Quentin Tarantino and Film Theory Book Reviews
Quentin Tarantino and Film Theory by Federico Pagello Book Summary
This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema. This question is explored through a discussion of the films written and directed by Quentin Tarantino, largely regarded as the epitome of postmodern cinema and considered here as theoretical contributions in their own right. Each chapter first presents key ideas proposed by a specific theorist and then puts them in conversation with Tarantino’s films. Jacques Rancière’s theory of art is used to reject postmodernism’s claims about the ‘death’ of the aesthetic image in contemporary cinema. Fredric Jameson’s and Slavoj Žižek’s dialectical thinking is mobilized to challenge simplistic, ideological readings of postmodern cinema in general, and Tarantino’s films in particular. Finally, the direct influence of Carol Clover’s psychoanalytical approach to the horror genre on Tarantino’s work isdiscussed to prove the director’s specific contribution to a theoretical understanding of contemporary film aesthetics.
Book Name | Quentin Tarantino and Film Theory |
Genre | Film |
Author | Federico Pagello |
Published | 20 October 2020, Tuesday |
Language | English |
E-Book Size | 1.29 MB |
Quentin Tarantino and Film Theory (Federico Pagello) Book Reviews 2024
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Summary of Quentin Tarantino and Film Theory by Federico Pagello
The Quentin Tarantino and Film Theory book written by Federico Pagello was published on 20 October 2020, Tuesday in the Film category. A total of 108 readers of the book gave the book 0 points out of 5.
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