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Madeline Gail Kahn (née Wolfson; September 29, 1942 – December 3, 1999) was an American actress, comedian, and singer. She is known for comedic roles in films directed by Peter Bogdanovich and Mel Brooks, including What's Up, Doc? (1972), Blazing Saddles (1974), Young Frankenstein (1974), High Anxiety (1977), History of the World, Part I (1981), and her Academy Award–nominated role in Paper Moon (1973). Kahn made her Broadway debut in Leonard Sillman's New Faces of 1968, and received Tony Award nominations for the play In the Boom Boom Room in 1974 and for the original production of the musical On the Twentieth Century in 1978. She starred as Madeline Wayne on the short-lived sitcom Oh Madeline (1983–84) and won a Daytime Emmy Award in 1987 for an ABC Afterschool Special. She received a third Tony Award nomination for the revival of the play Born Yesterday in 1989, before winning the 1993 Tony Award for Best Actress in a Play for the comedy The Sisters Rosensweig. Her other film appearances included The Cheap Detective (1978), City Heat (1984), Clue (1985), and Nixon (1995). Early life and education Kahn was born in Boston, the daughter of Bernard B. Wolfson, a garment manufacturer, and his wife Freda (née Goldberg). She was raised in a nonobservant Jewish family. Her parents divorced when Kahn was two, and she moved with her mother to New York City. In 1953, Freda married Hiller Kahn, who later adopted Madeline; Freda eventually changed her own name to Paula Kahn. Madeline Kahn had two half-siblings: Jeffrey (from her mother's marriage to Kahn) and Robyn (from her father's second marriage). In 1948, Kahn was sent to the progressive Manumit School, a boarding school in Bristol, Pennsylvania. During that time, her mother pursued her acting dream. Kahn soon began acting herself and performed in a number of school productions. In 1960, she graduated from Martin Van Buren High School in Queens, New York, and then earned a drama scholarship to Hofstra University on Long Island. At Hofstra, she studied drama, music, and speech therapy. Kahn graduated from Hofstra in 1964 with a degree in speech therapy. She was a member of a local sorority on campus, Delta Chi Delta. She later studied singing in New York City with Beverley Peck Johnson. Career When asked on television by Kitty Carlisle and Charles Nelson Reilly how she began the opera aspect of her career, Kahn said: It's so hard to determine exactly when I began or why, singing. The Muse was definitely not in attendance. I'll tell you exactly. To earn money while a college student, Kahn was a singing waitress at a Bavarian restaurant named Bavarian Manor, a Hofbräuhaus in New York's Hudson Valley. She sang musical comedy numbers during shows. There was a really important customer there, a big Italian man, who shouted out to me 'Sing Madame Butterfly', and of course he didn't mean the whole opera. He meant that one very popular aria, "Un Bel Di". So, if I was to come back the next summer to earn more money during the next year, I'd better know that aria. You know, and I didn't know anything about it; I just learned that one aria and a few others and then one thing led to another and I studied that, and I discovered that I could sing that, sort of, that way. But my first actual thing that I did was Candide for Leonard Bernstein's 50th birthday at Philharmonic Hall—at the time that's what it was called. And I don't know if that was an opera, but it was very hard to sing. I actually have done Musetta in La Bohème a long time ago in Washington, DC. I mean, utterly terrifying. I mean, basically I feel as though I was asked to do it and I did it. 1960s Kahn began auditioning for professional acting roles shortly after her graduation from Hofstra; on the side, she briefly taught public school. Just before adopting the professional name Madeline Kahn (Kahn was her stepfather's surname), she made her stage debut as a chorus girl in a revival of Kiss Me, Kate, which led her to join Actors' Equity. Her part in the flop How Now, Dow Jones was written out before the 1967 show reached Broadway. In 1968, Kahn performed her first professional lead in a special concert performance of the operetta Candide in honor of Leonard Bernstein's 50th birthday. She made her Broadway debut in 1968 with Leonard Sillman's New Faces of 1968 and also appeared off-Broadway in the musical Promenade. 1970s and 1980s Kahn appeared in two Broadway musicals in the 1970s: a featured role in Richard Rodgers' 1970 Noah's Ark-themed show Two by Two (singing a high C) and a lead turn as Lily Garland in 1978's On the Twentieth Century. She left (or, reportedly, was fired from) the latter show early in its run, yielding the role to understudy Judy Kaye. She starred in a 1977 Town Hall semi-staged concert version of She Loves Me (opposite Barry Bostwick and original London cast member Rita Moreno). Kahn's film debut was in the 1968 short De Düva (The Dove). Her feature debut was as Ryan O'Neal's character's hysterical fiancée in Peter Bogdanovich's screwball comedy What's Up, Doc? (1972) starring Barbra Streisand. Her film career continued with Bogdanovich's Paper Moon (1973), for which she was nominated for an Academy Award for Best Supporting Actress. Kahn was cast in the role of Agnes Gooch in the 1974 film Mame, but star Lucille Ball fired Kahn due to artistic differences. (Several of Ball's biographies say Kahn was eager to be released from the role so that she could join the cast of Blazing Saddles, a film about to go into production. Kahn stated in a 1996 interview with Charlie Rose that she was fired.) A close succession of comedies—Blazing Saddles (1974), Young Frankenstein (1974), and High Anxiety (1977)—were all directed by Mel Brooks, who was able to bring out the best of Kahn's comic talents. Their last collaboration was 1981's History of the World, Part I. For Blazing Saddles, she was again nominated for an Academy Award for Best Supporting Actress. In the April 2006 issue of Premiere, her performance in Blazing Saddles as Lili von Shtupp was selected as number 74 on its list of the 100 greatest performances of all time. In 1975, Kahn again teamed with Bogdanovich to co-star with Burt Reynolds and Cybill Shepherd in the musical At Long Last Love. The film was a critical and financial disaster, but Kahn largely escaped blame for the failure. At Long Last Love was one of three films in which Kahn worked alongside the character actress Eileen Brennan, the other two being The Cheap Detective and Clue. In that same year, she again teamed with Gene Wilder, this time for his comedy The Adventure of Sherlock Holmes' Smarter Brother. In 1978, Kahn's comic screen persona reached another peak with her portrayal of Mrs. Montenegro in Neil Simon's The Cheap Detective (1978), a spoof of both Casablanca and The Maltese Falcon, directed by Robert Moore. That role was followed by a cameo in 1979's The Muppet Movie. Kahn's roles were primarily comedic rather than.... Discover the Madeline Martin popular books. Find the top 100 most popular Madeline Martin books.