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Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard (and ancestors Naomi Collins, Judith Collins, Flora Collins, and Flora Collins PT) in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968. Bennett's career had three distinct phases: first as a winsome blonde ingenue, then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of Hedy Lamarr), and finally as a warmhearted wife-and-mother figure. In 1951, Bennett's screen career was marred by scandal after her third husband, film producer Walter Wanger, shot and injured her agent Jennings Lang. Wanger suspected that she and Lang were having an affair, a charge which she adamantly denied. She married four times. For her final film role, as Madame Blanc in Dario Argento's cult horror film Suspiria (1977), she received a Saturn Award nomination. Early life Joan Geraldine Bennett was born in the Palisade section of Fort Lee, New Jersey, on February 27, 1910, the youngest of three daughters of actor Richard Bennett and actress/literary agent Adrienne Morrison. Her elder sisters were actress Constance Bennett and actress/dancer Barbara Bennett, who was the first wife of singer Morton Downey and the mother of Morton Downey Jr. Part of a famous theatrical family, Bennett's maternal grandfather was Jamaica-born Shakespearean actor Lewis Morrison, who embarked on a stage career in the late 1860s. On the side of her maternal grandmother, actress Rose Wood, the profession dated back to traveling minstrels in 18th-century England. Bennett first appeared in a silent movie as a child with her parents and sisters in her father's drama The Valley of Decision (1916), which he adapted for the screen. She attended Miss Hopkins School for Girls in Manhattan, then St. Margaret's, a boarding school in Waterbury, Connecticut, and L'Hermitage, a finishing school in Versailles, France. On September 15, 1926, 16-year-old Bennett married John M. Fox in London. They divorced in Los Angeles on July 30, 1928, based on charges of his alcoholism. They had one child, Adrienne Ralston Fox (born February 20, 1928), for whom Bennett fought successfully in court to rename Diana Bennett Markey when the child was eight years old. Her name changed to Diana Bennett Wanger in 1944. Career Bennett's stage debut was at age 18, acting with her father in Jarnegan (1928), which ran on Broadway for 136 performances and for which she received good reviews. By the time she turned 20 she had become a movie star through such roles as Phyllis Benton in Bulldog Drummond starring Ronald Colman, which was her first important role, and Lady Clarissa Pevensey opposite George Arliss in Disraeli (both 1929). She moved quickly from movie to movie throughout the 1930s. Bennett appeared as a blonde (her natural hair color) for several years. She starred in the role of Dolores Fenton in the United Artists musical Puttin' On The Ritz (1930) opposite Harry Richman and as Faith Mapple, his beloved, opposite John Barrymore in an early sound version of Moby Dick (1930) at Warner Brothers. Under contract to Fox Film Corporation, she appeared in several movies. She played the role of Jane Miller opposite Spencer Tracy in She Wanted a Millionaire (1932), receiving top billing. She was billed second, after Tracy, for her role as Helen Riley, a personable waitress who trades wisecracks, in Me and My Gal (1932). On March 16, 1932, she married screenwriter/film producer Gene Markey in Los Angeles, but the couple divorced in Los Angeles on June 3, 1937. They had one child, Melinda Markey (born February 27, 1934, on Bennett's 24th birthday). Bennett left Fox to play Amy, a pert sister competing with Katharine Hepburn's Jo in Little Women (1933), which was directed by George Cukor for RKO. This movie brought Bennett to the attention of independent film producer Walter Wanger, who signed her to a contract and began managing her career. She played the role of Sally MacGregor, a psychiatrist's young wife slipping into insanity, in Private Worlds (1935) with Joel McCrea. Bennett starred in the film Vogues of 1938 (1937), including the title sequence, in which she donned a diamond-and-platinum bracelet set with the Star of Burma ruby.: 15  Wanger and director Tay Garnett persuaded her to change her hair from blonde to brunette as part of the plot for her role as Kay Kerrigan in the scenic Trade Winds (1938) opposite Fredric March. With her change in appearance, Bennett began an entirely new screen career as her persona evolved into that of a glamorous, seductive femme fatale. She played the role of Princess Maria Theresa in The Man in the Iron Mask (1939) opposite Louis Hayward, and the role of the Grand Duchess Zona of Lichtenburg in The Son of Monte Cristo (1940) opposite Hayward. During the search for an actress to play Scarlett O'Hara in Gone with the Wind, Bennett was given a screen test and impressed producer David O. Selznick to such an extent that she was one of the final four actresses, along with Jean Arthur, Vivien Leigh, and Paulette Goddard. On January 12, 1940, Bennett and producer Walter Wanger were married in Phoenix, Arizona. They were divorced in September 1965 in Mexico. The couple had two children together, Stephanie Wanger (born June 26, 1943) and Shelley Wanger (born July 4, 1948). The following year, on March 13, 1949, Bennett became a grandmother at age 39. Combined with her sultry eyes and husky voice, Bennett's new brunette look gave her an earthier, more arresting persona. She won praise for her performances as Brenda Bentley in The House Across the Bay (1940), also featuring George Raft, and as Carol Hoffman in the anti-Nazi drama The Man I Married, a film in which Francis Lederer also starred. She then appeared in a sequence of highly-regarded film noir thrillers directed by Fritz Lang, with whom she and Wanger formed their own production company. Bennett appeared in four movies under Lang's direction, including as Cockney Jerry Stokes in Man Hunt (1941) opposite Walter Pidgeon, as mysterious model Alice Reed in The Woman in the Window (1944) with Edward G. Robinson, and as vulgar blackmailer Katharine "Kitty" March in Scarlet Street (1945), another film with Robinson. Bennett was the shrewish, cuckolding wife, Margaret Macomber, in Zoltan Korda's The Macomber Affair (1947) opposite Gregory Peck, as deceitful wife Peggy, in Jean Renoir's The Woman on the Beach (also 1947) opposite Robert Ryan and Char.... Discover the Flora Collins popular books. Find the top 100 most popular Flora Collins books.