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A cryptic crossword is a crossword puzzle in which each clue is a word puzzle. Cryptic crosswords are particularly popular in the United Kingdom, where they originated, as well as Ireland, Israel, the Netherlands, and in several Commonwealth nations, including Australia, Canada, India, Kenya, Malta, New Zealand, and South Africa. Compilers of cryptic crosswords are commonly called setters in the UK and constructors in the US. Particularly in the UK, a distinction may be made between cryptics and quick (i.e. standard) crosswords, and sometimes two sets of clues are given for a single puzzle grid. Cryptic crossword puzzles come in two main types: the basic cryptic in which each clue answer is entered into the diagram normally, and themed or variety cryptics, in which some or all of the answers must be altered before entering, usually in accordance with a hidden pattern or rule which must be discovered by the solver. History and development Cryptic crosswords originated in the UK. The first British crossword puzzles appeared around 1923 and were purely definitional, but from the mid-1920s they began to include cryptic material: not cryptic clues in the modern sense, but anagrams, classical allusions, incomplete quotations, and other references and wordplay. Torquemada (Edward Powys Mathers), who set for The Saturday Westminster from 1925 and for The Observer from 1926 until his death in 1939, was the first setter to use cryptic clues exclusively and is often credited as the inventor of the cryptic crossword. The first newspaper crosswords appeared in the Sunday and Daily Express from about 1924. Crosswords were gradually taken up by other newspapers, appearing in the Daily Telegraph from 1925, The Manchester Guardian from 1929 and The Times from 1930. These newspaper puzzles were almost entirely non-cryptic at first and gradually used more cryptic clues, until the fully cryptic puzzle as known today became widespread. In some papers this took until about 1960. Puzzles appeared in The Listener from 1930, but this was a weekly magazine rather than a newspaper, and the puzzles were much harder than the newspaper ones, though again they took a while to become entirely cryptic. Composer Stephen Sondheim, a lover of puzzles, is credited with introducing cryptic crosswords to American audiences, through a series of puzzles he created for New York magazine in 1968 and 1969. Torquemada's puzzles were extremely obscure and difficult, and later setters reacted against this tendency by developing a standard for fair clues, ones that can be solved, at least in principle, by deduction, without needing leaps of faith or insights into the setter's thought processes. The basic principle of fairness was set out by Listener setter Afrit (Alistair Ferguson Ritchie) in his book Armchair Crosswords (1946), wherein he credits it to the fictional Book of the Crossword: We must expect the composer to play tricks, but we shall insist that he play fair. The Book of the Crossword lays this injunction upon him: "You need not mean what you say, but you must say what you mean." This is a superior way of saying that he can't have it both ways. He may attempt to mislead by employing a form of words which can be taken in more than one way, and it is your fault if you take it the wrong way, but it is his fault if you can't logically take it the right way. An example of a clue which cannot logically be taken the right way: Here the composer intends the answer to be DERBY, with "hat" the definition, "could be" the anagram indicator, and BE DRY the anagram fodder. I.e., "derby" is an anagram of "be dry". But "be" is doing double duty, and this means that any attempt to read the clue cryptically in the form "[definition] [anagram indicator] [fodder]" fails: if "be" is part of the anagram indicator, then the fodder is too short, but if it is part of the fodder, there is no anagram indicator; to be a correct clue it would have to be "Hat could be be dry (5)", which is ungrammatical. A variation might read Hat turns out to be dry (5), but this also fails because the word "to", which is necessary to make the sentence grammatical, follows the indicator ("turns out") even though it is not part of the anagram indicated. Torquemada's successor at The Observer was Ximenes (Derrick Somerset Macnutt), and in his influential work, Ximenes on the Art of the Crossword Puzzle (1966), he set out more detailed guidelines for setting fair cryptic clues, now known as "Ximenean principles" and sometimes described by the phrase "square-dealing". The most important of them are tersely summed up by Ximenes' successor Azed (Jonathan Crowther): The Ximenean principles are adhered to most strictly in the subgenre of advanced cryptics—difficult puzzles using barred grids and a large vocabulary. Easier puzzles often have more relaxed standards, permitting a wider array of clue types, and allowing a little flexibility. The popular Guardian setter Araucaria (John Galbraith Graham) was a noted non-Ximenean, celebrated for his witty, if occasionally unorthodox, clues. Popularity Most of the major national newspapers in the UK carry both cryptic and concise (quick) crosswords in every issue. The puzzle in The Guardian is well loved for its humour and quirkiness, and quite often includes puzzles with themes, which are extremely rare in The Times. Many Canadian newspapers, including the Ottawa Citizen, Toronto Star and The Globe and Mail, carry cryptic crosswords. Cryptic crosswords do not commonly appear in U.S. publications, although they can be found in magazines such as GAMES Magazine, The Nation, The New Yorker, Harper's, and occasionally in the Sunday New York Times. The New York Post reprints cryptic crosswords from The Times. In April 2018, The New Yorker published the first of a new weekly series of cryptic puzzles. Other sources of cryptic crosswords in the U.S. (at various difficulty levels) are puzzle books, as well as UK and Canadian newspapers distributed in the U.S. Other venues include the Enigma, the magazine of the National Puzzlers' League, and formerly, The Atlantic Monthly. The latter puzzle, after a long and distinguished run, appeared solely on The Atlantic's website for several years, and ended with the October 2009 issue. A similar puzzle by the same authors now appears every four weeks in The Wall Street Journal, beginning in January 2010. Cryptic crosswords have become more popular in the United States in the years following the COVID-19 lockdowns with several "indie" outlets and setters. Cryptic crosswords are very popular in Australia. Most Australian newspapers will have at least one cryptic crossword, if not two. The Sydney Morning Herald and The Age in Melbourne publish daily cryptic crosswords, including Friday's challenging cryptic by 'DA' (David Astle). "Lovatts", an Australian puzzle publisher, regularly issues cryptic crossword puzzle books. How cryptic clues work A cryptic clue leads to .... Discover the Lovatts Crosswords Puzzles popular books. Find the top 100 most popular Lovatts Crosswords Puzzles books.