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"Africa" is a song by American rock band Toto, appearing as the tenth and final track on their fourth studio album Toto IV (1982). It was released as the second single from the album in Europe in June 1982 and the third single in the United States in October 1982 through Columbia Records. The song was written by band members David Paich and Jeff Porcaro, produced by the band, and mixed by Grammy-winning engineer Elliot Scheiner. Critics praised its composition and gentle production; the song continues to receive critical acclaim, and was listed at 492 on Rolling Stone's 500 greatest songs of all time. The song was accompanied by a music video, which premiered in 1983, and was directed by Steve Barron, who collaborated previously with the group for "Rosanna". The video features Toto in a library, as they perform and showcase various aspects of African culture. While popular in the 1980s and 1990s, with the song being certified gold by the RIAA in 1991, "Africa" saw a resurgence in popularity via social media during the mid- to late 2010s, inspiring numerous Internet memes as well as a fan-requested cover by American rock band Weezer which peaked at number 51 on the Billboard Hot 100. It has since been certified eight times platinum. Background The initial idea and lyrics for the song came from David Paich. Paich was playing around with a new keyboard, the CS-80, and found the brassy sound that became the opening riff. He completed the melody and lyrics for the chorus in about ten minutes, much to Paich's surprise. "I sang the chorus out as you hear it. It was like God channeling it. I thought, 'I'm talented, but I'm not that talented. Something just happened here!'" Paich refined the lyrics for six months before showing the song to the rest of the band. In 2015, Paich explained that the song is about a man's love of a continent, Africa, rather than just a personal romance. He based the lyrics on a late night documentary with depictions of African plight and suffering. The viewing experience made a lasting impact on Paich: "It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about it if I was there and what I'd do." Jeff Porcaro elaborates further, explaining: "A white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past." Some additional lyrics relate to a person flying in to meet a lonely missionary, as Paich described in 2018. As a child, Paich attended a Catholic school; several of his teachers had done missionary work in Africa. Their missionary work became the inspiration behind the line: "I bless the rains down in Africa." Paich, who at the time had never set foot in Africa, based the song's landscape descriptions from an article in National Geographic. At the time, Steve Lukather humorously remarked that he would run "naked down Hollywood Boulevard" if the song became a hit, due to his bemusement over the lyrics; Paich argued that it was a "fantasy song" in the vein of previous songs such as "Margaritaville". During an appearance on the radio station KROQ-FM, Steve Porcaro and Lukather described the song as "dumb" and "an experiment" and some of the lyrics as "goofy" that were just placeholders, particularly the line about the Serengeti. Engineer Al Schmitt stated that "Africa" was the second song written for Toto IV and had been worked on extensively in the studio. Eventually, the band grew tired of the song and considered cutting it from the album entirely. David Paich considered saving "Africa" for a solo record but decided against it. The band did not expect "Africa" to be a hit, after the intended success of lead single "Rosanna" (which had peaked at number 2). However, after Sony found out that the song was gaining traction in New York dance clubs, they decided to release it as another single, further cementing the popularity of Toto IV in the process. Composition Musically, the song took some time to assemble. Steve Porcaro, the band's synth player, introduced Paich to the Yamaha CS-80, a polyphonic analog synthesizer, and instructed him to write a song specifically with the keyboard in mind. Paich gravitated towards a brassy flute sound, which he found to be a unique alternative to the piano. Porcaro programmed six tracks of a Yamaha GS 1 digital piano to emulate the sound of a kalimba. Steve Porcaro's brother, Jeff, played his parts live without a click track. "So when we were doing "Africa" I set up a bass drum, snare drum and a hi-hat, and Lenny Castro set up right in front of me with a conga. We looked at each other and just started playing the basic groove. [...] The backbeat is on 3, so it's a half-time feel, and it's 16th notes on the hi-hat. [...] We played for five minutes on tape, no click, no nothing. We just played. And I was singing the bass line for 'Africa' in my mind, so we had a relative tempo. Lenny and I went into the booth and listened back to the five minutes of that same boring pattern. We picked out the best two bars that we thought were grooving, and we marked those two bars on tape. [...] Maybe it would have taken two minutes to program that in the Linn, and it took about half an hour to do this. But a Linn machine doesn't feel like that!" Jeff Porcaro also acknowledged that he was influenced by the sounds created by fellow Los Angeles session musicians Milt Holland and Emil Richards. He also described the significance of the African pavilion drummers at the 1964 New York World's Fair and a National Geographic Special. To recreate those sounds, he and his father Joe Porcaro made percussion loops on bottle caps and marimba respectively.I was about 11 when the New York World's Fair took place, and I went to the African pavilion with my family. I saw the real thing ... It was the first time I witnessed somebody playing one beat and not straying from it, like a religious experience, where it gets loud, and everyone goes into a trance. Lyrically, the song concerns a man torn between staying in Africa, a continent he is enamored with, and travelling to stay with a girl he is seeing. In the chorus, he "[blesses] the rains down in Africa"; several other references to other parts of the continent are made throughout, such as "wild dogs [crying] out in the night" and "Kilimanjaro [rising]... above the Serengeti" (which are, in reality, about an eight-hour drive apart). Stereogum writer Tom Breihan interpreted the song's Africa as an "extended metaphor" – a "stand-in [for] a thing that you long for even before you've said goodbye to it", and therefore potentially a partial allusion to Paich's own "rock stardom... that kept him apart from anything resembling a normal life". Rob Sheffield of Rolling Stone interpreted it differently as a song about "modern alienation", with the speaker "lost in time and space": he "doesn't know a thing about Africa, except it has to be better than the nightmare wh.... Discover the Annie Rains popular books. Find the top 100 most popular Annie Rains books.