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Benjamin Jonson (c. 11 June 1572 – c. 6 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox (c. 1606), The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric and epigrammatic poetry. He is regarded as "the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642). Early life In midlife, Jonson said his paternal grandfather, who "served King Henry 8 and was a gentleman", was a member of the extended Johnston family of Annandale in the Dumfries and Galloway, a genealogy that is attested by the three spindles (rhombi) in the Jonson family coat of arms: one spindle is a diamond-shaped heraldic device used by the Johnston family. His ancestors spelt the family name with a letter "t" (Johnstone or Johnstoun). While the spelling had eventually changed to the more common "Johnson", the playwright's own particular preference became "Jonson". Jonson's father lost his property, was imprisoned, and, as a Protestant, suffered forfeiture under Queen Mary. Becoming a clergyman upon his release, he died a month before his son's birth. His widow married a master bricklayer two years later. Jonson attended school in St Martin's Lane in London. Later, a family friend paid for his studies at Westminster School, where the antiquarian, historian, topographer and officer of arms William Camden (1551–1623) was one of his masters. The pupil and master became friends, and the intellectual influence of Camden's broad-ranging scholarship upon Jonson's art and literary style remained notable, until Camden's death in 1623. At Westminster School he met the Welsh poet Hugh Holland, with whom he established an "enduring relationship". Both of them would write preliminary poems for William Shakespeare's First Folio (1623). On leaving Westminster School in 1589, Jonson attended St John's College, Cambridge, to continue his book learning. However, because of his unwilled apprenticeship to his bricklayer stepfather, he returned after a month. According to the churchman and historian Thomas Fuller (1608–61), Jonson at this time built a garden wall in Lincoln's Inn. After having been an apprentice bricklayer, Jonson went to the Netherlands and volunteered to soldier with the English regiments of Sir Francis Vere (1560–1609) in Flanders. England was allied with the Dutch in their fight for independence as well as the ongoing war with Spain. The Hawthornden Manuscripts (1619), of the conversations between Ben Jonson and the poet William Drummond of Hawthornden (1585–1649), report that, when in Flanders, Jonson engaged, fought and killed an enemy soldier in single combat, and took for trophies the weapons of the vanquished soldier. Johnson is reputed to have visited the antiquary Sir Robert Cotton at a residence of his in Chester early in the 17th century. After his military activity on the Continent, Jonson returned to England and worked as an actor and as a playwright. As an actor, he was the protagonist "Hieronimo" (Geronimo) in the play The Spanish Tragedy (c. 1586), by Thomas Kyd (1558–94), the first revenge tragedy in English literature. By 1597, he was a working playwright employed by Philip Henslowe, the leading producer for the English public theatre; by the next year, the production of Every Man in His Humour (1598) had established Jonson's reputation as a dramatist. Jonson described his wife to William Drummond as "a shrew, yet honest". The identity of Jonson's wife is obscure, though she sometimes is identified as "Ann Lewis", the woman who married a Benjamin Jonson in 1594, at the church of St Magnus-the-Martyr, near London Bridge. The registers of St Martin-in-the-Fields record that Mary Jonson, their eldest daughter, died in November 1593, at six months of age. A decade later, in 1603, Benjamin Jonson, their eldest son, died of bubonic plague when he was seven years old, upon which Jonson wrote the elegiac "On My First Sonne" (1603). A second son, also named Benjamin Jonson, died in 1635. During that period, Jonson and his wife lived separate lives for five years; Jonson enjoyed the residential hospitality of his patrons, Esme Stuart, 3rd Duke of Lennox and 7th Seigneur d'Aubigny and Sir Robert Townshend. Career By summer 1597, Jonson had a fixed engagement in the Admiral's Men, then performing under Philip Henslowe's management at The Rose. John Aubrey reports, on uncertain authority, that Jonson was not successful as an actor; whatever his skills as an actor, he was more valuable to the company as a writer. By this time Jonson had begun to write original plays for the Admiral's Men; in 1598 he was mentioned by Francis Meres in his Palladis Tamia as one of "the best for tragedy." None of his early tragedies survive, however. An undated comedy, The Case is Altered, may be his earliest surviving play. In 1597, a play which he co-wrote with Thomas Nashe, The Isle of Dogs, was suppressed after causing great offence. Arrest warrants for Jonson and Nashe were issued by Queen Elizabeth I's so-called interrogator, Richard Topcliffe. Jonson was jailed in Marshalsea Prison and charged with "Leude and mutynous behaviour", while Nashe managed to escape to Great Yarmouth. Two of the actors, Gabriel Spenser and Robert Shaw, were also imprisoned. A year later, Jonson was again briefly imprisoned, this time in Newgate Prison, for killing Gabriel Spenser in a duel on 22 September 1598 in Hogsden Fields (today part of Hoxton). Tried on a charge of manslaughter, Jonson pleaded guilty but was released by benefit of clergy, a legal ploy through which he gained leniency by reciting a brief Bible verse (the neck-verse), forfeiting his "goods and chattels" and being branded with the so-called Tyburn T on his left thumb. While in jail Jonson converted to Catholicism, possibly through the influence of fellow-prisoner Father Thomas Wright, a Jesuit priest. In 1598 Jonson produced his first great success, Every Man in His Humour, capitalising on the vogue for humorous plays which George Chapman had begun with An Humorous Day's Mirth. William Shakespeare was among the first actors to be cast. Jonson followed this in 1599 with Every Man out of His Humour, a pedantic attempt to imitate Aristophanes. It is not known whether this was a success on stage, but when published it proved popular and went through several editions. Jonson's other work for the theatre in the last years of Elizabeth I's reign was marked by fighting and contro.... Discover the Ben Jonson William Gifford popular books. Find the top 100 most popular Ben Jonson William Gifford books.