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Dame Elizabeth Rosemond Taylor (27 February 1932 – 23 March 2011) was a British and American actress. She began her career as a child actress in the early 1940s and was one of the most popular stars of classical Hollywood cinema in the 1950s. She then became the world's highest paid movie star in the 1960s, remaining a well-known public figure for the rest of her life. In 1999, the American Film Institute ranked her seventh on its greatest female screen legends list. Born in London to socially prominent American parents, Taylor moved with her family to Los Angeles in 1939 at the age of 7. She made her acting debut with a minor role in the Universal Pictures film There's One Born Every Minute (1942), but the studio ended her contract after a year. She was then signed by Metro-Goldwyn-Mayer and became a popular teen star after appearing in National Velvet (1944). She transitioned to mature roles in the 1950s, when she starred in the comedy Father of the Bride (1950) and received critical acclaim for her performance in the drama A Place in the Sun (1951). She starred in the historical adventure epic Ivanhoe (1952) with Robert Taylor and Joan Fontaine. Despite being one of MGM's most bankable stars, Taylor wished to end her career in the early 1950s. She resented the studio's control and disliked many of the films to which she was assigned. She began receiving more enjoyable roles in the mid-1950s, beginning with the epic drama Giant (1956), and starred in several critically and commercially successful films in the following years. These included two film adaptations of plays by Tennessee Williams: Cat on a Hot Tin Roof (1958), and Suddenly, Last Summer (1959); Taylor won a Golden Globe for Best Actress for the latter. Although she disliked her role as a call girl in BUtterfield 8 (1960), her last film for MGM, she won the Academy Award for Best Actress for her performance. During the production of the film Cleopatra in 1961, Taylor and co-star Richard Burton began an extramarital affair, which caused a scandal. Despite public disapproval, they continued their relationship and were married in 1964. Dubbed "Liz and Dick" by the media, they starred in 11 films together, including The V.I.P.s (1963), The Sandpiper (1965), The Taming of the Shrew (1967), and Who's Afraid of Virginia Woolf? (1966). Taylor received the best reviews of her career for Woolf, winning her second Academy Award and several other awards for her performance. She and Burton divorced in 1974 but reconciled soon after, remarrying in 1975. The second marriage ended in divorce in 1976. Taylor's acting career began to decline in the late 1960s, although she continued starring in films until the mid-1970s, after which she focused on supporting the career of her sixth husband, United States Senator John Warner. In the 1980s, she acted in her first substantial stage roles and in several television films and series. She became the second celebrity to launch a perfume brand after Sophia Loren. Taylor was one of the first celebrities to take part in HIV/AIDS activism. She co-founded the American Foundation for AIDS Research in 1985 and the Elizabeth Taylor AIDS Foundation in 1991. From the early 1990s until her death, she dedicated her time to philanthropy, for which she received several accolades, including the Presidential Citizens Medal. Throughout her career, Taylor's personal life was the subject of constant media attention. She was married eight times to seven men, converted to Judaism, endured several serious illnesses, and led a jet set lifestyle, including assembling one of the most expensive private collections of jewelry in the world. After many years of ill health, Taylor died from congestive heart failure in 2011, at the age of 79. Early life Elizabeth Rosemond Taylor was born on 27 February 1932, at Heathwood, her family's home at 8 Wildwood Road in Hampstead Garden Suburb, northwest London, England.: 3–10  She received dual British-American citizenship at birth as her parents, art dealer Francis Lenn Taylor and stage actress Sara Sothern, were United States citizens, both originally from Arkansas City, Kansas.: 3–10  They moved to London in 1929 and opened an art gallery on Bond Street; their first child, a son named Howard, was born the same year. The family lived in London during Taylor's childhood.: 11–19  Their social circle included artists such as Augustus John and Laura Knight and politicians such as Colonel Victor Cazalet.: 11–19  Cazalet was Taylor's unofficial godfather and an important influence in her early life.: 11–19  She was enrolled in Byron House School, a Montessori school in Highgate, and was raised according to the teachings of Christian Science, the religion of her mother and Cazalet.: 3, 11–19, 20–23  In early 1939, the Taylors decided to return to the United States due to fear of impending war in Europe.: 22–26  United States ambassador Joseph P. Kennedy contacted her father, urging him to return to the US with his family. Sara and the children left first in April 1939 aboard the ocean liner SS Manhattan and moved in with Taylor's maternal grandfather in Pasadena, California.: 22–28  Francis stayed behind to close the London gallery and joined them in December.: 22–28  In early 1940, he opened a new gallery in Los Angeles. After briefly living in Pacific Palisades, Los Angeles, with the Chapman family, the Taylor family settled in Beverly Hills, California, where the two children were enrolled in Hawthorne School.: 27–34  Acting career 1941–1949: Early roles and teenage stardom In California, Taylor's mother was frequently told that her daughter should audition for films.: 27–30  Taylor's eyes in particular, drew attention; they were blue, to the extent of appearing violet, and were rimmed by dark double eyelashes caused by a genetic mutation.: 9  Sara was initially opposed to Taylor appearing in films, but after the outbreak of war in Europe made return there unlikely, she began to view the film industry as a way of assimilating to American society.: 27–30  Francis Taylor's Beverly Hills gallery had gained clients from the film industry soon after opening, helped by the endorsement of gossip columnist Hedda Hopper, a friend of the Cazalets.: 27–31  Through a client and a school friend's father, Taylor auditioned for both Universal Pictures and Metro-Goldwyn-Mayer in early 1941.: 27–37  Both studios offered Taylor contracts, and Sara Taylor chose to accept Universal's offer.: 27–37  Taylor began her contract in April 1941 and was cast in a small role in There's One Born Every Minute (1942).: 27–37  She did not receive other roles, and her contract was terminated after a year.: 27–37  Universal's casting director explained her dislike of Taylor, stating that "the kid has nothing ... her eyes are too old, she doesn't have the face of a child.": 27–37  Biographer Alexander Walker agrees that Taylor looked different from the child stars of the era, such as Shirley Temp.... 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