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Jean Racine Biography & Facts

Jean-Baptiste Racine ( rass-EEN, US also rə-SEEN) (French: [ʒɑ̃ batist ʁasin]; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon (Aisne), in the province of Picardy in northern France. Orphaned by the age of four (his mother died in 1641 and his father in 1643), he came into the care of his grandparents. At the death of his grandfather in 1649, his grandmother, Marie des Moulins, went to live in the convent of Port-Royal and took her grandson with her. He received a classical education at the Petites écoles de Port-Royal, a religious institution which would greatly influence other contemporary figures including Blaise Pascal. Port-Royal was run by followers of Jansenism, a theology condemned as heretical by the French bishops and the Pope. Racine's interactions with the Jansenists in his years at this academy would have great influence over him for the rest of his life. At Port-Royal, he excelled in his studies of the classics and the themes of Greek and Roman mythology would play large roles in his future works. He was expected to study law at the Collège d'Harcourt in Paris, but instead found himself drawn to a more artistic lifestyle. Experimenting with poetry drew high praise from France's greatest literary critic, Nicolas Boileau, with whom Racine would later become great friends; Boileau would often claim that he was behind the budding poet's work. Racine eventually took up residence in Paris where he became involved in theatrical circles. His first play, Amasie, never reached the stage. On 20 June 1664, Racine's tragedy La Thébaïde ou les frères ennemis (The Thebans or the enemy Brothers) was produced by Molière's troupe at the Théâtre du Palais-Royal, in Paris. The following year, Molière also put on Racine's second play, Alexandre le Grand. However, this play garnered such good feedback from the public that Racine secretly negotiated with a rival play company, the Hôtel de Bourgogne, to perform the play – since they had a better reputation for performing tragedies. Thus, Alexandre premiered for the second time, by a different acting troupe, eleven days after its first showing. Molière could never forgive Racine for this betrayal, and Racine simply widened the rift between him and his former friend by seducing Molière's leading actress, Thérèse du Parc, into becoming his companion both professionally and personally. From this point on the Hôtel de Bourgogne troupe performed all of Racine's secular plays. Though both La Thébaïde (1664) and its successor, Alexandre (1665), had classical themes, Racine was already entering into controversy and forced to field accusations that he was polluting the minds of his audiences. He broke all ties with Port-Royal, and proceeded with Andromaque (1667), which told the story of Andromache, widow of Hector, and her fate following the Trojan War. Amongst his rivals were Pierre Corneille and his brother, Thomas Corneille. Tragedians often competed with alternative versions of the same plot: for example, Michel le Clerc produced an Iphigénie in the same year as Racine (1674), and Jacques Pradon also wrote a play about Phèdre (1677). The success of Pradon's work (the result of the activities of a claque) was one of the events which caused Racine to renounce his work as a dramatist at that time, even though his career up to this point was so successful that he was the first French author to live almost entirely on the money he earned from his writings. Others, including the historian Warren Lewis, attribute his retirement from the theater to qualms of conscience. However, one major incident which seems to have contributed to Racine's departure from public life was his implication in a court scandal of 1679. He got married at about this time to the pious Catherine de Romanet, and his religious beliefs and devotion to the Jansenist sect were revived. He and his wife eventually had two sons and five daughters. Around the time of his marriage and departure from the theatre, Racine accepted a position as a royal historiographer in the court of King Louis XIV, alongside his friend Boileau. He kept this position in spite of the minor scandals he was involved in. In 1672, he was elected to the Académie française, eventually gaining much power over this organisation. Two years later, he was given the title of "treasurer of France", and he was later distinguished as an "ordinary gentleman of the king" (1690), and then as a secretary of the king (1696). Because of Racine's flourishing career in the court, Louis XIV provided for his widow and children after his death. When at last he returned to the theatre, it was at the request of Madame de Maintenon, morganatic second wife of King Louis XIV, with the moral fables, Esther (1689) and Athalie (1691), both of which were based on Old Testament stories and intended for performance by the pupils of the school of the Maison royale de Saint-Louis in Saint-Cyr (a commune neighboring Versailles, and now known as "Saint-Cyr l'École"). Jean Racine died in 1699 from cancer of the liver. He requested burial in Port-Royal, but after Louis XIV had this site razed in 1710, his remains were moved to the Saint-Étienne-du-Mont church in Paris. Style The quality of Racine's poetry is perhaps his greatest contribution to French literature. His use of the alexandrine poetic line is considered exceptionally skilful. Racine's work faced many criticisms from his contemporaries. One was the lack of historic veracity in plays such as Britannicus (1669) and Mithridate (1673). Racine was quick to point out that his greatest critics – his rival dramatists – were among the biggest offenders in this respect. Another major criticism levelled at him was the lack of incident in his tragedy Bérénice (1670). Racine's response was that the greatest tragedy does not necessarily consist in bloodshed and death. General characteristics Racine restricts his vocabulary to 4000 words. He rules out all workaday expressions since, although the Greeks could call a spade a spade, he does not believe that this is possible in Latin or French. The classical unities are .... Discover the Jean Racine popular books. Find the top 100 most popular Jean Racine books.