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The Big O (Japanese: THE ビッグオー, Hepburn: Za Biggu Ō) is a Japanese mecha-anime television series created by designer Keiichi Sato and director Kazuyoshi Katayama for Sunrise. The writing staff was assembled by the series' head writer, Chiaki J. Konaka, who is known for his work on Serial Experiments Lain and Hellsing. The story takes place forty years after a mysterious occurrence causes the residents of Paradigm City to lose their memories. The series follows Roger Smith, Paradigm City's top Negotiator. He provides this "much needed service" with the help of a robot named R. Dorothy Wayneright and his butler Norman Burg. When the need arises, Roger calls upon Big O, a giant relic from the city's past. The television series was designed as a tribute to Japanese and Western shows from the 1960s and 1970s. The series is presented in the style of film noir and combines themes of detective fiction and mecha anime. The setpieces are reminiscent of tokusatsu productions of the 1950s and 1960s, particularly Toho's kaiju movies, and the score is an eclectic mix of styles and musical homages. The Big O aired on Wowow satellite television from October 13, 1999, and January 19, 2000. The English-language version premiered on Cartoon Network's Toonami on April 2, 2001, and ended on April 23, 2001. Originally planned as a 26-episode series, low viewership in Japan reduced production to the first 13. Positive international reception resulted in a second season consisting of the remaining 13 episodes, co-produced by Cartoon Network, Sunrise, and Bandai Visual. Season two premiered on Japan's Sun Television on January 2, 2003, and the American premiere took place seven months later. Following the closure of Bandai Entertainment by parent company Bandai (owned by Bandai Namco Holdings) in 2012, Sunrise announced at Otakon 2013 that Sentai Filmworks acquired both seasons of The Big O. Synopsis Setting The Big O is set in the fictional city-state of Paradigm City. The city is located on a seacoast and is surrounded by a vast desert wasteland. The partially domed city is wholly controlled by the monopolistic Paradigm Corporation, resulting in a corporate police state. Paradigm is known as "The City of Amnesia" because forty years prior to the story, "The Event" destroyed the world outside the city and left the survivors without any prior memories. The city is characterized by severe class inequity; the higher-income population resides inside the more pleasant domes, with the remainder left in tenements outside. Residents of the city believe that they are the last survivors of the world and no other nations exist outside the city. Androids and giant robots known as "Megadeus" coexist with the residents of Paradigm City and residents do not find them unusual. Plot After failing to negotiate with terrorists at the cost of his client's life, Roger Smith is obligated to care for Dorothy Wayneright, a young female android. Over the course of the series, Roger Smith continues to accept negotiation work from the residents of Paradigm City, he often leads to uncovering the nature and mystery of Paradigm City and encountering megadeus or other giant enemies that require Big O. Supporting characters are Angel, a mysterious woman in search of memories; Dan Dastun, chief of the military police of Paradigm city and old friend of Roger Smith; and Norman Burg, the butler of Roger Smith and mechanic of Big O. The main antagonist is Alex Rosewater, chairman of Paradigm City whose goal is to revive the megadeus "Big Fau" in attempts to become the god of Paradigm City. Other recurring antagonists are Jason Beck, criminal and con-artist attempting to humiliate Roger Smith; Schwarzwald, an ex-reporter obsessed with finding the truth of Paradigm City and also pilot of the megadeus "Big Duo"; Vera Ronstadt, leader of a group of foreigners known as the Union searching for memories and revenge against Paradigm City; and Alan Gabriel, a cyborg assassin working for Alex Rosewater and the Union. The series ends with the awakening of a new megadeus, and the revelation that the world is a simulated reality. A climactic battle ensues between Big O and Big Fau, after which reality is systematically erased by the new megadeus, an incarnation of Angel, recognized as "Big Venus" by Dorothy. Roger implores Angel to "let go of the past" regardless of its existential reality, and focus only on the present and the future. In an isolated control room, the real Angel observes Roger and her past encounters with him on a series of television monitors. On the control panel lies Metropolis, a book featured prominently since the thirteenth episode; the cover features an illustration of angel wings and gives the author's name as "Angel Rosewater". Big Venus and Big O physically merge, causing the virtual reality to reset. The final scene shows Roger Smith driving down a restored Paradigm city with Dorothy and Angel observing him from the side of the road. Production and release Development of the retro-styled series began in 1996. Keiichi Sato came up with the concept of The Big O: a giant city-smashing robot, piloted by a man in black, in a Gotham-like environment. He later met up with Kazuyoshi Katayama, who had just finished directing Those Who Hunt Elves, and started work on the layouts and character designs. But when things "were about to really start moving," production on Katayama's Sentimental Journey began, putting plans on hold. Meanwhile, Sato was heavily involved with his work on City Hunter. The initial story idea revolved around a cataclysm (caused by an meteorite impact) that destroyed most of human civilization. The setting would be a city that survived, where the protagonist pilots a giant robot engineered from the meteorite's recovered superalloy to battle against the authority in charge of the surviving city. Sato admits it all started as "a gimmick for a toy" but the representatives at Bandai Hobby Division did not see the same potential. From there on, the dealings would be with Bandai Visual, but Sunrise still needed some safeguards and requested more robots be designed to increase prospective toy sales. In 1999, with the designs complete, Chiaki J. Konaka was brought on as head writer. Among other things, Konaka came up with the idea of "a town without memory" and his writing staff put together the outline for a 26-episodes series. Konaka deliberately chose to present the setting, Paradigm City, as a city of amnesiacs to avoid needing to develop lore for the origin of the show's mecha. When Cartoon Network later offered funding for the second season, its representatives requested that the story be satisfactorily finished at the end of this season; this prompted Konaka to continue developing the concept of the amnesiac city as its central theme. The Big O premiered on October 13, 1999, on Wowow. When the production staff was informed the series would be shortened to 13 episodes, the writers decided t.... Discover the Jason O Toole popular books. Find the top 100 most popular Jason O Toole books.