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ER is an American medical drama television series created by Michael Crichton that aired on NBC from September 19, 1994, to April 2, 2009, with a total of 331 episodes spanning 15 seasons. It was produced by Constant C Productions and Amblin Television, in association with Warner Bros. Television. ER follows the inner life of the emergency room (ER) of Cook County General Hospital (a fictionalized version of the real Cook County Hospital) in Chicago, and various critical issues faced by the department's physicians and staff. The show is the second longest-running primetime medical drama in American television history behind Grey's Anatomy. It won 23 Primetime Emmy Awards, including the 1996 Outstanding Drama Series award, and received 124 Emmy nominations. ER won 116 awards in total, including the Peabody Award, while the cast earned four Screen Actors Guild Awards for Outstanding Ensemble Performance in a Drama Series. As of 2014, ER had grossed over $3 billion in television revenue. Production Development In 1974, author Michael Crichton wrote a screenplay then entitled "ED" (for emergency department) based on his own experiences as a medical student in a busy hospital emergency room. Producers were not interested in the screenplay, and Crichton turned to other topics. In 1990, he published the novel Jurassic Park, and in 1993 began a collaboration with director Steven Spielberg on the film adaptation of the book. After its release, Crichton and Spielberg then turned to what was now known as ER, but Spielberg decided to film the story as a two-hour pilot for a television series rather than as a feature film after considering the potential for various stories to be told in the setting. He passed the script on to a team at his production company, Amblin Entertainment. Anthony Thomopoulos, then head of Amblin's television division, got in touch with then CEO of Warner. Bros Television, Les Moonves, about the idea for the series and to send the script. Spielberg's Amblin Television provided John Wells as the show's executive producer. Warner Bros. pitched ER to NBC, alongside Crichton, Spielberg and Wells. Warren Littlefield, head of NBC Entertainment at the time, liked the project, but there was much debate and controversy among other executives at the network, who were dubious about the nature of the series. NBC offered a chance to make a two-hour made-for-TV movie from the script, which was rejected. They then tried to get the show greenlit at rival networks before returning to NBC, who this time around ordered a pilot. The script used to shoot the pilot was virtually unchanged from what Crichton had written in 1974. The only substantive changes made by the producers in 1994 were that a male character was changed to a female character (Susan Lewis) and the Peter Benton character's race was changed to African-American. The running time was shortened by about 20 minutes in order for the pilot to air in a two-hour block on network TV. Because of a lack of time and money necessary to build a set, the pilot episode of ER was filmed in the former Linda Vista Hospital in Los Angeles, an old facility that had ceased operating in 1990. A set modeled after Los Angeles County General Hospital's emergency room was built soon afterward at the Warner Bros. studios in Burbank, California, although the show makes extensive use of location shoots in Chicago, most notably the city's famous "L" train platforms. Littlefield was impressed by the series: "We were intrigued, but we were admittedly a bit spooked in attempting to go back into that territory a few years after St. Elsewhere." With Spielberg attached behind the scenes, NBC ordered six episodes. "ER premiered opposite a Monday Night Football game on ABC and did surprisingly well. Then we moved it to Thursday and it just took off", commented Littlefield. ER's success surprised the networks and critics alike, as David E. Kelley's new medical drama Chicago Hope was expected to crush the new series, airing directly opposite ER in the Thursday 10:00 pm time slot over on CBS. Crichton was credited as an executive producer until his death in November 2008, although he was still credited as one throughout that entire final season. Wells, the series' other initial executive producer, served as showrunner for the first three seasons. He was the show's most prolific writer and became a regular director in later years. Lydia Woodward was a part of the first season production team and became an executive producer for the third season. She took over as showrunner for the fourth season while Wells focused on the development of other series, including Trinity, Third Watch, and The West Wing. John Wells continued to serve as the primary Executive Producer for the remainder of the series. Lydia Woodward left her executive producer position at the end of the sixth season but continued to write episodes throughout the series run. Joe Sachs, who was a writer and producer of the series, believed keeping a commitment to medical accuracy was extremely important: "We'd bend the rules but never break them. A medication that would take 10 minutes to work might take 30 seconds instead. We compressed time. A 12- to 24-hour shift gets pushed into 48 minutes. But we learned that being accurate was important for more reasons than just making real and responsible drama." Woodward was replaced as showrunner by Jack Orman. Orman was recruited as a writer-producer for the series in its fourth season after a successful stint working on CBS's JAG. He was quickly promoted and became an executive producer and showrunner for the series' seventh season. He held these roles for three seasons before leaving the series at the end of the ninth season. Orman was also a frequent writer and directed three episodes of the show. David Zabel served as the series' head writer and executive producer in its later seasons. He initially joined the crew for the eighth season and became an executive producer and showrunner for the twelfth season onward. Zabel was the series' most frequent writer, contributing to 41 episodes. He also made his directing debut on the series. Christopher Chulack was the series' most frequent director and worked as a producer on all 15 seasons. He became an executive producer in the fourth season but occasionally scaled back his involvement in later years to focus on other projects. Other executive producers include writers Carol Flint, Neal Baer, R. Scott Gemmill, Dee Johnson, Joe Sachs, Lisa Zwerling, and Janine Sherman Barrois. Several of these writers and producers had background in healthcare: Joe Sachs was an emergency physician, while Lisa Zwerling and Neal Baer were both pediatricians. The series' crew was recognized with awards for writing, directing, producing, film editing, sound editing, casting, and music. Broadcasting Following the broadcast of its two-hour pilot movie on September 19, 1994, ER premiered Thursday, September 22 at 10pm..... Discover the Victor Davich popular books. Find the top 100 most popular Victor Davich books.