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The Diamond Sutra (Sanskrit: Vajracchedikā Prajñāpāramitā Sūtra) is a Mahāyāna (Buddhist) sutra from the genre of Prajñāpāramitā ('perfection of wisdom') sutras. Translated into a variety of languages over a broad geographic range, the Diamond Sūtra is one of the most influential Mahayana sutras in East Asia, and it is particularly prominent within the Chan (or Zen) tradition, along with the Heart Sutra. A copy of the Tang dynasty–Chinese version of the Diamond Sūtra was found among the Dunhuang manuscripts in 1900 by Daoist monk Wang Yuanlu and sold to Aurel Stein in 1907. They are dated back to 11 May 868. It is, in the words of the British Library, "the earliest dated printed book". It is also the first known creative work with an explicit public domain dedication, as its colophon at the end states that it was created "for universal free distribution". Title The Sanskrit title for the sūtra is the Vajracchedikā Prajñāpāramitā Sūtra, which may be translated roughly as the "Vajra Cutter Perfection of Wisdom Sūtra" or "The Perfection of Wisdom Text that Cuts Like a Thunderbolt". In English, shortened forms such as Diamond Sūtra and Vajra Sūtra are common. The title relies on the power of the vajra (diamond or thunderbolt, but also an abstract term for a powerful weapon) to cut things as a metaphor for the type of wisdom that cuts and shatters illusions to get to ultimate reality. The sutra is also called by the name "Triśatikā Prajñāpāramitā Sūtra" (300 lines on the Perfection of Wisdom sutra). The Diamond Sūtra is highly regarded in East Asian countries with traditions of Mahayana Buddhism. Translations of this title into the languages of some of these countries include: Chinese: 金剛般若波羅蜜多經, Jīngāng Bōrě-bōluómìduō Jīng; shortened to 金剛經, Jīngāng Jīng Japanese: 金剛般若波羅蜜多経, Kongō hannya haramita kyō; shortened to 金剛経, Kongō-kyō Korean: 금강반야바라밀경, geumgang banyabaramil gyeong; shortened to 금강경, geumgang gyeong Classical Mongolian: Yeke kölgen sudur Vietnamese: Kim cương bát-nhã-ba-la-mật-đa kinh; shortened to Kim cương kinh Standard Tibetan: འཕགས་པ་ཤེས་རབ་ཀྱི་ཕ་རོལ་ཏུ་ཕྱིན་པ་རྡོ་རྗེ་གཅོད་པ་ཞེས་བྱ་བ་ཐེག་པ་ཆེན་པོའི་མདོ།, 'phags pa shes rab kyi pha rol tu phyin pa rdo rje gcod pa zhes bya ba theg pa chen po'i mdo Spanish: Sutra del Cortador de Diamantes History The exact date of the composition of the Diamond Sūtra in Sanskrit is uncertain—arguments for the 2nd and 5th centuries have been made. The first Chinese translation dates to the early 5th century, but, by this point, the 4th or 5th century monks Asanga and Vasubandhu seem to have already authored authoritative commentaries on its content.The Vajracchedika sutra was an influential work in the Mahayana Buddhist tradition. Early translations into a number of languages have been found in locations across Central and East Asia, suggesting that the text was widely studied and translated. In addition to Chinese translations, translations of the text and commentaries were made into Tibetan, and translations, elaborations, and paraphrases survive in a number of Central Asian languages. The first translation of the Diamond Sūtra into Chinese is thought to have been made in 401 by the venerated and prolific translator Kumārajīva. Kumārajīva's translation style is distinctive, possessing a flowing smoothness that reflects his prioritization on conveying the meaning as opposed to precise literal rendering. The Kumārajīva translation has been particularly highly regarded over the centuries, and it is this version that appears on the 868 Dunhuang scroll. It is the most widely used and chanted Chinese version. In addition to the Kumārajīva translation, a number of later translations exist. The Diamond Sūtra was again translated from Sanskrit into Chinese by Bodhiruci in 509, Paramārtha in 558, Dharmagupta (twice, in 590 and in 605~616), Xuanzang (twice, in 648 and in 660~663), and Yijing in 703. The Chinese Buddhist monk Xuanzang visited a Mahāsāṃghika-Lokottaravāda monastery at Bamiyan, Afghanistan, in the 7th century. Using Xuanzang's travel accounts, modern archaeologists have identified the site of this monastery. Birchbark manuscript fragments of several Mahāyāna sūtras have been discovered at the site, including the Vajracchedikā Prajñāpāramitā Sūtra (MS 2385), and these are now part of the Schøyen Collection. This manuscript was written in the Sanskrit language, and written in an ornate form of the Gupta script. This same Sanskrit manuscript also contains the Medicine Buddha Sūtra (Bhaiṣajyaguruvaiḍūryaprabhārāja Sūtra). The Diamond Sūtra gave rise to a culture of artwork, sūtra veneration, and commentaries in East Asian Buddhism. By the end of the Tang dynasty (907) in China there were over 80 commentaries written on it (only 32 survive), such as those by prominent Chinese Buddhists like Sengzhao, Xie Lingyun, Zhiyi, Jizang, Kuiji and Zongmi. Copying and recitation of the Diamond Sutra was a widespread devotional practice, and stories attributing miraculous powers to these acts are recorded in Chinese, Japanese, Tibetan, and Mongolian sources. One of the best known commentaries is the Exegesis on the Diamond Sutra by Huineng, the Sixth Patriarch of the Chan School. The Diamond Sutra features prominently in the 1st chapter of the Platform Sutra, the religious biography of Huineng, where hearing its recitation is supposed to have triggered the enlightening insight that led Huineng to abandon his life as a woodcutter to become a Buddhist monk. Contents The Vajracchedikā Prajñāpāramitā Sutra contains the discourse of the Buddha to a senior monk, Subhuti. Its major themes are anatman (not-self), the emptiness of all phenomena (though the term 'śūnyatā' itself does not appear in the text), the liberation of all beings without attachment and the importance of spreading and teaching the Diamond Sūtra itself. In his commentary on the Diamond Sūtra, Hsing Yun describes the four main points from the sūtra as giving without attachment to self, liberating beings without notions of self and other, living without attachment, and cultivating without attainment. According to Shigenori Nagatomo, the major goal of the Diamond Sūtra is: "an existential project aiming at achieving and embodying a non-discriminatory basis for knowledge" or "the emancipation from the fundamental ignorance of not knowing how to experience reality as it is". In the sūtra, the Buddha has finished his daily walk to Sravasti with the monks to gather offerings of food, and he sits down to rest. Elder Subhūti comes forth and asks the Buddha: "How, Lord, should one who has set out on the bodhisattva path take his stand, how should he proceed, how should he control the mind?" What follows is a dialogue regarding the nature of the "perfection of insight" (Prajñāpāramitā) and the nature of ultimate reality (which is illusory and empty). The Buddha begins by answering Subhuti by stating that he will bring all living beings to final nirvana, but that after this .... Discover the E B Cowell F Max Muller J Takakusu popular books. 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