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Mitch Goth Biography & Facts

The Toronto goth scene, the cultural locus of the goth subculture in Toronto, Ontario, Canada and the associated music and fashion scene, has distinct origins from goth scenes of other goth subcultural centres, such as the UK or Germany. Originally known as the "Batcavers", the term "goth" appeared only after 1988, when it was applied to the pre-existent subculture. Distinctive features included internationally recognized gothic and vampiric fashion store 'Siren', a goth-industrial bar named 'Sanctuary: The Vampire Sex Bar', and Forever Knight, a television series about an 800-year-old vampire living in Toronto. In Toronto, the goths did not seek to reject mainstream status, and achieved partial acceptance throughout the mid to late 1990s. History In the UK, where goth rock originated, the term "gothic" or "goth" was used to refer to a subculture and style of music since circa 1982; however, in Toronto the usage of the term "goth" and the identification of a subculture as goth did not occur until years later in 1988, when goth rock was already in the midst of what is often referred to as the 'second generation' or 'second wave'. Early years: "Batcavers", "Blitz", "Punks", and "Freaks" In Toronto, the subculture that eventually would morph into "Goth" was an eclectic and varied group that existed prior to 1982 and was a cultural blend of New Romantic, Post-punk, and Hardcore punk enthusiasts. There were various terms in use for members of this scene, including "Batcavers", "Blitz", and "Freaks", but often "punk" was used to describe the look (especially for outsiders). Inclusion had no specific requirements beyond participation in the music scene, it was more diverse than other goth/punk scenes. The "freaks" at this time included fans of specific music genres, and did not exclude people of colour, transgender people, gay people, or any others who participated in the Toronto underground music scene. Some "freaks", notably Death punks and New Romantics, were extremely fashion-conscious, dressing in darker styles modeled on old black-and-white horror films, Morticia Addams, Lily Munster, film noir or ratty New Romantic and glam rock fashions, but maintained a local "freak" identity and a general lack of knowledge of burgeoning UK goth scene. Some thought of these individuals as "pretentious, vacuous, fashion victims." Although the term "freak" was used generically, many punks disliked being labelled freaks themselves, and considered the term to apply only to others. Some punks used the term "Blitz Kids" when referring to the darker styled New Romantics after 1982. Paul Samuels, co-owner of Goth Club 'Savage Garden', one of Toronto's longest running goth bars, reported "we were wearing [pointy] skull buckle boots, black jeans and tour t-shirts; after that it was the frilly shirts with long sleeves. Then I mashed in make-up and black, backcombed hair with lots of hairspray. We became the freaks of the town." The word "freak" was not derogatory; those who called themselves "freak" tended to call everyone in this music scene "freak". In this group were the same individuals who would later become known as "the goths" after 1988. However, unlike concurrent goth subcultures elsewhere, many of these "freaks" were primarily fashion-oriented as opposed to identifying as strongly with gothic rock genre of music in particular. The area between University Avenue and Spadina Avenue on Queen Street West was home to the punks since the mid seventies. It was a place of old garment and textile industry buildings that time had forgotten in the seventies. Punk got its foothold in venues such as the Horseshoe Tavern, Beverley Hotel, X-Rays and the Black Bull patio (pre-bikers) and changed the area into a bohemian, artistic community (pre-current corporate gentrification). As early goth was evolving out of the punk scene these new goths found a kindred spirit and sense of community in Queen Street West as well. However, rent increases and the economic down turn of the early 1990s drove many shops, designers and residents to move to adjacent neighbourhoods, most notably West Queen West, which is west of Bathurst Street on Queen Street West. Kensington Market also attracted underground or alternative lifestyle individuals, including those who later became the goths. Live venues in the Queen Street West area started refusing to take punk bands, "Instead, they demanded progressive acts who were evolving out of punk like beautiful butterflies from ugly cocoons"; "music here was for connoseurs [sic] of post-punk new music," says punk rock journalist S. Black. Queen Street West was the centre of goth revival at the time of the "Queen Street exodus across Spadina." The area became known as the "Fashion District" for its textile and upholstery wholesalers, which allowed goths to cheaply experiment with styles. Queen Street West near Portland Street became known as "Little Gotham", having the highest concentration of goth subculture in the world. The impact of the goth movement in Toronto continues to show in much of the music and arts that have emerged from Toronto since the 1990s. Club Scene The central hub and breeding ground for the subculture later to be known in Toronto as "goth" was the city's after-hours clubs, beginning with Voodoo on St. Joseph Street (1981–1985), Kongo on Hagerman St. (1983-4), Klub Domino on Isabella (and later Yonge St.) (1979–85), Iguana Lounge on Pears Ave, and perhaps the peak of this early period was Pariah, a Wednesday club night that would run from 10 until dawn, which originated at Kongo in 1983, originally launched by Lynn McNeil, with Siobhan O'Flynn DJ'ing. After closing at the Kongo on Hagerman St., Pariah relaunched with Siobhan O'Flynn and Stephen Scott running the after hours night at the much larger Twilight Zone on Richmond Street (1984–87), owned by the Assoon Brothers. Other prominent DJs from this period included Dave Allen, Pam Barnes, Ivan Palmer, Donny Cochrane, Dan McKay, and others. Clubs also part of the scene in this period were: the Silver Crown, Club Z (Batcave Night), Catwalk, Nuts and Bolts, and slightly later: Empire Club, Club Noir, Night Gallery, and Lizard Lounge. Also worthy of note is Century 66 - a restaurant attended and staffed by many members of the scene with a futuristic and dark decor, and the location of many events, including Brian Eno's Thursday Afternoon installation in December 1984. Emergence of Goth beginning 1988 It was 1988 that "Goth" arrived in Toronto. The term "Goth" began to be used to refer to those "freaks" who centred on Gothic fashion and Gothic rock. Elsewhere, merely being a fan of Gothic rock would generally define an individual as a "Goth", but this was not the case in Toronto, where the idea of being "Gothic" was taken very literally; until the mid '90s, the Goths in Toronto considered Gothic literature, romantic poetry, Gothic fashion and Gothic aesthetics, especially beauty, to be subcultural req.... 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