Face It Book Reviews

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Worth reading. She has a unique outlook on the Bew York music and art scene that is unmatched really. She was born to do this and in a time that was ready for her- the 70’s and ‘80’s. The music holds up. The sex drugs and rock and roll seems quaint and nostalgic now and like her I wish I could be transported back to my youth then. But fir now I’ll enjoy this book. She seems like she is enjoying herself. Good for her.

Thank you Debbie Harry for this excellent music time capsule. So well-written and honest but not staid and stuff like some autobiographies. Debbie Harry’s voice and grit come through with the punk edge she still has today. It felt like a great, long conversation you’d have with a legend at a bar over a long night of beers until the wee morning.

Not the rebel she thinks she is. A scattered and oddly depressing autobiography. Debbie is one of those thinkers who deludes herself that she’s some rebel because she “broke the rules” ie took drugs, played in a band. made some terrible art, and didn’t get married or have kids - pretty much the very things that shallow capitalist culture promotes today. Her boomer generation were conned into bringing this stoned out nihilism into the mainstream. She imbibed the whole deal, and. even at an advanced age, thinks it was trailblazing. It just comes across as sad. Her “deep” insights read like the diversity statements from any major American corporation. She may have been punk for a minute, but she has bought into conventional globalist liberalism since. This is Coca Cola rebellion with yawningly predictable opinions that dovetail with the “correct” way to think. There’s nothing edgy here. Certainly nothing to get you booted from social media - the barometer for edginess these days. If anything, she is at pains to demonstrate how in agreement with current orthodoxy she has always been. But the hits were glorious. Shame she wasted half her life since the hits stopped in the early 80s. Those amazing genes were never passed on. Despite her yearnings to find her real parents, she never became one. So after the Blondie heyday, much of this book is prattle about numbing the emptiness via drugs and sex. Her solo work is largely forgettable, as is her film work. Listen to Blondie’s music and skip this - it’s not worth your time.

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