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The Tubes are a San Francisco-based rock band. Their self-titled 1975 debut album included the single "White Punks on Dope", while their 1983 single "She's a Beauty" was a top-10 U.S. hit and its music video was frequently played in the early days of MTV. The band also performed in the 1980 film Xanadu, singing the rock portion of the cross-genre song "Dancin'" opposite a big band. History The Tubes formed on March 22, 1972, in San Francisco, California, featuring members from two Phoenix, Arizona bands who had relocated to San Francisco in 1969. One, The Beans (alternately billing themselves as the Radar Men from Uranus), included Bill Spooner, Rick Anderson, Vince Welnick, and Bob McIntosh. The other, the Red White and Blues Band, featured Prairie Prince, Roger Steen, and David Killingsworth. After performing at Expo '70 in Japan, Killingsworth left the Red, White and Blues Band, leaving Steen and Prince to audition new bass players, albeit unsuccessfully. Before moving to San Francisco the Beans had been a local favorite in Phoenix, selling out shows with a tongue-in-cheek concept rock show called "The Mother of Ascension" featuring costumes and props. After moving, Bill Spooner worked at the Fillmore West concert hall sweeping floors in between Beans shows at the Longshoremen's Hall and other minor venues. The band's loud, heavy jamming style did not attract much attention, and the band needed to go back home to Phoenix. There they would sell out shows, which provided enough money to pay their rent. The Beans' manager and former Alice Cooper Group drummer, John Speer, suggested they add Prince and Steen along with their roadie John Waybill to one of these shows. Waybill's nickname among the band was "Fee," short for "Fiji," thanks to his copious head of hippie hair. "The Radar Men from Uranus" played the Celebrity Theatre in Phoenix, as well as a show in Mexico where they were run out of town by the police (it was where Rick Anderson almost drowned after he was washed out to sea while swimming). The group would stick together and play shows at biker bars such as The Inn of The Beginning in Cotati CA. The vocals at this time were shared by Spooner, Steen and Waybill as different characters. Prairie Prince and Phoenix high school friend Michael Cotten were attending art school at the San Francisco Art Institute at this time; they attracted local press attention by painting a mural of crashing waves on the side of the Cliff House Restaurant. Cotten was asked by Spooner to buy an ARP synthesizer instead of a film camera and began to perform with the band as well as create props and costumes. One of the first Tubes shows was at the Art Institute cafeteria as part of an art show for classmate and future Hollywood director Kathryn Bigelow. While experimenting with their stage show and art, Prince and Cotten met model Re Styles while painting the Cliff House mural. Styles had been born Shirley Marie Macleod on March 30, 1950, in Middelburg, Netherlands. She had appeared in both Alejandro Jodorowsky's The Holy Mountain and Sun Ra's Space Is the Place, and posed for Playboy and Penthouse magazines. By 1975 she was credited with clothing design and dance co-ordination for the band. Onstage she would play Patty Hearst and dress in wild leather outfits during the "Mondo Bondage" dance with Waybill. By 1979, she and Prince were married. After several years of playing biker bars, the band needed help. They had a temporary agreement with producer David Rubinson and played on bills with The Pointer Sisters and Sylvester, but were still trying to find an audience. Prince had been hired by newly formed jazz-rock band Journey to record demos, and approached their manager Herbie Herbert, a former Santana roadie and Bill Graham employee. Herbert made a deal with Graham that if the Tubes could sell out three local shows, Graham would give him an opening slot on the show of his choice. Herbert booked shows at a local club called the Village, which sold out thanks to themes inspired by the San Francisco post-hippie underground culture such as "The Streaker's Ball" and "Mondo Bondage." Much to Graham's dismay, Herbert chose an opening slot for the upcoming Led Zeppelin show at Kezar Stadium. The band pulled out the stops, including Waybill dressed as an early version of "Quay Lewd" throwing "Cocaine" (flour) and "Pills" (candy) at the crowd, who threw it back. Graham threatened Herbert that the band would never play in San Francisco again but calmed down and eventually fell in love with the band, booking them at Winterland and other California venues for New Year's shows and Halloween. After the 1973 Led Zeppelin show, Herbert wanted to manage the band, but Spooner and the group went with local management team Mort Moriarty and Gary Peterson, also known as "Bag O' Bucks." Moriarty was interested in the use of video in rock music and saw the Tubes' stage show as the future of music videos. Bob McIntosh died of cancer at this time, leaving Prince as the only drummer. In 1974, Bag O' Bucks filmed a Tubes show at the California Hall and shopped the "video demo" around Los Angeles. George Daly, Columbia Records head of A&R in San Francisco, made some Tubes demos, but CBS' corporate headquarters in New York City would not agree to signing the Tubes to Columbia due to the radical nature of their art. After 18 months, with no success at his own label, Daly, at the suggestion of Rick Wakeman, finally pitched the group to competitor A&M Records, where his former Columbia East Coast A&R colleague and friend, Kip Cohen, had recently headed the A&R division. Daly personally flew managers Moriarity and Petersen down to LA, and Cohen signed the Tubes to A&M, a rare example of cross-company support by major label executives. Working with lawyer Greg Fischbach, the band signed with A&M Records. Debut album The Tubes' first album, The Tubes (1975), was produced by Al Kooper. The track "White Punks on Dope" was an "absurd anthem of wretched excess" and ridiculed the Hollywood kids of the rich and famous. Since then the song has been covered by Mötley Crüe, P.O.L. (Parade of Losers) and the German rock musician Nina Hagen took the tune and set new lyrics to it (not a translation of the original lyrics), titled her work "TV-Glotzer" ("Couch Potato"), using this song as the opening track of her own debut album Nina Hagen Band (1978). The album track "What Do You Want from Life?," which became another of the Tubes' signature songs, satirizes consumerism and celebrity culture and climaxes in a monolog by Waybill who, in a rapid game show announcer's patter, name-checks celebrities such as Bob Dylan, Paul Williams and Randolph Mantooth, as well as well-known products of the period, including the Dynagym exercise machine and a host of American vehicles such as "...a herd of Winnebagos" and a "Mercury Montclair..." as part of a list of things that, "if you're an American citizen, y.... Discover the Roger Steen popular books. Find the top 100 most popular Roger Steen books.

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