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Sir Simon Michael Schama ( SHAH-mə; born 13 February 1945) is an English historian and television presenter. He specialises in art history, Dutch history, Jewish history, and French history. He is a Professor of History and Art History at Columbia University. Schama first came to public attention with his history of the French Revolution titled Citizens, published in 1989. He is also known for writing and hosting the 15-part BBC television documentary series A History of Britain (2000—2002), as well as other documentary series such as The American Future: A History (2008) and The Story of the Jews (2013). Schama was knighted in the 2018 Queen's Birthday Honours List. Early life and education Schama was born on 13 February 1945 in Marylebone, London. His mother, Gertie (née Steinberg), was from an Ashkenazi Lithuanian Jewish family (from Kaunas, present-day Lithuania), and his father, Arthur Schama, was of Sephardi Jewish background (from Smyrna, present-day İzmir in Turkey), later moving through Moldova and Romania. In the mid-1940s, the family moved to Southend-on-Sea in Essex before moving back to London. In 1956, Schama won a scholarship to the private Haberdashers' Aske's Boys' School in Cricklewood (from 1961 Elstree, Hertfordshire). He then studied history at Christ's College, Cambridge, where he was taught by John H. Plumb. He graduated from the University of Cambridge with a Starred First in 1966. Career From 1966 to 1976, Schama was a fellow and director of studies in history at Christ's College, Cambridge. He then moved to Oxford University, where he was elected a fellow of Brasenose College, Oxford in 1976, specialising in the French Revolution. He also worked at the School for Advanced Studies in the Social Sciences (EHESS) in Paris. At this time, Schama wrote his first book, Patriots and Liberators, which won the Wolfson History Prize. The book was originally intended as a study of the French Revolution, but as published in 1977, it focused on the effect of the Patriottentijd revolution of the 1780s in the Netherlands, and its aftermath. His second book, Two Rothschilds and the Land of Israel (1978), is a study of the Zionist aims of Edmond and James Rothschild. In the United States In 1980, Schama took up a chair at Harvard University as Mellon Professor of History. His next book, The Embarrassment of Riches (1987), again focused on Dutch history. Schama interpreted the ambivalences that informed the Dutch Golden Age of the 17th century, held in balance between the conflicting imperatives, to live richly and with power, or to live a godly life. The iconographic evidence that Schama draws upon, in 317 illustrations, of emblems and propaganda that defined Dutch character, prefigured his expansion in the 1990s as a commentator on art and visual culture. Citizens (1989), written at speed to a publisher's commission, saw the publication of his long-awaited study of the French Revolution, and won the 1990 NCR Book Award. Its view that the violence of the Terror was inherent from the start of the Revolution, however, has received serious negative criticism. Schama appeared as an on-screen expert in Michael Wood's 1989 PBS series Art of the Western World ("Realms of Light: The Baroque") as a presenting art historian, commenting on paintings by Diego Velázquez, Rembrandt, and Johannes Vermeer. In 1991, he published Dead Certainties (Unwarranted Speculations), a relatively slender work of unusual structure and point-of-view in that it looked at two widely reported deaths a hundred years apart, that of British Army General James Wolfe in 1759 – and the famous 1770 painting depicting the event by Benjamin West – and that of George Parkman, murdered uncle of the better known 19th-century American historian Francis Parkman. Schama mooted some possible (invented) connections between the two cases, exploring the historian's inability "ever to reconstruct a dead world in its completeness however thorough or revealing the documentation", and speculatively bridging "the teasing gap separating a lived event and its subsequent narration." Not all readers absorbed the nuance of the title: it received a very mixed critical and academic reception. Traditional historians in particular denounced Schama's integration of fact and conjecture to produce a seamless narrative, but later assessments took a more relaxed view of the experiment. It was an approach soon taken up by such historical writers as Peter Ackroyd, David Taylor, and Richard Holmes. Schama's next book, Landscape and Memory (1995), focused on the relationship between physical environment and folk memory, separating the components of landscape as wood, water and rock, enmeshed in the cultural consciousness of collective "memory" embodied in myths, which Schama finds to be expressed outwardly in ceremony and text. More personal and idiosyncratic than Dead Certainties, this book was more traditionally structured and better-defined in its approach. Despite mixed reviews, the book was a commercial success and won numerous prizes. Plaudits came from the art world rather than from traditional academia. Schama became art critic for The New Yorker in 1995. He held the position for three years, dovetailing his regular column with professorial duties at Columbia University; a selection of his essays on art for the magazine, chosen by Schama himself, was published in 2005 under the title Hang Ups. During this time, Schama also produced a lavishly illustrated Rembrandt's Eyes, another critical and commercial success. Despite the book's title, it contrasts the biographies of Rembrandt van Rijn and Peter Paul Rubens. BBC Schama returned to the UK in 2000, having been commissioned by the BBC to produce a series of television documentary programmes on British history as part of their Millennium celebrations, under the title A History of Britain. Schama wrote and presented the episodes himself, in a friendly and often jocular style with his highly characteristic delivery, and was rewarded with excellent reviews and unexpectedly high ratings. There has been, however, some irritation and criticism expressed by a group of historians about Schama's condensed recounting of the British Isles' history on this occasion, particularly by those specialising in the pre-Anglo-Saxon history of Insular Celtic civilisation. Three series were made, totalling 15 episodes, covering the complete span of British history up until 1965; it went on to become one of the BBC's best-selling documentary series on DVD. Schama also wrote a trilogy of tie-in books for the show, which took the story up to the year 2000; there is some debate as to whether the books are the tie-in product for the TV series, or the other way around. The series also had some popularity in the United States when it was first shown on the History Channel. In 2001, Schama received a CBE. In 2003, he signed a new contract with the BBC and HarperCollins to produce three new.... Discover the Emmy Gatrell popular books. Find the top 100 most popular Emmy Gatrell books.