Anton Swanepoel Popular Books

Anton Swanepoel Biography & Facts

Bird collections are curated repositories of scientific specimens consisting of birds and their parts. They are a research resource for ornithology, the science of birds, and for other scientific disciplines in which information about birds is useful. These collections are archives of avian diversity and serve the diverse needs of scientific researchers, artists, and educators. Collections may include a variety of preparation types emphasizing preservation of feathers, skeletons, soft tissues, or (increasingly) some combination thereof. Modern collections range in size from small teaching collections, such as one might find at a nature reserve visitor center or small college, to large research collections of the world's major natural history museums, the largest of which contain hundreds of thousands of specimens. Bird collections function much like libraries, with specimens arranged in drawers and cabinets in taxonomic order, curated by scientists who oversee the maintenance, use, and growth of collections and make them available for study through visits or loans. History of bird collections Origin The roots of modern bird collections are found in the 18th- and 19th-century explorations of Europeans intent on documenting global plant and animal diversity. It was a fashion to collect and display natural curiosities in Victorian England. Some wealthy cabinet naturalists were able to amass large collections using networks of field collectors. These early collections were not intended for scientific study and the collectors gave importance to aesthetics rather than scientific value. It grew into a more scientific pursuit much later. Growth Early scientific bird collections included those belonging to Pallas and Naumann in Germany, Latham and Tunstall in England and Adanson in France. Collections grew in size with increasing maritime activity, exploration and colonialism. For example, Charles Darwin collected over 400 bird specimens during his travels on the Beagle, and it was many years after his return to England that his bird collections from the Galapagos inspired (in part) his theory of evolution through natural selection. The Paris museum had 463 bird specimens in 1793 and this grew to 3411 in 1809; The Berlin museum had 2000 specimens in 1813 growing to 13,760 around 1850. In 1753 there were 1172 bird specimens in the museum established by Sir Hans Sloane but these appear to have perished before they moved to the British Museum. Early specimens from Captain Cook's voyages as well as those described by Latham in his General Synopsis of Birds (1781–1785) were also lost possibly due to poor preservation technique. The scale of collections grew to the point where they needed more space and full-time curators. In the earliest days of ornithology, collecting was the dominant method of bird observation and study. This approach has diminished with the growth of the discipline. The use of mist-netting and photography, blood sampling (for DNA, immunological and other studies), the development of optics and the use of other new techniques for studying birds have reduced the need to collect specimens for research, yet collections continue to act as a vital shared resource for science (particularly taxonomy) and conservation. In an era of mass extinction, bird collections will evidence lost species. Collection and preservation techniques Early specimens represent birds that were pets or came from menageries. The oldest surviving bird specimens include an African grey parrot once owned by Frances Teresa Stuart (1647–1702) that was buried with its owner in London’s Westminster Abbey. Several mummified ibis and falcons have been recorded from Egyptian tombs dating from 600 to 300 BC. Bird specimens obtained from the 18th century for natural history collections were most often obtained using firearms. Shotguns with "dust" shot were preferred to reduce damage to the specimens. Today, specimens come from a variety of sources. Many (perhaps most) are salvaged from birds killed by window and communications tower strikes, domestic cats, by-catch from fisheries, die-offs from disease, vehicle strikes, and other accidental sources of mortality. However, the world's bird collections have been argued to be inadequate in documenting avian diversity, from taxonomic, geographic, and temporal perspectives, with some parts of tropical regions considered under-represented in particular museums. Underrepresented taxa continue to be actively collected by ornithologists, generally using either firearms or mist-nets. Permitting agencies oversee these activities in most countries. Techniques to preserve birds were attempted even from the early 16th century as shown in the writings of Conrad Gesner and Pierre Belon. Belon provided instructions on the removal of viscera and the use of salt to preserve bird specimens in his 1555 book on birds. These were further improved in the 17th century and a range of preservatives included ash (potassium carbonate), salt, sulphur, alum, alcohol and various plant extracts were used. In the early days of bird collections, most specimens were mounted in unrealistic positions often with their wings raised as if they were about to take flight. These were kept in the open and the colours were prone to fading and the specimens themselves prone to damage by beetles. In Berlin, J. L. Frisch started using tightly enclosed glass jars for every mount to prevent pest damage. During this time, Comte de Reaumur at the Paris Museum had managed to find techniques to preserve specimens dry and without loss of colour. This technique was however a secret and similar results were later achieved by pickling using salt, ground pepper and alum and drying for a month with threads holding the bird in a natural position. The use of arsenic to preserve specimens was first introduced by Jean-Baptiste Bécoeur (1718-1777) but this method was publicly revealed only in 1800 by Louis Dufresne in Daudin's Traité Élémentaire et Complet d’Ornithologie (1800). In modern collections, salvaged or collected birds may be preserved in a number of ways. The most traditional preparation is a study skin, in which almost all of the body inside the skin is removed and replaced with cotton so that the final result resembles a bird lying on its back with its wings folded. Borax is used as the preferred preservative as it is low in toxicity. This stereotypic posture was developed to enable many skins to be kept together in cabinets to protect them from insect and light damage. If a complete skeleton is desired, a flat skin may be prepared: all bones, muscle, digestive and other soft tissue is carefully removed and the feathers and skin are stretched flat and dried. A more recent preparation method pioneered by the Royal Ontario Museum removes all bones for a complete skeleton while also producing a round skin without bill or legs (called a ROM, though if one set of wing and leg bones remain with the .... Discover the Anton Swanepoel popular books. Find the top 100 most popular Anton Swanepoel books.