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Niki de Saint Phalle (French pronunciation: [niki d(ə) sɛ̃ fal]; born Catherine Marie-Agnès Fal de Saint Phalle; 29 October 1930 – 21 May 2002) was a French-American sculptor, painter, filmmaker, and author of colorful hand-illustrated books. Widely noted as one of the few female monumental sculptors, Saint Phalle was also known for her social commitment and work. She had a difficult and traumatic childhood and a much-disrupted education, which she wrote about many decades later. After an early marriage and two children, she began creating art in a naïve, experimental style. She first received worldwide attention for angry, violent assemblages which had been shot by firearms. These evolved into Nanas, light-hearted, whimsical, colorful, large-scale sculptures of animals, monsters, and female figures. Her most comprehensive work was the Tarot Garden, a large sculpture garden containing numerous works ranging up to house-sized creations. Saint Phalle's idiosyncratic style has been called "outsider art"; she had no formal training in art, but associated freely with many other contemporary artists, writers, and composers. Her books and abundant correspondence were written and brightly-colored in a childish style, but throughout her lifetime she addressed many controversial and important global problems in the bold way which children often question and call out unacceptable neglect. Throughout her creative career, she collaborated with other well-known artists such as Jasper Johns, Robert Rauschenberg, Larry Rivers, composer John Cage, and architect Mario Botta, as well as dozens of less-known artists and craftspersons. For several decades, she worked especially closely with Swiss kinetic artist Jean Tinguely, who also became her second husband. In her later years, she suffered from multiple chronic health problems attributed to repeated exposure to airborne glass fibers and petrochemical fumes from the experimental materials she had used in her pioneering artworks, but she continued to create prolifically until the end of her life. A critic has observed that Saint Phalle's "insistence on exuberance, emotion and sensuality, her pursuit of the figurative and her bold use of color have not endeared her to everyone in a minimalist age". She was well known in Europe, but her work was little-seen in the US, until her final years in San Diego. Another critic said: "The French-born, American-raised artist is one of the most significant female and feminist artists of the 20th century, and one of the few to receive recognition in the male-dominated art world during her lifetime". Early life and education (1930–1948) Catherine Marie-Agnès Fal de Saint Phalle was born on October 29, 1930, in Neuilly-sur-Seine, Hauts-de-Seine, near Paris. Her father was Count André-Marie de Saint Phalle (1906–1967), a French banker, and her mother was an American, named Jeanne Jacqueline Harper (1908–1980). Marie-Agnès was the second of five children, and her cousins included the French novelist Thérèse de Saint Phalle (Baroness Jehan de Drouas), her double cousin, daughter of Count Alexandre de Saint Phalle (brother of Count André-Marie) and his wife Helene Georgia Harper (sister of Jeanne Jacqueline). Another cousin was the American-born investment banker, lawyer, and former Office of Strategic Services agent Thibaut de Saint Phalle, who served in the Carter administration as a director of the Export–Import Bank of the United States (1977-1981). Marie-Agnès was born one year after Black Tuesday, and the French economy was also suffering in the aftermath of the infamous stock market crash that initiated the Great Depression. Within months of her birth, her father's finance company closed, and her parents moved with her oldest brother to the suburbs of New York City; she was left with her maternal grandparents in Nièvre, near the geographical center of France. Around 1933, she rejoined her parents in Greenwich, Connecticut; her father had found work as manager of the American branch of the Saint Phalle family's bank. In 1937, the family moved to East 88th Street and Park Avenue in the affluent Upper East Side neighborhood of New York City. By this time, Marie-Agnès was known as "Niki", the name she would use from then on. Niki grew up in a strict Catholic environment, against which she repeatedly rebelled. Her mother was temperamental and violent, beating the younger children, and forcing them to eat even if they were not hungry. Both of her younger siblings, Elizabeth and Richard de Saint Phalle, would later commit suicide as adults. The atmosphere at home was tense; the only place where Niki felt comfortable and warm was in the kitchen, overseen by a black cook.: 74  Decades later, Niki would reveal that she had suffered years of sexual abuse from her father, starting at the age of 11.: 74  She would later refer to the environment where she grew up as enfer ("hell"). She spent most of her childhood and adolescence in New York City, and summers in Connecticut or Long Island. She frequently returned to France to visit relatives, becoming fluent in both French and American English. In 1937, she attended school at the Convent of the Sacred Heart on East 91st Street in Manhattan. After she was expelled in 1941, she rejoined her maternal grandparents, who had moved to Princeton, New Jersey, and she briefly attended the public school there. She returned to the Upper East Side and studied there at the Brearley School from 1942 to 1944. There, she met Jackie Matisse, granddaughter of artist Henri Matisse; they would become lifelong friends. However, Saint Phalle was dismissed for painting in red the fig leaves on the school's classical statuary. Despite this, she would later say it was there “[that] I became a feminist. They inculcated in us that women can and must accomplish great things.” She was then enrolled in a convent school in Suffern, New York, but was expelled. She finally graduated from the Oldfields School in Glencoe, Maryland in 1947. During her late teenage years, Saint Phalle became a fashion model; at the age of 18, she appeared on the cover of Life (26 September 1949) and, three years later, on the November 1952 cover of French Vogue. She also appeared in the pages of Elle and Harper's Bazaar. "At one point, Gloria Steinem spotted Saint Phalle walking down Fifty-seventh Street, purseless and in a cowboy getup. In an interview quoted by the show’s curator, Ruba Katrib, in the catalogue, Steinem recalled thinking, 'That is the first free woman I have ever seen in real life. I want to be just like her.'" First marriage and children (1949–1960) At the age of 18, Saint Phalle married Harry Mathews, whom she had first met at the age of 11 (he was 12) through her father.: 91  Six years later, they again encountered each other by chance on a train to Princeton, and soon became a couple.: 91  Initially, they had a civil ceremony on 6 June 1949 in New York City Hall.: 91  At the urging of Niki.... Discover the Niki Keith popular books. Find the top 100 most popular Niki Keith books.