Mark Morris Popular Books

Mark Morris Biography & Facts

Errol Mark Morris (born February 5, 1948) is an American film director known for documentaries that interrogate the epistemology of their subjects, and the invention of the Interrotron. In 2003, his documentary film The Fog of War: Eleven Lessons from the Life of Robert S. McNamara won the Academy Award for Best Documentary Feature. His film The Thin Blue Line placed fifth on a Sight & Sound poll of the greatest documentaries ever made. Morris is known for making films about unusual subjects; Fast, Cheap & Out of Control interweaves the stories of an animal trainer, a topiary gardener, a robot scientist and a naked mole rat specialist. Early life and education Morris was born on February 5, 1948, into a Jewish family in Hewlett, New York. His father died when he was two and he was raised by his mother, a piano teacher. He had one older brother, Noel, who was a computer programmer. After being treated for strabismus in childhood, Morris refused to wear an eye patch. As a consequence, he has limited sight in one eye and lacks normal stereoscopic vision. In the 10th grade, Morris attended The Putney School, a boarding school in Vermont. He began playing the cello, spending a summer in France studying music under the acclaimed Nadia Boulanger, who also taught Morris's future collaborator Philip Glass. Describing Morris as a teenager, Mark Singer wrote that he "read with a passion the 14-odd Oz books, watched a lot of television, and on a regular basis went with a doting but not quite right maiden aunt ('I guess you'd have to say that Aunt Roz was somewhat demented') to Saturday matinées, where he saw such films as This Island Earth and Creature from the Black Lagoon—horror movies that, viewed again 30 years later, still seem scary to him." College Morris attended the University of Wisconsin–Madison, graduating in 1969 with a Bachelor of Arts in history. For a brief time, Morris held small jobs, first as a cable-television salesman, and then as a term-paper writer. His unorthodox approach to applying for graduate school included "trying to get accepted at different graduate schools just by showing up on their doorstep." Having unsuccessfully approached both the University of Oxford and Harvard University, Morris was able to talk his way into Princeton University, where he began studying the history of science, a topic in which he had "absolutely no background." His concentration was in the history of physics, and he was bored and unsuccessful in the prerequisite physics classes he had to take. This, together with his antagonistic relationship with his advisor Thomas Kuhn ('You won't even look through my telescope.' And his response was 'Errol, it's not a telescope, it's a kaleidoscope.') ensured that his stay at Princeton would be short. Morris left Princeton in 1972, enrolling at Berkeley as a doctoral student in philosophy. At Berkeley, he once again found that he was not well-suited to his subject. "Berkeley was just a world of pedants. It was truly shocking. I spent two or three years in the philosophy program. I have very bad feelings about it", he later said. Career After leaving UC Berkeley, he became a regular at the Pacific Film Archive. As Tom Luddy, the director of the archive at the time, later remembered: "He was a film noir nut. He claimed we weren't showing the real film noir. So I challenged him to write the program notes. Then, there was his habit of sneaking into the films and denying that he was sneaking in. I told him if he was sneaking in he should at least admit he was doing it." Unfinished project on Ed Gein Inspired by Hitchcock's Psycho, Morris visited Plainfield, Wisconsin in 1975, where he conducted multiple interviews with Ed Gein, the infamous body snatcher who resided at Mendota State Hospital in Madison. He later made plans with German film director Werner Herzog, whom Tom Luddy had introduced to Morris, to return in the summer of 1975 to secretly open the grave of Gein's mother to test their theory that Gein himself had already dug her up. Herzog arrived on schedule, but Morris had second thoughts and was not there. Herzog did not open the grave. Morris later returned to Plainfield, this time staying for almost a year, conducting hundreds of hours of interviews. Despite this, his plans to either write a book or make a film (which he would call Digging up the Past) were left unfinished at the time. In an October 2023 interview with Letterboxd, Morris mentioned that he has since returned to the project, saying "I started rewatching Psycho, because I’m making a movie about Ed Gein." In the fall of 1976, Herzog visited Plainfield again, this time to shoot part of his film Stroszek. First films Morris accepted $2,000 from Herzog and used it to take a trip to Vernon, Florida. Vernon was nicknamed "Nub City" because its residents participated in a particularly gruesome form of insurance fraud in which they deliberately amputated a limb to collect the insurance money. Morris's second documentary was about the town and bore its name, although it made no mention of Vernon as "Nub City", but instead explored other idiosyncrasies of the town's residents. Morris made this omission because he received death threats while doing research; the town's residents were afraid that Morris would reveal their secret. After spending two weeks in Vernon, Morris returned to Berkeley and began working on a script for a work of fiction that he called Nub City. After a few unproductive months, he happened upon a headline in the San Francisco Chronicle that read, "450 Dead Pets Going to Napa Valley." Morris left for Napa Valley and began working on the film that would become his first feature, Gates of Heaven, which premiered in 1978. Herzog had said he would eat his shoe if Morris completed the documentary. After the film premiered, Herzog publicly followed through on the bet by cooking and eating his shoe, which was documented in the short film Werner Herzog Eats His Shoe by Les Blank. Gates of Heaven was given a limited release in the spring of 1981. Roger Ebert was a champion of the film, including it on his ballot in the 1992 Sight & Sound critics' poll. Morris returned to Vernon in 1979 and again in 1980, renting a house in town and conducting interviews with the town's citizens. Vernon, Florida premiered at the 1981 New York Film Festival. Newsweek called it, "a film as odd and mysterious as its subjects, and quite unforgettable." The film, like Gates of Heaven, suffered from poor distribution. It was released on video in 1987, and DVD in 2005. After finishing Vernon, Florida, Morris tried to get funding for a variety of projects. The Road story was about an interstate highway in Minnesota; one project was about Robert Golka, the creator of laser-induced fireballs in Utah; and another story was about Centralia, Pennsylvania, the coal town in which an inextinguishable subterranean fire ignited in 1962. He eventually got funding in 1983 to write a.... Discover the Mark Morris popular books. Find the top 100 most popular Mark Morris books.