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Thomas Williams Biography & Facts

Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), known by his pen name Tennessee Williams, was an American playwright and screenwriter. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama. At age 33, after years of obscurity, Williams suddenly became famous with the success of The Glass Menagerie (1944) in New York City. It was the first of a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), and The Night of the Iguana (1961). With his later work, Williams attempted a new style that did not appeal as widely to audiences. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman. Much of Williams's most acclaimed work has been adapted for the cinema. He also wrote short stories, poetry, essays, and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame. Early life Thomas Lanier Williams III was born in Columbus, Mississippi, of English, Welsh, and Huguenot ancestry, the second child of Edwina Dakin (August 9, 1884 – June 1, 1980) and Cornelius Coffin "C. C." Williams (August 21, 1879 – March 27, 1957). His father was a traveling shoe salesman who became an alcoholic and was frequently away from home. His mother, Edwina, was the daughter of Rose O. Dakin, a music teacher, and the Reverend Walter Dakin, an Episcopal priest from Illinois who was assigned to a parish in Clarksdale, Mississippi, shortly after Williams's birth. Williams lived in his grandfather's Episcopalian rectory with his family for much of his early childhood and was close to his grandparents. Among his ancestors was musician and poet Sidney Lanier. He had two siblings, older sister Rose Isabel Williams (1909–1996) and younger brother Walter Dakin Williams (1919–2008). As a young child, Williams nearly died from a case of diphtheria that left him frail and virtually confined to his house during a year of recuperation. At least partly due to his illness, he was considered a weak child by his father. Cornelius Williams, a descendant of East Tennessee pioneers, had a violent temper and was prone to use his fists. He regarded what he thought was his son's effeminacy with disdain. Edwina, locked in an unhappy marriage, focused her attention almost entirely on her frail young son. Critics and historians agree that Williams drew from his own dysfunctional family in much of his writing and that his desire to break free from his puritan upbringing propelled him towards writing. When Williams was eight years old, his father was promoted to a job at the home office of the International Shoe Company in St. Louis. His mother's continual search for a more appropriate home, as well as his father's heavy drinking and loudly turbulent behavior, caused them to move numerous times around St. Louis. Williams attended Soldan High School, a setting he referred to in his play The Glass Menagerie. Later he studied at University City High School. At age 16, Williams won third prize for an essay published in Smart Set, titled "Can a Good Wife Be a Good Sport?" A year later, his short story "The Vengeance of Nitocris" was published (as by "Thomas Lanier Williams") in the August 1928 issue of the magazine Weird Tales. These early publications did not lead to any significant recognition or appreciation of Williams's talent, and he would struggle for more than a decade to establish his writing career. Later, in 1928, Williams first visited Europe with his maternal grandfather Dakin. Education From 1929 to 1931, Williams attended the University of Missouri in Columbia, where he enrolled in journalism classes. He was bored by his classes and distracted by unrequited love for a girl. Soon he began entering his poetry, essays, stories, and plays in writing contests, hoping to earn extra income. His first submitted play was Beauty Is the Word (1930), followed by Hot Milk at Three in the Morning (1932). As recognition for Beauty, a play about rebellion against religious upbringing, he became the first freshman to receive honorable mention in a writing competition. At University of Missouri, Williams joined the Alpha Tau Omega fraternity, but he did not fit in well with his fraternity brothers. After he failed a military training course in his junior year, his father pulled him out of school and put him to work at the International Shoe Company factory. Although Williams hated the monotony, the job forced him out of the gentility of his upbringing. His dislike of his new 9-to-5 routine drove Williams to write prodigiously. He set a goal of writing one story a week. Williams often worked on weekends and late into the night. His mother recalled his intensity: Tom would go to his room with black coffee and cigarettes and I would hear the typewriter clicking away at night in the silent house. Some mornings when I walked in to wake him for work, I would find him sprawled fully dressed across the bed, too tired to remove his clothes. Overworked, unhappy, and lacking further success with his writing, by his 24th birthday Williams had suffered a nervous breakdown and left his job. He drew from memories of this period, and a particular factory co-worker, to create the character Stanley Kowalski in A Streetcar Named Desire. By the mid-1930s his mother separated from his father due to his worsening alcoholism and abusive temper. They never divorced. In 1936, Williams enrolled at Washington University in St. Louis where he wrote the play Me, Vashya (1937). After not winning the school's poetry prize, he decided to drop out. In the autumn of 1937, he transferred to the University of Iowa in Iowa City, where he graduated with a B.A. in English in August 1938. He later studied at the Dramatic Workshop of The New School in New York City. Speaking of his early days as a playwright and an early collaborative play called Cairo, Shanghai, Bombay!, Williams wrote, "The laughter ... enchanted me. Then and there the theatre and I found each other for better and for worse. I know it's the only thing that saved my life." Around 1939, he adopted Tennessee Williams as his professional name, in acknowledgement of his Southern accent and roots. Literary influences Williams's writings reference some of the poets and writers he most admired in his early years: Hart Crane, Arthur Rimbaud, Anton Chekhov, William Shakespeare, Clarence Darrow, D. H. Lawrence, Katherine Mansfield, August Strindberg, William Faulkner, Thomas Wolfe, Emily Dickinson, William Inge, James Joyce, and, according to some, Ernest Hemingway. Career As Williams was struggling to gain production and an audience for his work in the late 1930s, he worked at a string of menial jobs that inclu.... Discover the Thomas Williams popular books. Find the top 100 most popular Thomas Williams books.