Franz Grillparzer Popular Books
Franz Grillparzer Biography & Facts
Franz Seraphicus Grillparzer (15 January 1791 – 21 January 1872) was an Austrian writer who was considered to be the leading Austrian dramatist of the 19th century. His plays were and are frequently performed at the famous Burgtheater in Vienna. He also wrote the oration for Ludwig van Beethoven's funeral, as well as the epitaph for his friend Franz Schubert. While writing during the period of Romanticism, Grillparzer's poetic language owes far more to the period of Classicism which reigned during his formative years. Committed to the classical ideals of aesthetic beauty and morality, his plots shy away from the realism which developed during his time, preferring instead to use the theater to address spiritual values, which in the words of the dying queen of his Libussa, would only come after the period of Materialism had passed. Due to the identity-creating use of his works, especially after World War II, he was named as the national poet of Austria. Biography Franz Grillparzer was born in Vienna, Austria. His father, the advocate E. J. Grillparzer, was a severe pedant and a staunch upholder of the liberal traditions of the reign of Joseph II. E. J. Grillparzer was an unsuccessful lawyer whose fortunes were ruined by Napoleon's invasion. His mother, Anna Franziska, was a nervous, highly-strung woman, daughter of Christoph Sonnleithner, sister to Joseph and Ignaz, aunt to Leopold. Franz's father wished him to become a lawyer, and he entered the University of Vienna in 1807 as a student of jurisprudence. Two years later his father died, leaving the family in difficult circumstances. After obtaining his degree from the university in 1811, Franz became a private tutor for a noble family; then in 1813, he entered the civil service as a clerk at the Imperial Hofkammer (Exchequer) in Austria. In 1821, he unsuccessfully applied to the position of scribe at the Imperial Library, and later that same year, he was relocated to the Ministry of Finance. In 1832, he became director of the archives at the Imperial Hofkammer, a position he held until his retirement in 1856. Grillparzer had little capacity for an official career and regarded his position merely as a means of independence. From early youth, Grillparzer displayed a strong literary impulse. He devoted especial attention to the Spanish drama, and many of his works show the influence of Pedro Calderón de la Barca. In 1853, he wrote an autobiography of his life and times from birth to 1836. Among his posthumous writings are many fragments of literary, philosophic, and political criticism, all of them indicating a strong and independent spirit, not invariably just, but distinct, penetrating, and suggestive. It is characteristic of him that he expresses extreme dislike of Hegel's philosophy on the ground that its terms are unintelligible. On the other hand, he gives evidence of careful and sympathetic study of Immanuel Kant. Of modern literary critics, Gervinus was most repugnant to him, mainly because of the tendency of this writer to attribute moral aims to authors who created solely for art's sake. He rather maliciously says that Gervinus had one advantage and one disadvantage in writing his history of German literature – the advantage of common sense, the disadvantage of knowing nothing of his subject. Of a quiet contemplative nature, Grillparzer shunned general society. He never married. He could seem cold and distant to strangers, but in conversation with people he liked, his real disposition revealed itself; his manner became animated, his eyes brightened, and a sarcastic but not ill-natured smile would play upon his lips. He often said that the art of writing poetry can neither be taught nor learned, but he also held that inspiration will not visit a poet who neglects to make himself master of his subject. Hence before writing a play he worked hard, striving to comprehend the spirit of the age he wished to represent. He was exceedingly fond of travel, and at different times visited all the leading European countries. After 1840, when his only comedy was rejected by the public, he almost passed from the memory of his contemporaries. Fortunately for him, his admirer Heinrich Laube became artistic director of Vienna's court theater in 1849. Laube staged productions of Grillparzer's forgotten works, and their success was immediate and profound. To his own surprise, Grillparzer became the most popular author of the day; he was ranked with Goethe and Schiller, and lauded as the national poet of Austria. On his eightieth birthday, all classes from the court downwards united to do him honour; never, probably, did Vienna exert herself so much to prove her respect for a private citizen. He was buried with an amount of ceremony that surpassed even the pomp displayed at Klopstock's funeral. He was originally buried in the Währinger Cemetery in Vienna, now known as Schubertpark. He now lies at Hietzing Cemetery. Early works up to Das goldene Vlies From 1807 to 1809, Grillparzer wrote a long tragedy in iambics, Blanca von Castilien, modeled on Schiller's Don Carlos. He also produced the dramatic fragments Spartacus and Alfred der Grosse (1809). When Grillparzer began to write, the German stage was dominated by the wild plays of Zacharias Werner, Adolf Müllner, and other authors of so-called "fate-tragedies." Grillparzer's play The Ancestress (German: Die Ahnfrau), published in 1816, reflected this trend. It is a gruesome fate-tragedy in the trochaic measure of the Spanish drama, already made popular by Müllner's Schuld. The ghost of a lady who was killed by her husband for infidelity is doomed to walk the earth until her family line dies out, and this happens in the play amid scenes of violence and horror. Its general character is similar to that of Werner's dramas; it only differs from them in containing individual passages of much force and beauty. It reveals an instinct for dramatic as opposed to merely theatrical effect, which distinguishes it from other fate-dramas of the day. Its success led to the poet being classed for the best part of his life with playwrights like Müllner and Christoph Ernst von Houwald. In 1817, the first performances of The Ancestress made Grillparzer famous. Grillparzer followed this gothic drama with Sappho (1818), a drama of a very different type. Similar to Goethe's Torquato Tasso, Grillparzer dramatized the tragedy of poetic genius, showing how a poet must renounce earthly happiness to fulfill a higher mission. After reading an Italian translation of this play, Lord Byron expressed his conviction that Grillparzer would be held in reverence by posterity. Grillparzer's conceptions are not so clearly defined as Goethe's, nor is his diction so varied and harmonious; but the play has the stamp of genius, and ranks as one of the best works that attempt to combine the passion and sentiment of modern life with the simplicity and grace of ancient masterpieces. In 1821, Grillparzer completed his The.... Discover the Franz Grillparzer popular books. Find the top 100 most popular Franz Grillparzer books.
Best Seller Franz Grillparzer Books of 2024
-
Kommunikationsprobleme in der Literatur
Markus GentnerIm Zusammenleben der Menschen nimmt die Kommunikation eine sehr wichtige Rolle ein. Mit Hilfe von Mimik und Gestik, Worten und Berührungen teilen wir uns unseren Mitmenschen mit, g...
-
Die Argonauten
Franz GrillparzerDie Argonauten Franz Grillparzer Wie bereits im ersten Teil der Trilogie "Das goldene Vlies", wird auch hier der Leser in die sagenumwobene Welt der griechischen Mythologi...
-
Franz Grillparzer
Gerhard ScheitFranz Grillparzer (1791–1872) war der bedeutendste österreichische Dramatiker des 19. Jahrhunderts. Beeinflusst vom Wiener Volksstück, aber auch von der Weimarer Klassik und der Ro...
-
Franz Grillparzer
Franz GrillparzerDas goldene Vließ, Der Gastfreund, Die Argonauten, Medea, Das Kloster bei Sendomir, Der arme Spielmann, Der Traum ein Leben, Des Meeres und der Liebe Wellen, Die Ahnfrau, Die Jüdin...
-
Franz Grillparzer
Birthe Hoffmann & Brigitte PruttiZum 150. Todesjahr Franz Grillparzers (17911872) stellt sich die Frage nach der Lebendigkeit seines OEuvres im 21. Jahrhundert. Wer Grillparzer erst einmal unter die Haut bekommen ...
-
Libussa, a play in German
Franz GrillparzerAccording to Wikipedia: "Franz Seraphicus Grillparzer (January 15, 1791 – January 21, 1872), an Austrian dramatic poet, was born in Vienna... His fame was in accordance with the ge...
-
Sappho, a play in German
Franz GrillparzerAccording to Wikipedia: "Franz Seraphicus Grillparzer (January 15, 1791 – January 21, 1872), an Austrian dramatic poet, was born in Vienna... His fame was in accordance with the ge...
-
Der arme Spielmann
Franz GrillparzerDer arme Spielmann Franz Grillparzer Der Erzähler mischt sich bei einer Kirchweih unter das Volk. Er begegnet einem alten Spielmann, der auf seiner Geige eine Art Katzenmusik spie...
-
Wie die Zeit vergeht
Georg MarkusEine humorvolle Geschichte Österreichs in Geschichten In seinem neuen Buch erzählt Georg Markus österreichische Geschichte auf ganz neue, aber wie immer spannende und unterhaltsam...
-
Werke von Franz Grillparzer
Franz Grillparzer23 Werke von Franz Grillparzer Österreichischer Dramatiker (17191872) Dieser Band enthält eine Sammlung von 23 Werken von Franz Grillparzer. Ein dynamisches Inhaltsverzeichnis ermö...
-
Bildnisse
Carl J. BurckhardtNeben Reden wie ›Zu Goethes Gerechtigkeit‹, ›Friedrich Schiller‹ und ›Thornton Wilder‹ enthält diese Sammlung eine Reihe von berühmt gewordenen Essays. Die souveräne Art der Betrac...
-
Die verlorenen Seelen von Malcesine
Adolf Pichler, Johann Holzner, Lenka Schindlerová & Anton UnterkircherADOLF PICHLER (1819–1900) – PROFESSOR FÜR GEOLOGIE an der Universität Innsbruck, LITERATURKRITIKER, SCHRIFTSTELLER – war zu seiner Zeit der BEKANNTESTE LIBERALE INTELLEKTUELLE TIRO...
-
Der Arme Spielmann, a long short story, in German
Franz GrillparzerAccording to Wikipedia: "Franz Seraphicus Grillparzer (January 15, 1791 – January 21, 1872), an Austrian dramatic poet, was born in Vienna... His fame was in accordance with the ge...
-
Ein Bruderzwist in Habsburg, a play in German
Franz GrillparzerAccording to Wikipedia: "Franz Seraphicus Grillparzer (January 15, 1791 – January 21, 1872), an Austrian dramatic poet, was born in Vienna... His fame was in accordance with the ge...
-
Die Argonauten, a play in German
Franz GrillparzerAccording to Wikipedia: "Franz Seraphicus Grillparzer (January 15, 1791 – January 21, 1872), an Austrian dramatic poet, was born in Vienna... His fame was in accordance with the ge...
-
Die Ahnfrau, a play in German
Franz GrillparzerAccording to Wikipedia: "Franz Seraphicus Grillparzer (January 15, 1791 – January 21, 1872), an Austrian dramatic poet, was born in Vienna... His fame was in accordance with the ge...
-
Ein Bruderzwist in Habsburg
Franz GrillparzerEin Bruderzwist in Habsburg Franz Grillparzer Ein spannendes Trauerspiel, das kurz vor dem Beginn des Dreißigjährigen Krieges spielt und den Leser in eine vergangene Zeit versetzt...