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Jaime Royal "Robbie" Robertson (July 5, 1943 – August 9, 2023) was a Canadian musician. He was lead guitarist for Bob Dylan in the mid-late 1960s and early-mid 1970s, guitarist and songwriter with The Band from their inception until 1978, and a solo artist. Robertson's work with the Band was instrumental in creating the Americana music genre. He was inducted into the Rock and Roll Hall of Fame and the Canadian Music Hall of Fame as a member of the Band, and into Canada's Walk of Fame, with the Band and on his own. He is ranked 59th in Rolling Stone magazine's list of the 100 greatest guitarists. He wrote "The Weight", "The Night They Drove Old Dixie Down", and "Up on Cripple Creek" with the Band and had solo hits with "Broken Arrow" and "Somewhere Down the Crazy River", and many others. He was inducted into the Canadian Songwriters Hall of Fame, and received a Lifetime Achievement Award from the National Academy of Songwriters. Robertson collaborated on film and TV soundtracks, usually with director Martin Scorsese, beginning in the rockumentary film The Last Waltz (1978) and continuing through dramatic films including Raging Bull (1980), The King of Comedy (1983), Casino (1995), Gangs of New York (2002), The Wolf of Wall Street (2013), Silence (2016), The Irishman (2019), and Killers of the Flower Moon (2023), scoring the latter shortly before his death. The film was dedicated to his memory, and garnered him a posthumous nomination for Best Original Score at the Academy Awards. Early life Jaime Royal Robertson was born an only child on July 5, 1943. His mother was born Rosemarie Dolly Chrysler on February 6, 1922. She was Cayuga and Mohawk, raised on the Six Nations of the Grand River reserve southwest of Toronto, near Hamilton. She lived with an aunt in the Cabbagetown neighbourhood and worked at the Coro jewellery plating factory. She met James Patrick Robertson there and they married in 1942. The couple continued working at the factory and the three lived in several Toronto neighbourhoods while Robbie was a child.: 55 : 65  He often travelled with his mother to the reserve to visit family. Here he was taught guitar, particularly by his older cousin Herb Myke. He became a fan of rock and roll and rhythm and blues through the radio, listening to disc jockey George "Hound Dog" Lorenz play rock on WKBW from Buffalo, New York, and staying up to listen to John R.'s all-night blues show on WLAC, a clear-channel station in Nashville, Tennessee.: 56 : 65–66  In his teens, Robertson's parents separated. His mother told him his biological father was not James, but Alexander David Klegerman, an American Jewish man she met at work. He became a professional gambler and died in a hit-and-run accident on the Queen Elizabeth Way. She had been with him while James was stationed in Newfoundland with the Canadian Army before they married. She arranged for her son to meet his paternal uncles Morris (Morrie) and Nathan (Natie) Klegerman. Early career When Robertson was 14, he worked two brief summer jobs in the travelling carnival circuit, first for a few days in a suburb of Toronto, and later as an assistant at a freak show for three weeks during the Canadian National Exhibition. He later drew from this for his song "Life is a Carnival" (with the Band) and the movie Carny (1980), which he both produced and starred in. The first band Robertson joined was Little Caesar and the Consuls, formed in 1956 by pianist/vocalist Bruce Morshead and guitarist Gene MacLellan. He stayed with the group for almost a year, playing popular songs of the day at local teen dances. In 1957 he formed Robbie and the Rhythm Chords with his friend Pete "Thumper" Traynor (who later founded Traynor Amplifiers). They changed the name to Robbie and the Robots after they watched the film Forbidden Planet and took a liking to the film's character Robby the Robot. Traynor customized Robertson's guitar for the Robots, fitting it with antennae and wires to give it a space age look. Traynor and Robertson joined with pianist Scott Cushnie and became The Suedes. At a Suedes show on October 5, 1959, when they played CHUM Radio's Hif Fi Club on Toronto's Merton Street, Ronnie Hawkins first became aware of them and was impressed enough to join them for a few numbers. : 66 : 56–57  With Ronnie Hawkins and the Hawks Robertson began shadowing Hawkins after the Suedes opened for the Arkansas-based rockabilly group Ronnie Hawkins and the Hawks at Dixie Arena. One afternoon he overheard Hawkins say he needed some new songs since they were going into the studio to record the next month. Hoping to ingratiate himself, Robertson stayed up all night and wrote two songs, "Someone Like You" and "Hey Boba Lu", and played them for Hawkins the next day. The showman was impressed and recorded both of them for his new album, Mr Dynamo (1959). Hawkins brought Robertson to the Brill Building in New York City to help him choose songs for the rest of the album.: 14–15 : 66–67 : 45–46  Hawkins hired pianist Scott Cushnie away from the Suedes, and took him on tour in Arkansas with the Hawks. When the Hawks' bass player left the group, Cushnie recommended that Hawkins hire Robertson to replace him on bass.: 49, 51–52  Hawkins invited Robertson to Arkansas, and then flew to the UK to perform on television there. Left in Arkansas, Robertson spent his living allowance on records and practised intensively each day. Upon returning, Hawkins hired him to play bass. Cushnie left the band a few months later. Robertson soon switched from bass to playing lead guitar for the Hawks.: 20–22 : 68–70, 75  Robertson developed into a guitar virtuoso. Roy Buchanan, a few years older than Robertson, was briefly a member of the Hawks and became an important influence on Robertson's guitar style: "Standing next to Buchanan on stage for several months, Robertson was able to absorb Buchanan's deft manipulations with his volume speed dial, his tendency to bend multiple strings for steel guitar-like effect, his rapid sweep picking, and his passion for bending past the root and fifth notes during solo flights." Drummer/singer Levon Helm was already a member of the Hawks and soon became close friends with Robertson.: 76  The Hawks continued to tour the United States and Canada, adding Rick Danko, Richard Manuel, and Garth Hudson to the Hawks lineup in 1961. This lineup, which later became the Band, toured with Hawkins throughout 1962 and into 1963.: 95, 100  They also hired the saxophone player Jerry Penfound and later Bruce Bruno, who were both with the group in their intermediary period as Levon and the Hawks. Ronnie Hawkins and the Hawks cut sessions for Roulette Records throughout 1961–1963, all of which Robertson appeared on. The sessions included three singles: "Come Love" b/w "I Feel Good" (Roulette 4400 1961); "Who Do You Love" b/w "Bo Diddley" (Roulette 4483 1963); and "There's A Screw Loose" b/w "High Blood Pressure" (Roulette 4502 1963).: 420  With Levo.... Discover the Art Robertson popular books. Find the top 100 most popular Art Robertson books.