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S S Van Dine Biography & Facts

S. S. Van Dine (also styled S.S. Van Dine) is the pseudonym used by American art critic Willard Huntington Wright (October 15, 1888 – April 11, 1939) when he wrote detective novels. Wright was active in avant-garde cultural circles in pre-World War I New York, and under the pseudonym (which he originally used to conceal his identity) he created the fictional detective Philo Vance, a sleuth and aesthete who first appeared in books in the 1920s, then in films and on the radio. Early life Willard Huntington Wright was born to Archibald Davenport Wright and Annie Van Vranken Wright on October 15, 1888, in Charlottesville, Virginia. His younger brother, Stanton Macdonald-Wright, became a respected painter, one of the first American abstract artists, and co-founder (with Morgan Russell) of the school of modern art known as "Synchromism". Willard and Stanton were raised in Santa Monica, California, where their father owned a hotel. Willard, a largely self-taught writer, attended St. Vincent College, Pomona College, and Harvard University without graduating. In 1907, he married Katharine Belle Boynton of Seattle, Washington; they had one child, Beverley. He abandoned Katherine and Beverley early in their marriage. Katharine was granted a divorce in October 1930. he married for a second time in October 1930. His second wife was Eleanor Rulapaugh, known professionally as Claire De Lisle, a portrait painter and socialite. Writing career At age 21, Wright began his professional writing career as literary editor of the Los Angeles Times, where – describing himself as "'Esthetic expert and psychological shark" – he was known for his scathing book reviews and irreverent opinions. He was particularly caustic about romance and detective fiction. His friend and mentor H.L. Mencken was an early inspiration. Other important literary influences included Oscar Wilde and Ambrose Bierce. Wright was an advocate of the naturalism of Theodore Dreiser, and Wright's own novel, The Man of Promise (1916), was written in a similar style. In 1909, Wright wrote a perceptive profile of Edgar Allan Poe for the Los Angeles Times. Wright moved to New York City in 1911. He published realist fiction as editor of the New York literary magazine The Smart Set, from 1912 to 1914, a job he attained with Mencken's help. He was fired from that position when the magazine's conservative owner felt that Wright was intentionally provoking their middle-class readership with his interest in unconventional and often sexually explicit fiction. In his two-year tenure, Wright published short stories by Gabriele D'Annunzio, Floyd Dell, Ford Madox Ford, D.H. Lawrence, and George Moore; a play by Joseph Conrad; and poems by Ezra Pound and William Butler Yeats. In 1913, he visited Paris and Munich, seeing Impressionist and Synchromist works of art. He wrote an article about the art, Impressionism to Synchromism, December 1913, published in New York magazine, which brought the abstract art to public attention in the US. Wright's many projects reflected his wide range of interests. His book What Nietzsche Taught appeared in 1915. An attempt to popularize the German philosopher with skeptical American audiences, it described and commented on all of Nietzsche's books and provided quotations from each work. Wright continued to write short stories in this period; in 2012, Brooks Hefner revealed heretofore unknown short stories that featured an intellectual criminal, written by Wright under a pseudonym several years before his adoption of the Van Dine pseudonym. Wright was, however, most respected in intellectual circles for his writing about art. In Modern Painting: Its Tendency and Meaning (secretly co-authored in 1915 with his brother Stanton), he surveyed the important art movements of the last hundred years from Manet to Cubism, praised the largely unknown work of Cézanne, and predicted a coming era in which an art of color abstraction would replace realism. Admired by Alfred Stieglitz and Georgia O'Keeffe among others, Wright became under his brother's tutelage one of the most progressive (and belligerently opinionated) art critics of the time and helped to organize several shows, including the "Forum Exhibition of Modern American Painters", bringing the most advanced new painters to the attention of audiences on both coasts. He also published a work of aesthetic philosophy, The Creative Will (1916), that O'Keeffe and William Faulkner both regarded as a meaningful influence on their thinking about artistic identity. In 1917, Wright published Misinforming a Nation, in which he mounted a blistering attack on alleged inaccuracies and British biases in the Encyclopædia Britannica Eleventh Edition. A Germanophile, Wright did not support America's decision to join the Allied cause in World War I, and he was blackballed from journalism for more than two years after an overzealous secretary (erroneously) accused him of spying for Germany, an episode that became a much-publicized scandal in New York in November 1917. Though cleared, his favourable view of Prussian militarism cost him his friendships with Mencken and Dreiser. In 1929, at the height of his fame as 'Philo Vance', he was appointed Police Commissioner of Bradley Beach, New Jersey. After suffering a nervous breakdown and the beginning of a long-term dependence on drugs, Wright retreated to California, where he attempted to make a living as a newspaper columnist in San Francisco. Contrary to what is stated in some sources, Wright did write a biography of the poet Richard Hovey and it was announced for publication in Spring 1914. In 1929, Wright stated that "It is true that at one time I was working on a book relating to Richard Hovey and his friends but Mrs Hovey died before the book went to press, and it has never been published"; that remains the case. Detective fiction Returning to New York in 1920, Wright took any freelance work that came his way but lived a restless, impoverished existence and, in his displays of temper and anxiety, alienated many of his old friends. By 1923, he was seriously ill, the result of a breakdown from overwork, he claimed, but in reality the consequence of his secret cocaine addiction, according to John Loughery's biography Alias S.S. Van Dine. Confined to bed for a prolonged period of recovery, he began in frustration and boredom reading hundreds of volumes of crime and detection. As a direct result of this exhaustive study, he wrote a seminal essay, published in 1926, which explored the history, traditions and conventions of detective fiction as an art form. Wright also decided to try his own hand at detective fiction and approached Maxwell Perkins, the famous Scribner's editor whom he had known at Harvard, with an outline for a trilogy that would feature an affluent, snobbish amateur sleuth, a Jazz Age Manhattan setting, and lively topical references. In 1926, the first Philo Vance book, The Benson Murder Case, was published under the .... Discover the S S Van Dine popular books. Find the top 100 most popular S S Van Dine books.