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Elizabeth Ruth Grable (December 18, 1916 – July 2, 1973) was an American actress, pin-up girl, dancer, model and singer. Her 42 films during the 1930s and 1940s grossed more than $100 million, and for 10 consecutive years (1942–1951) she placed among the Quigley Poll's top 10 box office stars (a feat only matched by Doris Day, Julia Roberts and Barbra Streisand, although all were surpassed by Mary Pickford, with 13 years). The U.S. Treasury Department listed her as the highest-salaried American woman in 1946 and 1947, and she earned more than $3 million during her career. Grable began her film career in 1929 at age 12 and was later fired from a contract for having signed with a false identification. She had contracts with RKO and Paramount Pictures during the 1930s and appeared in a string of B movies, mostly portraying college students. She came to prominence in the Broadway musical Du Barry Was a Lady (1939), which brought her to the attention of 20th Century-Fox. She replaced Alice Faye in Down Argentine Way (1940), her first major Hollywood film, and became Fox's biggest film star throughout the next decade. Fox cast Grable in a succession of Technicolor musicals during the decade that were immensely popular, costarring with such leading men as Victor Mature, Don Ameche, John Payne and Tyrone Power. In 1943, she was the number-one box-office draw in the world. Two of her greatest film successes were the musical Mother Wore Tights (1947) and the comedy How to Marry a Millionaire (1953), one of her later films. Grable retired from screen acting in 1955 after she withdrew from her Fox contract, but she continued to perform on the stage and on television. Throughout her career, Grable was a celebrated sex symbol. Her bathing-suit poster made her the top pin-up girl of World War II, surpassing Rita Hayworth. The photo was later included in the Life magazine project "100 Photographs That Changed the World". Hosiery specialists of the era often noted the ideal proportions of Grable's legs and thighs (18.5 in (47 cm)), calf (12 in (30 cm)) and ankle (7.5 in (19 cm)). Her legs were insured by her studio for $1 million as a publicity stunt. Describing her film career, Grable said: "I became a star for two reasons, and I'm standing on them." Early life Elizabeth Ruth Grable was born on December 18, 1916, in St. Louis, Missouri, the youngest of three children of Lillian Rose (née Hofmann; 1889–1964) and John Conn Grable (1883–1954), a stockbroker. Her second cousin was silent-film actress Virginia Pearson. Her siblings were Marjorie Lucille Arnold (nee Grable; 1909–1980) and John Karl "Jackie" Grable (1914–1916). The Grable children were of Dutch, English, German, Swiss German and Irish ancestry. Nicknamed Betty as a child, she was pressured by her mother to become a performer. She was entered into multiple beauty contests, winning many and receiving considerable attention. Despite her success, she suffered from a fear of crowds and somnambulism. Personal life Grable married former child actor Jackie Coogan in 1937. He was under considerable stress from a lawsuit against his parents over his childhood earnings, and the couple divorced in 1939. In 1943, she married trumpeter Harry James. They had two daughters, Victoria Elizabeth "Vicki" Bivens (born 1944) and Jessica Yahner (1947-2016). Their marriage, which lasted for 22 years, was beset by alcoholism and infidelity, and they divorced in 1965. Grable entered into a relationship with dancer Bob Remick, 27 years her junior, with whom she remained until she died in 1973. Career Early career: 1929–1939 A 13-year-old Grable and her mother traveled to Hollywood in 1929, shortly after the stock market crash. In Hollywood, Grable studied at the Hollywood Professional School and the Ernest Blecher Academy of Dance. To obtain jobs for her daughter, Lillian Grable lied about her daughter's age, claiming that she was 15 to film producers and casting agents. That same year, she made her uncredited film debut as a chorus girl in the Fox Studios all-star revue Happy Days (1929). This success led to chorus-girl roles in Let's Go Places (1930) and New Movietone Follies of 1930 (1930). In 1930, at age 13, Grable (under the pseudonym Frances Dean) signed with producer Samuel Goldwyn, thereby becoming one of the original Goldwyn Girls, along with Ann Sothern, Virginia Bruce, Claire Dodd and Paulette Goddard. As a member of the group, Grable appeared in a series of small parts in films, including the hit Whoopee! (1930), starring Eddie Cantor. Although she received no on-screen credit for her performance, she led the film's opening musical number, titled "Cowboys". In 1932, Grable signed a contract with RKO Radio Pictures, and she was assigned to a succession of acting, singing and dancing classes at the studio's drama school. At age 14, her first film for the studio, Probation (1932), provided her first credited screen role. Over the next few years, she was again relegated to uncredited minor roles in a series of films, many of which became worldwide successes, such as Cavalcade (1933). She received larger roles in The Gay Divorcee (1934) and Follow the Fleet (1936). After her brief stint as an RKO contract player, Grable signed with Paramount Pictures, which lent her to 20th Century-Fox to costar in the adolescent comedy Pigskin Parade (1936). Despite the studio's effort to introduce Grable to the mainstream movie audience, her performance was overlooked by audiences and critics in favor of Judy Garland. When Grable returned to Paramount, she began a new phase in her career as the studio began casting her in a series of college-themed films in which she usually portrayed a naïve student, such as This Way Please (1937) and College Swing (1938). In 1939, she appeared opposite her husband Jackie Coogan in Million Dollar Legs, a B-movie comedy that gave Grable her famous nickname. When the film did not become the hit for which Paramount had hoped, the studio released her from her contract and Grable began preparing to leave Hollywood for a simpler life. However, she changed her mind and decided to try Broadway. She accepted Buddy DeSylva's offer to star in his musical Du Barry Was a Lady, starring Ethel Merman and Bert Lahr. The play was an instant critical and audience success, and Grable was branded a newfound star. Breakthrough at Fox: 1940–1943 In a 1940 interview, Grable stated she was "sick and tired" of show business and that she was considering retirement. Soon thereafter, she was invited to go on a personal appearance tour, which she readily accepted. The tour brought Grable to the attention of Darryl F. Zanuck, the head of 20th Century-Fox, who offered her a long-term contract. "If that's not luck, I don't know what you'd call it", Grable said in her first interview after signing with the studio. Zanuck, who had been impressed by Grable's performance in Du Barry Was a Lady, was, at the time, in the midst of casting the femal.... Discover the Mary Claire Haver Md popular books. Find the top 100 most popular Mary Claire Haver Md books.