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James Ellroy Biography & Facts

Lee Earle "James" Ellroy (born March 4, 1948) is an American crime fiction writer and essayist. Ellroy has become known for a telegrammatic prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia (1987) and L.A. Confidential (1990). Life Early life Lee Earle "James" Ellroy was born in Los Angeles. His mother, Geneva Odelia (née Hilliker), was a nurse. His father, Armand, was an accountant and a onetime business manager of Rita Hayworth. His parents divorced in 1954, after which Ellroy and his mother moved to El Monte, California. At the age of 7, Ellroy saw his mother naked and began to sexually fantasize about her. He struggled in youth with this obsession, as he held a psycho-sexual relationship with her, and tried to catch glimpses of her nude. Ellroy stated that "I lived for naked glimpses. I hated her and lusted for her..." On June 22, 1958, when Ellroy was ten years old, his mother was raped and murdered. Ellroy later described his mother as "sharp-tongued [and] bad-tempered", unable to keep a steady job, alcoholic, and sexually promiscuous. His first reaction upon hearing of her death was relief: he could now live with his father, whom he preferred. His father was more permissive and allowed Ellroy to do as he pleased, namely be "left alone to read, to go out and peep through windows, prowl around and sniff the air." The police never found his mother's killer, and the case still remains unsolved. The murder, along with reading The Badge by Jack Webb (a book comprising sensational cases from the files of the Los Angeles Police Department, a birthday gift from his father), were important events of Ellroy's youth. Ellroy's inability to come to terms with the emotions surrounding his mother's murder led him to transfer them onto another murder victim, Elizabeth Short. Nicknamed the "Black Dahlia," Short was a young woman murdered in 1947, her body cut in half and discarded in Los Angeles, in a notorious and unsolved crime. Throughout his youth, Ellroy used Short as a surrogate for his conflicting emotions and desires. His confusion and trauma led to a period of intense clinical depression, from which he recovered only gradually. Education In 1962, Ellroy began to attend Fairfax High School, a predominantly Jewish high school. While in high school, he began to engage in a variety of outrageous acts, many anti-Semitic in nature. He joined the American Nazi Party, purchased Nazi paraphernalia, sang the Horst-Wessel-Lied at school, mailed Nazi pamphlets to girls he liked, openly criticized John F. Kennedy, and ironically advocated for the reinstatement of slavery. His "Crazy Man Act", as Ellroy describes it, was a plea for attention and got him beat up and eventually expelled from Fairfax High School in 11th grade, after ranting about Nazism in his English class. Ellroy's father died soon after this, with his father's last words to him being, "Try to pick up every waitress who serves you." Early career After being expelled from high school, Ellroy then joined the U.S. Army for a short period of time. On enlisting, Ellroy soon decided he did not belong there and convinced an army psychiatrist he was unfit for combat. He was discharged after three months. Ellroy credits the public libraries of Los Angeles County as the basis of his writing. He shelved books at the public library. In a speech at the Library of Congress in 2019 he declared: "I am a product of the L.A. County Public Library System." During his teens and 20s, he drank heavily and abused Benzedrex inhalers. He was engaged in minor crimes (especially shoplifting, house-breaking, and burglary) and was often homeless. After serving some time in jail and suffering from pneumonia, during which he developed an abscess on his lung "the size of a large man's fist," Ellroy stopped drinking and began working as a golf caddie while pursuing writing. He later said, "Caddying was good tax-free cash and allowed me to get home by 2 p.m. and write books.... I caddied right up to the sale of my fifth book." Personal life On October 4, 1991, Ellroy married writer and critic Helen Knode. The couple moved from California to Kansas City in 1995. In 2006, after their divorce, Ellroy returned to Los Angeles. The two later reconciled and moved to Denver, although Ellroy has stated that they live in separate apartments in the same building. He frequently tells interviewers that the issue for him is not monogamy, but cohabitation. Ellroy joined Alcoholics Anonymous in the 1970s. Literary career In 1981, Ellroy published his first novel, Brown's Requiem, a detective story drawing on his experiences as a caddie. He then published Clandestine and Silent Terror (which was later published under the title Killer on the Road). Ellroy followed these three novels with the Lloyd Hopkins Trilogy. The novels are centered on Hopkins, a brilliant but disturbed LAPD robbery-homicide detective, and are set mainly in the 1980s. He is a self-described recluse who possesses very few technological amenities, including television, and claims never to read contemporary books by other authors, aside from Joseph Wambaugh's The Onion Field, out of concern that they might influence his own. However, this does not mean that Ellroy does not read at all, as he claims in My Dark Places to have read at least two books a week growing up, eventually shoplifting more to satisfy his love of reading. He then goes on to say that he read works by Dashiell Hammett and Raymond Chandler. Writing style Hallmarks of his work include dense plotting and a relentlessly pessimistic—albeit moral—worldview. His work has earned Ellroy the nickname "Demon dog of American crime fiction." Ellroy writes longhand on legal pads rather than on a computer. He prepares elaborate outlines for his books, most of which are several hundred pages long. Dialogue and narration in Ellroy novels often consists of a "heightened pastiche of jazz slang, cop patois, creative profanity and drug vernacular" with a particular use of period-appropriate slang. He often employs a sort of telegraphese (stripped-down, staccato-like sentence structures), a style that reaches its apex in The Cold Six Thousand. Ellroy describes it as a "direct, shorter-rather-than-longer sentence style that's declarative and ugly and right there, punching you in the nards." This signature style is not the result of a conscious experimentation but of chance and came about when he was asked by his editor to shorten his novel L.A. Confidential by more than one hundred pages. Rather than removing any subplots, Ellroy abbreviated the novel by cutting every unnecessary word from every sentence, creating a unique style of prose. While each sentence on its own is simple, the cumulative effect is a dense, baroque style. The L.A. Quartet While his early novels earned him a cult following and notice among crime ficti.... Discover the James Ellroy popular books. Find the top 100 most popular James Ellroy books.