A Theory of Virtual Agency for Western Art Music Book Reviews
A Theory of Virtual Agency for Western Art Music by Robert S. Hatten Book Summary
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
Book Name | A Theory of Virtual Agency for Western Art Music |
Genre | Music |
Author | Robert S. Hatten |
Published | 06 September 2018, Thursday |
Language | English |
E-Book Size | 23.01 MB |
A Theory of Virtual Agency for Western Art Music (Robert S. Hatten) Book Reviews 2024
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Summary of A Theory of Virtual Agency for Western Art Music by Robert S. Hatten
The A Theory of Virtual Agency for Western Art Music book written by Robert S. Hatten was published on 06 September 2018, Thursday in the Music category. A total of 134 readers of the book gave the book 0 points out of 5.
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