R K Narayan Popular Books

R K Narayan Biography & Facts

Rasipuram Krishnaswami Iyer Narayanaswami (10 October 1906 – 13 May 2001), better known as R. K. Narayan, was an Indian writer and novelist known for his work set in the fictional South Indian town of Malgudi. He was a leading author of early Indian literature in English along with Mulk Raj Anand and Raja Rao. Narayan's mentor and friend Graham Greene was instrumental in getting publishers for Narayan's first four books including the semi-autobiographical trilogy of Swami and Friends, The Bachelor of Arts and The English Teacher. The fictional town of Malgudi was first introduced in Swami and Friends. The Financial Expert was hailed as one of the most original works of 1951 and Sahitya Academy Award winner The Guide was adapted for the film (winning a Filmfare Award for Best Film) and for Broadway. Narayan highlights the social context and everyday life of his characters. He has been compared to William Faulkner who created a similar fictional town and likewise explored with humor and compassion the energy of ordinary life. Narayan's short stories have been compared with those of Guy de Maupassant because of his ability to compress a narrative. In a career that spanned over sixty years Narayan received many awards and honours including the AC Benson Medal from the Royal Society of Literature, the Padma Vibhushan and the Padma Bhushan, India's second and third highest civilian awards, and in 1994 the Sahitya Akademi Fellowship, the highest honour of India's National Academy of Letters. He was also nominated to the Rajya Sabha, the upper house of the Indian Parliament. Life and career Early life R. K. Narayan was born in a Tamil Brahmin family on 10 October 1906 in Madras (now Chennai, Tamil Nadu), British India. He was one of eight children; six sons and two daughters. Narayan was second among the sons; his younger brother Ramachandran later became an editor at Gemini Studios, and the youngest brother Laxman became a cartoonist. His father was a school headmaster, and Narayan did some of his studies at his father's school. As his father's job entailed frequent transfers, Narayan spent a part of his childhood under the care of his maternal grandmother, Parvati. During this time, his best friends and playmates were a peacock and a mischievous monkey. His grandmother gave him the nickname of Kunjappa, a name that stuck to him in family circles. She taught him arithmetic, mythology, classical Indian music and Sanskrit. According to Laxman, the family mostly conversed in English, and grammatical errors on the part of Narayan and his siblings were frowned upon. While living with his grandmother, Narayan studied at a succession of schools in Madras, including the Lutheran Mission School in Purasawalkam, C.R.C. High School, and the Madras Christian College Higher Secondary School. Narayan was an avid reader, and his early literary diet included Dickens, Wodehouse, Arthur Conan Doyle and Thomas Hardy. When he was twelve years old, Narayan participated in a pro-independence march, for which he was reprimanded by his uncle; the family was apolitical and considered all governments wicked. Narayan moved to Mysore to live with his family when his father was transferred to the Maharajah's College High School. The well-stocked library at the school and his father's own fed his reading habit, and he started writing as well. After completing high school, Narayan failed the university entrance examination and spent a year at home reading and writing; he subsequently passed the examination in 1926 and joined Maharaja College of Mysore. It took Narayan four years to obtain his bachelor's degree, a year longer than usual. After being persuaded by a friend that taking a master's degree (M.A.) would kill his interest in literature, he briefly held a job as a school teacher; however, he quit in protest when the headmaster of the school asked him to substitute for the physical training master. The experience made Narayan realise that the only career for him was in writing, and he decided to stay at home and write novels. His first published work was a book review of Development of Maritime Laws of 17th-Century England. Subsequently, he started writing the occasional local interest story for English newspapers and magazines. Although the writing did not pay much (his income for the first year was nine rupees and twelve annas), he had a regular life and few needs, and his family and friends respected and supported his unorthodox choice of career. In 1930, Narayan wrote his first novel, Swami and Friends, an effort ridiculed by his uncle and rejected by a string of publishers. With this book, Narayan created Malgudi, a town that creatively reproduced the social sphere of the country; while it ignored the limits imposed by colonial rule, it also grew with the various socio-political changes of British and post-independence India. While vacationing at his sister's house in Coimbatore, in 1933, Narayan met and fell in love with Rajam, a 15-year-old girl who lived nearby. Despite many astrological and financial obstacles, Narayan managed to gain permission from the girl's father and married her. Following his marriage, Narayan became a reporter for a Madras-based paper called The Justice, dedicated to the rights of non-Brahmins. The publishers were thrilled to have a Brahmin Iyer in Narayan espousing their cause. The job brought him in contact with a wide variety of people and issues. Earlier, Narayan had sent the manuscript of Swami and Friends to a friend at Oxford, and about this time, the friend showed the manuscript to Graham Greene. Greene recommended the book to his publisher, and it was finally published in 1935. Greene also counselled Narayan on shortening his name to become more familiar to the English-speaking audience. The book was semi-autobiographical and built upon many incidents from his own childhood. Reviews were favourable but sales were few. Narayan's next novel The Bachelor of Arts (1937), was inspired in part by his experiences at college, and dealt with the theme of a rebellious adolescent transitioning to a rather well-adjusted adult; it was published by a different publisher, again at the recommendation of Greene. His third novel, The Dark Room (1938) was about domestic disharmony, showcasing the man as the oppressor and the woman as the victim within a marriage, and was published by yet another publisher; this book also received good reviews. In 1937, Narayan's father died, and Narayan was forced to accept a commission from the government of Mysore as he was not making any money. In his first three books, Narayan highlights the problems with certain socially accepted practices. The first book has Narayan focusing on the plight of students, punishments of caning in the classroom, and the associated shame. The concept of horoscope-matching in Hindu marriages and the emotional toll it levies on the bride and groom is covered in the second book. In the third book, N.... Discover the R K Narayan popular books. Find the top 100 most popular R K Narayan books.

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  • The Modern Library synopsis, comments

    The Modern Library

    Carmen Callil & Colm Tóibín

    For Colm Toíbín and Carmen Callil there is no difference between literary and commercial writing there is only the good novel: engrossing, inspirational, compelling. In their sele...

  • The Fictional World of R.K. Narayan synopsis, comments

    The Fictional World of R.K. Narayan

    Dr. Pramod Kumar Singh

    R.K. Narayan is one of the most prominent novelists of Indian writing in English. His novels are full of realism and present mirror image of microcosmic India caught in the convent...

  • Passages synopsis, comments

    Passages

    Barbara H. Solomon & Eileen Panetta

    24 stories from today's best indian authorsIndia's literary tradition has found a growing audience around the world. Many talented writers have arrived on the scene, each illuminat...

  • Bhima synopsis, comments

    Bhima

    MT Vasudevan Nair & Gita Krishnankutty

    This is the story of Bhima, the second son, always second in line a story never adequately told until one of India's finest writers conjured him up from the silences in Vyasa's na...

  • Chemmeen synopsis, comments

    Chemmeen

    T.S Pillai & Anita Nair

    First published in 1956, Chemmeen tells the story of the relationship between Karutthamma, a Hindu woman from the fishing community, and Pareekkutty, the son of a Muslim fish whole...

  • Malabar Mind-Poems synopsis, comments

    Malabar Mind-Poems

    Anita Nair

    In Malabar Mind, Anita Nair's debut collection of poems, the real and corporeal, landscapes and mindscapes are explored with a fluid ease. From the quirky resonance of Malabar's na...

  • Cultural Imperialism and the Indo-English Novel synopsis, comments

    Cultural Imperialism and the Indo-English Novel

    Fawzia Afzal-Khan

    Cultural Imperialism and the IndoEnglish Novel focuses on the novels of R. K. Narayan, Anita Desai, Kamala Markandaya, and Salman Rushdie and explores the tension in these novels b...

  • Bhima Lone Warrior synopsis, comments

    Bhima Lone Warrior

    MT Vasudevan Nair

    This is the story of Bhima, the second son, always second in line a story never adequately told until one of India's finest writers conjured him up from the silences in Vyasa's na...

  • Multispecies Modernity synopsis, comments

    Multispecies Modernity

    Sundhya Walther

    Multispecies Modernity: Disorderly Life in Postcolonial Literature considers relationships between animals and humans in the iconic spaces of postcolonial India: the wild, the body...

  • An Assistant Professor synopsis, comments

    An Assistant Professor

    Adeeb Yusef Salam

    Dedicated to R. K. Narayan 15 Years After His Death A timeless search for personal identity where the various kinds of love penetrate one another in unexpected ways Following in ...