Thomas J Moore Popular Books

Thomas J Moore Biography & Facts

Thomas Moore (28 May 1779 – 25 February 1852), also known as Tom Moore, was an Irish writer, poet, and lyricist celebrated for his Irish Melodies. His setting of English-language verse to old Irish tunes marked the transition in popular Irish culture from Irish to English. Politically, Moore was recognised in England as a press, or "squib", writer for the aristocratic Whigs; in Ireland he was accounted a Catholic patriot. Married to a Protestant actress and hailed as "Anacreon Moore" after the classical Greek composer of drinking songs and erotic verse, Moore did not profess religious piety. Yet in the controversies that surrounded Catholic Emancipation, Moore was seen to defend the tradition of the Church in Ireland against both evangelising Protestants and uncompromising lay Catholics. Longer prose works reveal more radical sympathies. The Life and Death of Lord Edward Fitzgerald depicts the United Irish leader as a martyr in the cause of democratic reform. Complementing Maria Edgeworth's Castle Rackrent, Memoirs of Captain Rock is a saga, not of Anglo-Irish landowners, but of their exhausted tenants driven to the semi-insurrection of "Whiteboyism". Today Moore is remembered almost alone either for his Irish Melodies (typically "The Minstrel Boy" and "The Last Rose of Summer") or, less generously, for the role he is thought to have played in the loss of the memoirs of his friend Lord Byron. Early life and artistic launch Thomas Moore was born to Anastasia Codd from Wexford and John Moore from County Kerry over his parents' grocery shop in Aungier Street, Dublin, He had two younger sisters, Kate and Ellen. Moore showed an early interest in music and performance, staging musical plays with his friends and entertaining hope of being an actor. In Dublin he attended Samuel Whyte's co-educational English grammar school, where he was schooled in Latin and Greek and became fluent in French and Italian. By age fourteen he had had one of his poems published in a new literary magazine called the Anthologia Hibernica (“Irish Anthology”). Samuel Whyte had taught Richard Brinsley Sheridan, Irish playwright and English Whig politician, of whom Moore later was to write a biography. Trinity College and the United Irishmen In 1795, Moore was among the first Catholics admitted to Trinity College Dublin, preparing, as his mother had hoped, for a career in law. Through the literary salon of the poet and satirist Henrietta Battier, and his friends at Trinity, Robert Emmett and Edward Hudson, Moore was connected to the popular politics of the capital agitated by the French Revolution and by the prospect of a French invasion. With their encouragement, in 1797, Moore wrote an appeal to his fellow students to resist the proposal, then being canvassed by the English-appointed Dublin Castle administration, to secure Ireland by incorporating the kingdom in a union with Great Britain. In April 1798, Moore was interrogated at Trinity but acquitted on the charge of being a party, through the Society of United Irishmen, to sedition. Moore, though a friend of Emmett, had not taken the United Irish oath with Emmett and Hudson, and he played no part in the republican rebellion of 1798 (Moore was at home, ill in bed), or in the uprising in Dublin for which Emmett was executed in 1803. Later, in a biography of the United Irish leader Lord Edward Fitzgerald (1831), he made clear his sympathies, not hiding his regret that the French expedition under General Hoche failed in December 1796 to effect a landing. To Emmett's sacrifice on the gallows Moore pays homage in the song "O, Breathe Not His Name" (1808). More veiled references to Emmett are found in the long oriental poem "Lalla Rookh" (1817). London society and first success In 1799, Moore continued his law studies at Middle Temple in London. The impecunious student was assisted by friends in the expatriate Irish community in London, including Barbara, widow of Arthur Chichester, 1st Marquess of Donegall, the landlord and borough-owner of Belfast. Moore's translations of Anacreon, celebrating wine, women and song, were published in 1800 with a dedication to the Prince of Wales. His introduction to the future prince regent and King, George IV was a high point in Moore's ingratiation with aristocratic and literary circles in London, a success due in great degree to his talents as a singer and songwriter. In the same year he collaborated briefly as a librettist with Michael Kelly in the comic opera, The Gypsy Prince, staged at the Theatre Royal, Haymarket, In 1801, Moore hazarded a collection of his own verse: Poetical Works of the Late Thomas Little Esq.. The pseudonym may have been advised by their juvenile eroticism. Moore's celebration of kisses and embraces skirted contemporary standards of propriety. When these tightened in the Victorian era, they were to put an end to what was a relative publishing success. Travels and family Observations of America and duel with critic In the hope of future advancement, Moore reluctantly sailed from London in 1803 to take up a government post secured through the favours of Francis Rawdon-Hastings, 2nd Earl of Moira. Lord Moira was a man distinct in his class for having, on the eve of the rebellion in Ireland, continued to protest government and loyalist outrages, and to have urged a policy of conciliation. Moore was to be the registrar of the Admiralty Prize Court in Bermuda. Although as late as 1925 still recalled as "the poet laureate" of the island, Moore found life on Bermuda sufficiently dull that after six months he appointed a deputy and left for an extended tour of North America. As in London, Moore secured high-society introductions in the United States including to the President, Thomas Jefferson. Repelled by the provincialism of the average American, Moore consorted with exiled European aristocrats, come to recover their fortunes, and with oligarchic Federalists from whom he received what he later conceded was a "twisted and tainted" view of the new republic. Following his return to England in 1804, Moore published Epistles, Odes, and Other Poems (1806). In addition to complaints about America and Americans (including their defence of slavery), this catalogued Moore's real and imagined escapades with American women. Francis Jeffrey denounced the volume in the Edinburgh Review (July 1806), calling Moore "the most licentious of modern versifiers", a poet whose aim is "to impose corruption upon his readers, by concealing it under the mask of refinement." Moore challenged Jeffrey to a duel but their confrontation was interrupted by the police. In what seemed to be a "pattern" in Moore's life ("it was possible to condemn [Moore] only if you did not know him"), the two then became fast friends. Moore, nonetheless, was dogged by the report that the police had found that the pistol given to Jeffrey was unloaded. In his satirical English Bards and Scotch Reviewers (1809), Byron, who had himself been .... Discover the Thomas J Moore popular books. Find the top 100 most popular Thomas J Moore books.