as youngsters. She asked to be written out of the show in its second to last season. After spending a few months living in New York City to learn English, de Armas was persuaded to return to Spain to star in seventeen episodes of the historical drama Hispania (2010–2011). She then starred in Antonio Trashorras's horror films El callejón (2011) and Anabel (2015), and in the drama Por un puñado de besos (2014). During a long period without acting work, de Armas participated in workshops at Tomaz Pandur's Madrid theatre company and felt "very anxious" about the lack of momentum in her career. Transition to Hollywood and breakthrough (2014–2020) With encouragement from her newly hired Hollywood agent, she decided to move to Los Angeles. When de Armas first arrived in Los Angeles in 2014, she had to start her career again "from scratch." She spoke very little English and, during early auditions, she often "didn't even know what [she] was saying." She spent four months in full-time education to learn English, not wanting to be confined to playing characters written specifically for Latina actresses. She starred opposite Keanu Reeves in her first Hollywood release—Eli Roth's erotic thriller Knock Knock (2015)—and learned her lines phonetically. Despite giving a positive review of the film, Randy Cordova of the Arizona Republic found de Armas to be "unconvincing" in her role. Reeves then telephoned de Armas to invite her to star in a Spanish-language role in the thriller Daughter of God which he acted in and produced. Producer Mark Downie hoped the film would be a star vehicle for de Armas, but due to executive meddling Daughter of God was severely edited with de Armas' former starring role reduced. The film was ultimately released as Exposed in 2016. Frank Scheck of The Hollywood Reporter noted that while she was "appealing" in her part, de Armas was unable to demonstrate her "character's intense emotional demands." De Armas had a supporting role in Todd Phillips's War Dogs (2016), acting opposite Miles Teller as the wife of an arms dealer, and again learned her lines phonetically. David Ehrlich of IndieWire found her to be "memorable in a thankless role". She starred opposite Édgar Ramírez in the biopic Hands of Stone (2016) as the wife of Panamanian boxer Roberto Durán. Despite its delayed release, Hands of Stone was the first Hollywood film de Armas had filmed. She was contacted by director Jonathan Jakubowicz while still living in Madrid after watching her in El Internado and asked her to travel to Los Angeles to audition for the Spanish-language part. In reviewing the film, Christy Lemire of RogerEbert.com described de Armas as "a hu.... Discover the Joaquin Ramon Reyes Sandler popular books. Find the top 100 most popular Joaquin Ramon Reyes Sandler books.