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"A Whiter Shade of Pale" is a song by the English rock band Procol Harum that was issued as their debut record on 12 May 1967. The single reached number 1 in the UK Singles Chart on 8 June and stayed there for six weeks. Without much promotion, it reached number 5 on the US Billboard Hot 100. One of the anthems of the 1967 Summer of Love, it is one of the most commercially successful singles in history, having sold more than 10 million copies worldwide. In the years since, "A Whiter Shade of Pale" has become an enduring classic, with more than 1,000 known cover versions by other artists. With its Bach-derived instrumental melody, soulful vocals, melancholic tone, and unusual lyrics, the music of "A Whiter Shade of Pale" was composed by Gary Brooker and Matthew Fisher, while the lyrics were written by Keith Reid. Originally, the writing credits only listed Brooker and Reid. In 2009, Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords. In 1977, the song was named joint winner (along with Queen's "Bohemian Rhapsody") of "The Best British Pop Single 1952–1977" at the Brit Awards. In 1998, the song was inducted into the Grammy Hall of Fame. In 2004, the performing rights group Phonographic Performance Limited recognised it as the most-played record by British broadcasting of the past 70 years and Rolling Stone placed it 57th on its list of "The 500 Greatest Songs of All Time". In 2009, it was reported as the most played song in the last 75 years in public places in the UK. The song has been included in many music compilations over the decades and has also been used in the soundtracks of numerous films and television shows, including The Big Chill, Purple Haze, Breaking the Waves, The Boat That Rocked, Tour of Duty, House M.D., Martin Scorsese's segment of New York Stories, Stonewall, Oblivion, Ken Burns and Lynn Novick's documentary series The Vietnam War, the 2022 limited series The Offer, Memory and Billions. Cover versions of the song have also been featured in many films, for example, by King Curtis in Withnail and I and by Annie Lennox in The Net. Lyrics Keith Reid got the title and starting point for the song at a party. He overheard someone at the party saying to a woman, "You've turned a whiter shade of pale", and the phrase stuck in his mind. The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom the fourth. Claes Johansen, in his book Procol Harum: Beyond the Pale, suggests that the song "deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act". This is supported in Lives of the Great Songs by Tim de Lisle, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys. Other observers have also commented that the lyrics concern a sexual relationship. Contrary to the above interpretations, Reid was quoted in the February 2008 issue of Uncut magazine as saying: I was trying to conjure a mood as much as tell a straightforward, girl-leaves-boy story. With the ceiling flying away and room humming harder, I wanted to paint an image of a scene. I wasn't trying to be mysterious with those images, I was trying to be evocative. I suppose it seems like a decadent scene I'm describing. But I was too young to have experienced any decadence, then. I might have been smoking when I conceived it, but not when I wrote. It was influenced by books, not drugs. Structurally and thematically, the song is unusual. While the recorded version is 4:03 long, it is composed of only two verses, each with chorus. The piece is also more instrument-driven than most songs of the period, and with a much looser rhyme scheme. Its unusually allusive and referential lyrics are much more complex than most lyrics of the time (for example, the chorus alludes to Geoffrey Chaucer's "The Miller's Tale"). The lyricist, Keith Reid, said: "I'd never read The Miller's Tale in my life. Maybe that's something that I knew subconsciously, but it certainly wasn't a conscious idea for me to quote from Chaucer, no way." The phrase a whiter shade of pale has since gained widespread use in the English language, noticed by several dictionaries. As such, the phrase is today often used in contexts independent of any consideration of the song. It has also been heavily paraphrased, in forms like "an Xer shade of Y", to the extent that it has been recognised as a snowclone – a type of cliché and phrasal template. Composition The song is in moderate time in C major and is characterised by the bassline moving stepwise downwards in a repeated pattern throughout. In classical music this is known as a ground bass. The harmonic structure is identical for the organ melody, the verse and the chorus, except that the chorus finishes with a cadence. The main organ melody appears at the beginning and after each verse/chorus. But it is also heard throughout, playing variations of its theme and counterpointing the vocal line. As the chorus commences "And so it was, that later ...", the vocal and organ accompaniment begin a short crescendo, with the organist running his finger rapidly down and up the entire keyboard. The final instrumental fades out to silence ⁠ ⁠—  a common device in pop music of the time. The similarity between the Hammond Organ line of "A Whiter Shade of Pale" and J. S. Bach's Air from his Orchestral Suite No. 3 2. Air, BWV 1068, (the "Air on the G string"), where the sustained opening note of the main melodic line flowers into a free-flowing melody against a descending bass line, has been noted. Gary Brooker said of his composition in his interview with Uncut magazine: If you trace the chordal element, it does a bar or two of Bach's 'Air on a G String' before it veers off. That spark was all it took. I wasn't consciously combining rock with classical, it's just that Bach's music was in me. Allan Moore notes in the 2018 BBC radio series "Soul Music" that the resemblance "creates the sense of [Bach’s] music without actually quoting it". The similarity is also referred to humorously in the 1982 play The Real Thing by Tom Stoppard and in the 1991 film The Commitments. Other writers have noted similar "family resemblances" to other works by Bach: the Sinfonia which opens the cantata Ich steh mit einem Fuß im Grabe, BWV 156, the organ chorale Prelude O Mensch, bewein' dein' Sünde groß (O Man, Lament Your Sin So Great), BWV 622, from the Orgelbüchlein (Little Organ Book) and, most notably, the chorale "Zion hört die Wächter singen" in the Cantata Sleepers Wake, BWV140. The music also borrows ideas from "When a Man Loves a Woman" by Percy Sledge. Recording Procol Harum recorded "A Whiter Shade of Pale" at Olympic Sound Studios in London, England. The recording was produced by Denny Cordell. Becau.... Discover the S M Shade popular books. Find the top 100 most popular S M Shade books.