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Henry V is a 1944 British Technicolor epic film adaptation of William Shakespeare's play of the same title. The on-screen title is The Chronicle History of King Henry the Fift with his battell fought at Agincourt in France (derived from the title of the 1600 quarto edition of the play, though changing the spelling from "Agin Court"). It stars Laurence Olivier, who also directed. The play was adapted for the screen by Olivier, Dallas Bower, and Alan Dent. The score is by William Walton. The film was made near the end of World War II and was intended as a morale booster for Britain. Consequently, it was partly funded by the British government. The film was originally "dedicated to the 'Commandos and Airborne Troops of Great Britain the spirit of whose ancestors it has been humbly attempted to recapture.'" The film won Olivier an Academy Honorary Award for "his Outstanding achievement as actor, producer and director in bringing Henry V to the screen." Plot (The action moves from a performance of the play, Henry V, in 1600, transitioning to the Battle of Agincourt in 1415, then back to the play.) A panorama of London in 1600 is shown and then the viewpoint travels to the Globe Theatre where the audience is being seated. The Chorus enters and implores the audience to use their imagination to visualise the setting of the play. Then is seen, up on a balcony, two clergymen, the Archbishop of Canterbury and the Bishop of Ely, discussing the current affairs of state. Henry then enters, and discusses with his nobles the state of France. A gift is delivered to Henry from the French Dauphin. The gift turns out to be tennis balls, a jibe at Henry's youth and inexperience. Offended, Henry sends the French ambassador away, and prepares to claim the French throne, a throne that he believes is rightfully his. Then characters from Shakespeare's Henry IV plays, Corporal Nym, Bardolph, and Pistol, are shown. These characters resolve to join Henry's army; however, before they do, Falstaff, another returning character, and one of the King's former mentors, dies. At this point, the action moves to Southampton and out of the Globe. At Southampton, the fleet embarks, and lands in France, beginning a campaign that tears through France to Harfleur, to which Henry's forces lay siege. At the siege, Henry delivers his first rousing speech to his troops: "Once more... unto the breach! Dear friends, once more!" The troops charge on Harfleur, and take it as their own. The troops then march to Agincourt, meeting the French forces. The night before the impending battle, Henry wanders around the camp in disguise, to find out what the men think of him. The next day, before the battle, Henry delivers his famous Saint Crispin's Day speech. The action transitions from the Globe to the fields of the Battle of Agincourt in 1415. The English archers let forth a volley of arrows that cuts deeply into the French numbers. The French, weighed down by their heavy armour, are caught in the fresh mud of the field, and are bogged down, which gives the English troops ample opportunity to ride out and fight them on equal terms. The French Dauphin, seeing this disadvantage, watches as several bodyguards and noblemen including the Constable of France ride toward the English camp and kill all the boys and squires, prompting a tearful Fluellen to cry that "this is expressly against the law of arms". Henry is angered by this and rides out to meet the French Constable, whom he defeats in personal combat. The battle is won. Henry comes to discuss peace and then woos the Princess Katherine. His success means that France is now under the control of England, as the French King, Charles VI, adopts Henry as his successor. In the final moments, the viewpoint returns to the Globe Theatre and the play, where the actors take their bows. Cast Production Winston Churchill instructed Olivier to fashion the film as morale-boosting propaganda for British troops fighting World War II. The making and release of the film coincided with the Allied invasion of Normandy and push into France. An early preview trailer of the film showed contemporary London just before cutting to the film's aerial footage of London in 1600. The film was meant to cost £350,000 but ended up costing nearly £500,000. Setting Much of the film's impact comes from the vivid Technicolor cinematography (using the only Technicolor camera in England at the time), spectacular period costumes and a unique blend of stylized settings, miniatures and location shooting. The film begins with a handbill floating out of the sky setting the date—the first of May 1600–and the occasion. This dissolves into a tremendously detailed miniature model of London, with boats moving on the Thames. The camera pulls away from the Tower, gleaming white in the sun, and moves past London Bridge (crowded with buildings) to aim across the river at the densely packed city studded with churches, stretching into the distance, until St. Paul's (as it was then) can be seen. The camera pauses for a beat and then moves back to zoom in on one of the two round theatres, where a man is raising a flag inscribed The Globe Playhouse, showing that a performance is imminent. Then we go into the theatre for a vivid recreation of a production of the play as performed at that time, complete with hecklers and an annoying rain shower. The Chorus (a single actor) invokes the audience's imaginations, and when the action in the play moves to Southampton, we enter the world of the Trés Riches Heures of the Duc de Berry, a late medieval Book of Hours. Costumes and hair styles are authentic, and female parts are now played by women, as when Mistress Quickly delivers the news of Falstaff's death and joins other women in farewelling the soldiers. The Chorus now invokes our imagination to fly past the fleet, barely visible far below in a Channel filled with fog, to the court of France, where Charles VI is attended by various nobles, including the "Duke of Berri", who is examining an illuminated volume with a magnifying glass in one hand and a clove-studded orange pomander in the other. The setting becomes more natural in the dark night before Agincourt, when Henry walks through the sleeping camp to see how it goes with his men. The Battle of Agincourt takes place in a realistic setting (filmed in Ireland), in natural fields and forests, and dialogue is delivered from the backs of restive chargers. The troops singing Non Nobis and Te Deum at Henry's bidding march toward a painted rendition of the château, which fades out and fades in to the same image, blanketed in deep snow. The next set is a near-perfect rendition of the often-reproduced February page from the Trés Riches Heures, with Pistol taking the place of the man warming himself in the cottage (but with greater modesty). We next see the negotiations for the Treaty of Troyes, and the setting is used to great effect to clarify and increase the impact of the Duke of Bur.... Discover the Anonymous Henry Denham popular books. Find the top 100 most popular Anonymous Henry Denham books.