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John Clute Biography & Facts

John Frederick Clute (born 12 September 1940) is a Canadian-born author and critic specializing in science fiction and fantasy literature who has lived in both England and the United States since 1969. He has been described as "an integral part of science fiction's history" and "perhaps the foremost reader-critic of science fiction in our time, and one of the best the genre has ever known." He was one of eight people who founded the English magazine Interzone in 1982 (the others included Malcolm Edwards, Colin Greenland, Roz Kaveney, and David Pringle). Clute's articles on speculative fiction have appeared in various publications since the 1960s. He is a co-editor of The Encyclopedia of Science Fiction (with Peter Nicholls) and of The Encyclopedia of Fantasy (with John Grant), as well as the author of The Illustrated Encyclopedia of Science Fiction, all of which won Hugo Awards for Best Related Work (a category for nonfiction). He earned the Pilgrim Award, bestowed by the Science Fiction Research Association for Lifetime Achievement in the field of science fiction scholarship, in 1994. Clute is also author of the collections of reviews and essays Strokes; Look at the Evidence: Essays and Reviews; Scores; Canary Fever; and Pardon This Intrusion. His 2001 novel Appleseed, a space opera, was noted for its "combination of ideational fecundity and combustible language" and was selected as a New York Times Notable Book for 2002. In 2006, Clute published the essay collection The Darkening Garden: A Short Lexicon of Horror. The third edition of The Encyclopedia of Science Fiction (with David Langford and Peter Nicholls) was released online as a beta text in October 2011 and has since been greatly expanded; it won the Hugo Award for Best Related Work in 2012. The Encyclopedia's statistics page reported that, as of 24 March 2017, Clute had authored the great majority of articles: 6,421 solo and 1,219 in collaboration, totalling over 2,408,000 words (more than double, in all cases, those of the second-most prolific contributor, David Langford). The majority of these are Author entries, but there are also some Media entries, notably that for Star Wars: Episode VII – The Force Awakens. Clute was a Guest of Honour at Loncon 3, the 72nd World Science Fiction Convention, from 14 to 18 August 2014. Personal life Raised in Canada, Clute lived in the United States from 1956 until 1964. He earned a Bachelor of Arts degree at New York University in 1962 while living with writer and artist Pamela Zoline. Clute married artist Judith Clute in 1964. He has been the partner of Elizabeth Hand since 1996. Career Clute's first professional publication was a long science-fictional poem entitled "Carcajou Lament", which appeared in TriQuarterly in 1959. His first short story (one of his few) was "A Man Must Die", which appeared in New Worlds in 1966. In 1960, he served as Associate Editor of Collage, a Chicago-based "slick" magazine which ran only two issues; it published early work by Harlan Ellison and R. A. Lafferty. During the 1960s and 70s he appeared chiefly in NEW WORLDS, becoming an important contributor of essays and reviews. In 1977, Clute published his first novel, The Disinheriting Party (Allison & Busby). Though not explicitly a fantasy, this story of a dysfunctional family has a fantasy feel, rather like much postmodern literature. Reviewer Ifdary Bailey wrote that this "everyday story of family life in a revenge tragedy, of relations and revelations, hidden identities and loss of identity, incest and inheritance, all brooded over by the Father Who Will Not Die, carries itself forward swiftly and surely to its conclusion with strength and control." Clute's second novel, Appleseed (2001), is the story of trader Nathanael Freer, who pilots an AI-helmed starship named Tile Dance en route to the planet Eolhxir to deliver a shipment of nanotechnological devices. Freer meets a man calling himself Johnny Appleseed, who rejoins Freer with his lost lover, Ferocity Monthly-Niece. Meanwhile, a terrifying, data-destroying "plaque" is threatening the galaxy's civilizations. Clute has proposed it as the first novel in a trilogy. Science fiction and fantasy author Paul Di Filippo called it "a space opera for the 21st century." Keith Brooke suggested that Clute himself would be the best reviewer for this multilayered novel. Reviewing Clute's first significant science fiction reviews appeared in the late 1960s in New Worlds. He has reviewed fiction and nonfiction in such periodicals as Interzone, the Los Angeles Times, The Magazine of Fantasy & Science Fiction, The New York Review of Science Fiction, The Observer, Omni, The Times Literary Supplement, The Washington Post, and elsewhere; some of these writings appeared in his early collection, Strokes. Though Clute is chiefly known for his critiques of fiction, he has also reviewed other modes, such as film. His language can be as blunt and amusing as it is honest; some review columns have such titles as "Nonsense is what good adventure SF makes silk purses out of", "Prometheus Emphysema", "An empty bottle. An empty mind. An empty book", "Book of the Mouth", and "Mage Sh*t". Excessive candour Clute has issued a polemic he calls the "Protocol of Excessive Candour", which argues that reviewers of science fiction and fantasy must not pull punches because of friendship: Reviewers who will not tell the truth are like cholesterol. They are lumps of fat. They starve the heart. I have myself certainly clogged a few arteries, have sometimes kept my mouth shut out of 'friendship' which is nothing in the end but self-interest. So perhaps it is time to call a halt. Perhaps we should establish a Protocol of Excessive Candour, a convention within the community that excesses of intramural harshness are less damaging than the hypocrisies of stroke therapy, that telling the truth is a way of expressing love; self-love; love of others; love for the genre, which claims to tell the truth about things that count; love for the inhabitants of the planet; love for the future. Because the truth is all we've got. And if we don't talk to ourselves, and if we don't use every tool at our command in our time on Earth to tell the truth, nobody else will. His review column of this name began at Science Fiction Weekly and moved to Sci-Fi Wire. Writing style Contributing the essay on himself for The Encyclopedia of Science Fiction, Clute wrote that his "criticism, despite some curiously flamboyant obscurities, remains essentially practical; it has appeared mostly in the form of reviews, some of considerable length." He told an interviewer, The connections between one sentence and another may be a couple of layers down in terms of the metaphors implied, or stated. And that is not the way English tends to be written, but it is the way I tend instinctively to write. When it goes off it can get absurdly pretentious — it's all various lines of harmony and no music — but w.... Discover the John Clute popular books. Find the top 100 most popular John Clute books.

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