Blake Lamar Popular Books

Blake Lamar Biography & Facts

Canadian rapper Drake and American rapper Kendrick Lamar have been involved in a rap feud since the early 2010s. The feud escalated in March 2024 after the premiere of "Like That" by Future, Metro Boomin, and Lamar. Their first collaboration was in 2011, on Drake's album Take Care, with another collaboration a year later on Lamar's album Good Kid, M.A.A.D City. Lamar later dissed Drake and several other rappers on the 2013 song "Control" by Big Sean, later clarifying that his verse was intended to be seen as "friendly competition". In March 2024, Lamar dissed J. Cole and Drake on "Like That" after J. Cole proposed on "First Person Shooter" that he, Drake, and Lamar were the "Big Three" of hip hop. Cole responded to Lamar on the diss track "7 Minute Drill", which Cole later apologized for and removed from streaming services. Drake then released the songs "Push Ups" and "Taylor Made Freestyle" in April. "Taylor Made Freestyle" was later deleted from social media after Tupac Shakur's estate threatened Drake with legal action for the use of AI-generated vocals resembling Shakur. In response, Lamar released "Euphoria" on April 30 and "6:16 in LA" on May 3. Drake responded with "Family Matters" later that day, accusing Lamar of being a domestic abuser and alleging that one of Lamar's children was fathered by Dave Free. Less than an hour later, Lamar released "Meet the Grahams", accusing Drake of sex trafficking, being a sexual predator, and fathering a secret child. Lamar then released "Not Like Us" just the following evening, further accusing Drake of pedophilia and of lying about Lamar's family. On May 5, Drake responded with "The Heart Part 6", denying Lamar's accusations and claiming that his team gave Lamar false information about the secret child. Critics have generally cited Lamar as leading or winning in the feud, including Pitchfork, The Ringer, and Rolling Stone, with an Insider article claiming music critics and social media users considered Lamar the winner so far. History 2011–2014: Background Drake and Lamar began on favorable terms. The pair's first collaboration was seen in the form of Lamar's appearance on "Buried Alive Interlude", from Drake's 2011 studio album Take Care. Their relationship continued to develop amicably after Lamar opened for Drake alongside ASAP Rocky during Drake's 2012 Club Paradise Tour. Later that year, both Lamar and Drake also made an appearance on ASAP Rocky's "Fuckin' Problems". In 2012, Drake featured on Lamar's hit single "Poetic Justice". "Control" and "The Language" On August 14, 2013, Lamar took shots at Drake and several other rappers on Big Sean's "Control", claiming that he "had love" for all of them, but was trying to "murder" them in the rap scene. In an interview with Billboard two weeks later, Drake dismissed Lamar's verse, stating: "It just sounded like an ambitious thought to me. That's all it was. I know good and well that [Lamar]'s not murdering me, at all, in any platform". In September, Drake joined Elliott Wilson's live interview series #CRWN. When prompted about the "Control" verse, Drake replied that Lamar's in-person attitude contradicted the sentiments of his "Control" verse. "I saw him five days later at the VMAs and it was all love... If it's really 'fuck everybody' then it needs to be 'fuck everybody'. It can't just be halfway". On September 24, 2013, Drake released his third studio album Nothing Was the Same. Multiple outlets interpreted the first verse on "The Language", the album's fifth single, as a response to Lamar's "Control" verse. Birdman, head of Drake's then-label Cash Money Records, stated the song was not about Lamar. In October, during the 2013 BET Hip Hop Awards' fifth cypher, Lamar rapped: "Nothing's been the same since they dropped 'Control' / And tucked a sensitive rapper back in his pajama clothes". These lines were popularly interpreted as further disses toward Drake and a response to "The Language", especially as Lamar appears to reference Drake's Nothing Was the Same. "Shit" and "Pay for It" On December 17, 2013, a remix of Future's "Shit" featuring Drake and Juicy J was released. Hip-hop fans and outlets alike speculated Drake's verse on the remix was a diss targeted towards Lamar. The same day, Anthony "Top Dawg" Tiffith and Punch (both key figures at Lamar's record label Top Dawg Entertainment) posted responses on X (formerly Twitter) to Drake's verse disregarding the supposed disses. Two days after the track's release, Drake addressed Lamar's 2013 BET Hip Hop Awards cypher verse and "The Language" in a cover story for Vibe, mocking the idea of them being "buddy-buddy" and stating he already "stood [his] ground" in response to "Control". Nevertheless, Drake maintained that "The Language" wasn't targeted towards Lamar. Drake also praised Lamar as a "genius in his own right" and insisted there was "no real issue". In June 2014, Drake posted a video on Instagram of himself rapping along to "Cut You Off" from Lamar's 2010 mixtape Overly Dedicated. On October 29, 2014, Jay Rock released "Pay for It" featuring Lamar. The latter's verse contained lines seemingly taking shots at Drake while referencing lyrics from Drake's "The Language". However, in an interview with Dazed published on November 3, 2014, Lamar clarified: "I got no beef with Drake". On November 4, 2014, Lamar made an appearance on WWPR-FM's The Breakfast Club and further defused the prospect of a 'beef' between himself and Drake: "It wasn't no issue from the jump. I think people talk about beef... it's just a whole 'nother dynamic. I can't see myself going bar for bar with Drake. We're two different types of artists." 2015–2022: Subliminal disses Despite Drake and Lamar's prior dismissals, their feud continued in the form of sneak disses Billboard identified as "subtle shots fired from both sides, but nothing groundbreaking". Marc Griffin, writing a timeline of the feud for Vibe, referred to this time as "the Cold War between the two men". In a list of potential sneak disses on Drake's February 2015 mixtape If You're Reading This It's Too Late, Brandon Caldwell for Billboard claimed "Used To" and the bonus track "6PM in New York" contained lines targeting Lamar. On March 15, 2015, Lamar released his third studio album To Pimp a Butterfly. The album's third single, "King Kunta", received little attention in the context of Drake and Lamar's feud until after Meek Mill accused Drake of using ghostwriters on X (formerly Twitter). After the accusations became public, the lines "A rapper with a ghostwriter? What the fuck happened? / I swore I wouldn't tell / But most of y'all sharing bars like you got the bottom bunk in a two man cell" from "King Kunta" were retrospectively interpreted by multiple outlets as subliminal Drake disses from Lamar. The songs "Darkside / Gone" and "Deepwater" from Dr. Dre's August 2015 studio album Compton also both featured Lamar verses with lines interpreted as Drake disses. On January 15.... Discover the Blake Lamar popular books. Find the top 100 most popular Blake Lamar books.

Best Seller Blake Lamar Books of 2024

  • Jess Be Yourself synopsis, comments

    Jess Be Yourself

    Blake

    Jess's life begins to unravel on her thirteenth birthday. First, she learns of her parents' separation. Then she's forced to spend the rest of the summer living in her grandparents...

  • Jess Not the Same synopsis, comments

    Jess Not the Same

    Blake Lamar

    Jess is desperate to be with Jason, the boy she loves. Too bad he lives in another reality. After enlisting her mother's help to create a device that will allow her to switch place...

  • Jess Like Me synopsis, comments

    Jess Like Me

    Blake Lamar

    How do you go on living when you’re not supposed to exist? Life hasn’t been easy since Jess got back from the socalled “True” timeline. She spends her days going through the motion...

  • His Hideous Heart synopsis, comments

    His Hideous Heart

    Dahlia Adler

    Thirteen of YA’s most celebrated names reimagine Edgar Allan Poe’s most surprising, unsettling, and popular tales for a new generation.Edgar Allan Poe may be a hundred and fifty ye...