Wassily Kandinsky Popular Books
Wassily Kandinsky Biography & Facts
Wassily Wassilyevich Kandinsky (16 December [O.S. 4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art. Born in Moscow, he spent his childhood in Odessa, where he graduated from Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession, he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia). Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896 Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky "became an insider in the cultural administration of Anatoly Lunacharsky" and helped establish the Museum of the Culture of Painting. However, by then "his spiritual outlook... was foreign to the argumentative materialism of Soviet society", and opportunities beckoned in Germany, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944, three days before his 78th birthday. Early life Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, a tea merchant. One of his great-grandmothers was Princess Gantimurova. Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew. In 1889 at age 23 he was part of an ethnographic research group which travelled to the Vologda region north of Moscow. In Looks on the Past, he relates that the houses and churches were decorated with such shimmering colours that upon entering them, he felt that he was moving into a painting. This experience, and his study of the region's folk art (particularly the use of bright colours on a dark background), were reflected in much of his early work. A few years later he first likened painting to composing music in the manner for which he would become noted, writing, "Colour is the keyboard, the eyes are the harmony, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in the soul". Kandinsky was also the uncle of Russian-French philosopher Alexandre Kojève (1902–1968). Artistic periods Kandinsky's creation of abstract work followed a long period of development and maturation of intense thought based on his artistic experiences. He called this devotion to inner beauty, fervor of spirit, and spiritual desire inner necessity; it was a central aspect of his art. Some art historians suggest that Kandinsky's passion for Abstract art began when one day, coming back home, he found one of his own paintings hanging upside down in his studio, and he stared at it for a while before realizing it was his own work, suggesting to him the potential power of abstraction. In 1896 at the age of 30 Kandinsky gave up a promising career teaching law and economics to enroll in the Munich Academy where his teachers would eventually include Franz von Stuck. He was not immediately granted admission, and began learning art on his own. That same year, before leaving Moscow, he saw an exhibit of paintings by Monet. He was particularly taken with the impressionistic style of Haystacks; this, to him, had a powerful sense of colour almost independent of the objects themselves. Later, he would write about this experience: That it was a haystack the catalogue informed me. I could not recognise it. This non-recognition was painful to me. I considered that the painter had no right to paint indistinctly. I dully felt that the object of the painting was missing. And I noticed with surprise and confusion that the picture not only gripped me, but impressed itself ineradicably on my memory. Painting took on a fairy-tale power and splendour. Kandinsky was similarly influenced during this period by Richard Wagner's Lohengrin which, he felt, pushed the limits of music and melody beyond standard lyricism. He was also spiritually influenced by Madame Blavatsky (1831–1891), the best-known exponent of theosophy. Theosophical theory postulates that creation is a geometrical progression, beginning with a single point. The creative aspect of the form is expressed by a descending series of circles, triangles, and squares. Kandinsky's book Concerning the Spiritual in Art (1910) and Point and Line to Plane (1926) echoed this theosophical tenet. Illustrations by John Varley in Thought-Forms (1901) influenced him visually. Metamorphosis In the summer of 1902 Kandinsky invited Gabriele Münter to join him at his summer painting classes just south of Munich in the Alps. She accepted, and their relationship became more personal than professional. Art school, usually considered difficult, was easy for Kandinsky. It was during this time that he began to emerge as an art theorist as well as a painter. The number of his existing paintings increased at the beginning of the 20th century; much remains of the landscapes and towns he painted, using broad swaths of colour and recognisable forms. For the most part, however, Kandinsky's paintings did not feature any human figures; an exception is Sunday, Old Russia (1904), in which Kandinsky recreates a highly colourful (and fanciful) view of peasants and nobles in front of the walls of a town. Couple on Horseback (1907) depicts a man on horseback, holding a woman as they ride past a Russian town with luminous walls across a blue river. The horse is muted while the leaves in the trees, the town, and the reflections in the river glisten with spots of colour and brightness. This work demonstrates the influence of pointillism in the way the depth of field is collapsed into a flat, luminescent surface. Fauvism is also apparent in these early works. Colours are used to express Kandinsky's experience of subject matter, not to describe objective nature. Perhaps the most important of his paintings from the first decade of the 1900s was The Blue Rider (1903), which shows a small cloaked figure on a speeding horse rushing through a rocky meadow. The rider's cloak is medium blue, which casts a darker-blue shadow. In the foreground are more amorphous blue shadows, the counterparts of the fall trees in the background. The blue rider in the painting is prominent (but not clearly defined), and the horse has an unnatural gait (which Kandinsky must have known) . This intentional disjunction, allowing viewers to participate i.... Discover the Wassily Kandinsky popular books. Find the top 100 most popular Wassily Kandinsky books.
Best Seller Wassily Kandinsky Books of 2024
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Delphi Works of Wassily Kandinsky
Wassily KandinskyWassily Kandinsky was an influential Russian painter and art theorist, now celebrated as one of the pioneers of pure abstraction in modern painting. Delphi’s Masters of Art Series ...
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Wassily Kandinsky - Orientalische Themen
Ines IsermannDer Orient als Thematik ist eine Erscheinung, die sich wie ein Faden durch das künstlerische Werk Wassily Kandinskys zieht. Dieser Faden ist zwar nicht immer rot und dominant, jedo...
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Komposition IV von Wassily Kandinsky. Bildanalyse, Geschichte und Deutung
Lieselotte BenedictDas Gemälde Komposition IV von Wassily Kandinsky wird einer Analyse unterzogen, deren Einzelheiten für die Sythese und die Interpretation verwendet werden.
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The Story of the Bauhaus
Frances AmblerNow 100 years old, the Bauhaus still looks just as fresh today as it did when it began. It was a place to experiment and embrace a new creative freedom. Thanks to this philosophy, ...
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Concerning the Spiritual in Art
Wassily KandinskyAccording to Wikipedia: "Wassily Wassilyevich Kandinsky (16 December [O.S. 4 December] 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with paintin...
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Wassily Kandinsky and artworks
Mikhaïl GuermanWassily Kandinsky (18661944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstractio...
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Wassily Kandinsky und Kunstwerke
Mikhaïl GuermanDer russische Maler Wassily Kandinsky (18661944) gilt als einer der Ersten, die sich auf das Feld der abstrakten Kunst gewagt haben. Trotz negativer Reaktionen einiger Kollegen bes...
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Marianne von Werefkin
Brigitte RoßbeckDie Entdeckung einer wichtigen Künstlerin und faszinierenden FrauDass sich die bildende Kunst zu Beginn des 20. Jahrhunderts fundamental wandelte, ist bekannt. Doch nur wenige kenn...
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Kostbarkeiten des Lebens - Gesammelte Feuilletons und Prosa
Eduard von KeyserlingEr schrieb über die Unentbehrlichkeit der Kultur, über himmlische und irdische Liebe, über Interieurs, großen Stil und über die Kostbarkeiten des Lebens. Er ergründete die Kunst de...
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Kandinsky, the Spiritual In Art
Wassily KandinskyWassily Wassilyevich Kandinsky (1866 1944) was a fantastic Russian painter who is credited for painting the first modern abstract works. In this book, Kandinsky compares the spiri...
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Wassily Kandinsky
Paul KleeIndispensável a qualquer um que se interesse por arte e pelo processo de criação de Paul Klee. A obra de Paul Klee, um dos grandes pintores modernos, tornase ainda mais enriquec...
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Komposition IV von Wassily Kandinsky. Bildanalyse, Geschichte und Deutung
Lieselotte BenedictStudienarbeit aus dem Jahr 2015 im Fachbereich Kunst Malerei, Universität Karlsruhe (TH), Sprache: Deutsch, Abstract: Das Gemälde Komposition IV von Wassily Kandinsky wird einer A...
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Vertigo
Harald JähnerThe dramatic and consequential history of Germany’s shortlived experiment with democracy between the world wars, when vibrant cultural experimentation collided with political ...
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Wassily Kandinsky
Mikhaïl GuermanPablo Picasso (18811973) es considerado por muchos el artista más importante del siglo XX. Nacido en Málaga, Picasso demostró su talento desde una edad muy temprana y se apresuró e...
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Wassily Kandinsky
Daniel KohlstadtEssay aus dem Jahr 2009 im Fachbereich Kunstgeschichte, FriedrichSchillerUniversität Jena, Veranstaltung: Lesarten von Moderne in der 2. Hälfte des 20. Jahrhunderts, Sprache: Deuts...
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The Letters of Vincent Van Gogh
Vincent van Gogh & Ronald de LeeuwA new selection of Vincent Van Gough's letters, based on an entirely new translation, revealing his religious struggles, his fascination with the French Revolution, his search for ...
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Franz Marc
Stefan Fröhling & Markus HuckVielen nur durch seine blauen Pferde, weißen und gelben Kühe oder roten Rehe bekannt, ist Franz Marc weit mehr als der Maler bunter Tiere. Was heute gespenstisch erscheine, werde m...