Pablo Garcia Loaeza Popular Books

Pablo Garcia Loaeza Biography & Facts

Quetzalcoatl () (Nahuatl: "Feathered Serpent") is a deity in Aztec culture and literature. Among the Aztecs, he was related to wind, Venus, Sun, merchants, arts, crafts, knowledge, and learning. He was also the patron god of the Aztec priesthood. He was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. The two other gods represented by the planet Venus are Tlaloc (ally and the god of rain) and Xolotl (psychopomp and its twin). Quetzalcoatl wears around his neck the breastplate ehēcacōzcatl, "the spirally voluted wind jewel". This talisman was a conch shell cut at the cross-section and was likely worn as a necklace by religious rulers, as such objects have been discovered in burials in archaeological sites throughout Mesoamerica, and potentially symbolized patterns witnessed in hurricanes, dust devils, seashells, and whirlpools, which were elemental forces that had significance in Aztec mythology. Codex drawings pictured both Quetzalcoatl and Xolotl wearing an ehēcacōzcatl around the neck. Additionally, at least one major cache of offerings includes knives and idols adorned with the symbols of more than one god, some of which were adorned with wind jewels. Animals thought to represent Quetzalcoatl include resplendent quetzals, rattlesnakes (coatl meaning "serpent" in Nahuatl), crows, and macaws. In his form as Ehecatl he is the wind, and is represented by spider monkeys, ducks, and the wind itself. In his form as the morning star, Venus, he is also depicted as a harpy eagle. In Mazatec legends, the astrologer deity Tlahuizcalpanteuctli, who is also represented by Venus, bears a close relationship with Quetzalcoatl. The earliest known documentation of the worship of a Feathered Serpent occurs in Teotihuacan in the first century BC or first century AD. That period lies within the Late Preclassic to Early Classic period (400 BC – 600 AD) of Mesoamerican chronology; veneration of the figure appears to have spread throughout Mesoamerica by the Late Classic period (600–900 AD). In the Postclassic period (900–1519 AD), the worship of the feathered-serpent deity centered in the primary Mexican religious center of Cholula. In this period the deity is known to have been named Quetzalcōhuātl by his Nahua followers. In the Maya area he was approximately equivalent to Kukulkan and Gukumatz, names that also roughly translate as "feathered serpent" in different Mayan languages. In the era following the 16th-century Spanish conquest of the Aztec Empire, a number of records conflated Quetzalcoatl with Ce Acatl Topiltzin, a ruler of the mythico-historic city of Tollan. Historians debate to what degree, or whether at all, these narratives about this legendary Toltec ruler describe historical events. Furthermore, early Spanish sources written by clerics tend to identify the god-ruler Quetzalcoatl of these narratives with either Hernán Cortés or Thomas the Apostle—identifications which have also become sources of a diversity of opinions about the nature of Quetzalcoatl. Etymology The name Quetzalcoatl comes from the Nahuatl language and means "Precious serpent" or "Quetzal-feathered Serpent". In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers' but in the allegorical sense, 'wisest of men'." Feathered serpent deity in Mesoamerica In Mesoamerican history, many different ethnopolitical groups worshiped a feathered-serpent deity. Evidence of such worship comes from the iconography of different Mesoamerican cultures, in which serpent motifs occur frequently. On the basis of the different symbolic systems used in portrayals of the feathered-serpent deity in different cultures and periods, scholars have interpreted the religious and symbolic meaning of the feathered-serpent deity in Mesoamerican cultures. Iconographic depictions The earliest known iconographic depiction of the deity appears on Stela 19 at the Olmec site of La Venta. Dated to around 900 BC, it depicts a serpent rising up behind a person probably engaged in a shamanic ritual. Although probably not exactly a depiction of the same feathered-serpent deity worshipped in classic and post-classic periods, it shows the continuity of symbolism of feathered snakes in Mesoamerica from the formative period and on, for example in comparison to the Maya Vision Serpent shown below. The first culture to use the symbol of a feathered serpent as an important religious and political symbol was that of Teotihuacan. At temples such as the aptly named "Quetzalcoatl temple" in the Ciudadela complex, feathered serpents figure prominently and alternate with a different kind of serpent head. The earliest depictions of the feathered serpent deity were fully zoomorphic, depicting the serpent as an actual snake, but already among the Classic Maya, images of the deity began acquiring human features, such as the beard (see the Borgia codex illustration below) that he was sometimes depicted with. In the iconography of the classic period, Maya serpent imagery is also prevalent: a snake often appears as the embodiment of the sky itself, and a vision serpent is a shamanic helper presenting Maya kings with visions of the underworld. The archaeological record shows that after the fall of Teotihuacan that marked the beginning of the epi-classic period in Mesoamerican chronology around 600 AD, the cult of the feathered serpent spread to new religious and political centers in central Mexico, centers such as Xochicalco, Cacaxtla and Cholula. Feathered-serpent iconography is prominent at all of these sites. Cholula remained the most important center of worship of Quetzalcoatl, the Aztec/Nahua version of the feathered-serpent deity, in the post-classic period. During the epi-classic period, a dramatic spread of feathered serpent iconography is evidenced throughout Mesoamerica, and during this period images begin to figure prominently at sites such as Chichén Itzá, El Tajín, and throughout the Maya area. Colonial documentary sources from the Maya area frequently speak of the arrival of foreigners from the central Mexican plateau, often led by a man whose name translates as "Feathered Serpent". It has been suggested that these stories recall the spread of the feathered-serpent cult in the epi-classic and early post-classic periods. Represented as the plumed serpent, Quetzalcoatl was also seen as a manifestation of the wind, one of the most powerful forces of nature; a text in the Nahuatl language captures this relationship: Quetzalcoatl; yn ehecatl ynteiacancauh yntlachpancauh in tlaloque, yn aoaque, yn qujqujiauhti. Auh yn jquac molhuja eheca, mjtoa: teuhtli quaqualaca, ycoioca, tetecujca, tlatlaiooa, tlatlapitza, tlatlatzinj, motlatlaueltia. Quetzalcoatl—he was the wind, the guide and road sweeper of the rain gods, of the masters of the water, of those who brought .... Discover the Pablo Garcia Loaeza popular books. Find the top 100 most popular Pablo Garcia Loaeza books.

Best Seller Pablo Garcia Loaeza Books of 2024

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    Jean Oram

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    Jon Hill

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    Jennie Kew

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    Scarlett Finn

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    Margaret Morrison

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    Lacey Silks

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    A Christmas Carol

    Charles Dickens

    An Apple Books Classic edition. It’s Christmas Eve in Victorian England. While some families don’t know where their next meal will come from, Ebenezer Scrooge sits in his large hom...

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    The Stoic Mind

    Addy Osmani & GoLimitlesss

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    Holy Bible

    The Church of Jesus Christ of Latter-day Saints

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    Sierra Cross

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    Lexy Timms

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    Mark Lesky

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    Sophie Sinclair

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    Jessa York

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    Melissa Belle

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    Jenna Jacob

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    The Odyssey

    Homer

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    Greg Habstritt & Napoleon Hill

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    Jordan Hollis

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    Lila Monroe

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    Linda Seed

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    Claire Raye

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    Lexy Timms

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    Christmas in Sweetbriar Cove

    Melody Grace

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    Louisa May Alcott

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    The Art of War

    Sun Tzu

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    Never Enough

    Lexy Timms

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    The Holy Bible - King James Version

    King James

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    M.P. Black

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    Pride and Prejudice

    Jane Austen

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    The Honeymoon Homicide

    J. R. Mathis & Susan Mathis

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    F. Scott Fitzgerald

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    How to Choose a Guy in 10 Days

    Lila Monroe

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    Roxy Sloane

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    Assisting the Bosshole

    Kristin MacQueen

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    Hot Off the Press

    Lexy Timms

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    The Wonderful Wizard of Oz

    L. Frank Baum

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    Zoey Locke

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    Rogue Alpha

    Kimber White

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    Eternal

    W.J. May

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    The Adventures of Sherlock Holmes

    Arthur Conan Doyle

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    The Count of Monte Cristo

    Alexandre Dumas

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  • The Four Loves synopsis, comments

    The Four Loves

    C. S. Lewis

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  • Salvation synopsis, comments

    Salvation

    Meghan O'Flynn

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