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Asian Americans have been involved in the entertainment industry since the first half of the 19th century, when Chang and Eng Bunker (the original "Siamese Twins") became naturalized citizens. Acting roles in television, film, and theater were relatively few, and many available roles were for narrow, stereotypical characters. Early Asian American actors such as Sessue Hayakawa, Anna May Wong, and Bruce Lee encountered a movie-making culture and industry that wanted to cast them as caricatures. Some, like actress Merle Oberon, hid their ethnicity to avoid discrimination by Hollywood's racist laws. Asian Americans are rapidly gaining access to the American mainstream. Recently, young Asian American comedians and filmmakers have also found an outlet on YouTube and the Internet, allowing them to gain a strong and loyal fanbase. Notable YouTubers include comedians such as Ryan Higa and Kevin Wu; entertainers such as Dan Chan and Christine Gambito; musicians such as MC Jin, Far East Movement, Sam Tsui, David Choi, and Kina Grannis; and the filmmaking group Wong Fu Productions. These entertainers have gained notable followings, mainly with young Asian American students, through solo and collaborative videos, short films and tours. Additionally, other Asian American artists have broken out into mainstream audiences beyond the Asian American community. Those include artists such as Bruno Mars, Darren Criss, Awkwafina, and The Slants. Award (Golden Globe and Academy Awards) 19th century Chang and Eng Bunker had a stable career in entertainment. Cheng and Eng Bunker were conjoined twins who rose to popularity known as the "Siamese Twins" in the 19th century. They were born in 1811 in a village sixty miles from Bangkok. Cheng and Eng were conjoined at the chest at birth, thus starting their career as a human spectacle. They were gawked at in their own country before coming to America at age eighteen. Touring city to city, they were well received, giving performances that featured their unique physiognomy and also highlighted their distinctive wit and innate intelligence. After ten years, at the age of twenty-eight, Chang and Eng retired and decided to settle down in Wilkes County in western North Carolina where they also adopted the surname "Bunker." In North Carolina, they married sisters Sarah Anne and Adelaide Yates and began their lives as southern gentlemen by managing their individual households, plantations, and slaves. The former Siamese Twins from the countryside outside of Bangkok became the wealthiest men in the county and the patriarchs of two large families (between the two, there were twenty-one children). When need be, they returned to touring in order to accumulate more funds. In 1873, both Chang and Eng died at age sixty-two. Despite few Asian/Asian-American entertainers in the 19th century, many entertainment platforms attempt to depict accurate occurrences in 19th-century Asia, such as Dunhuang Performative Arts company and their performances exhibiting the journey of the Silk Road in "Dunhuang, My Dreamland." The show portrays Daoist priest Wang Yuanlu in accurate garb and performed by an appropriate actor, Chen Yizong. The playwright sets the stage at the Dunhuang Magao Caves which was historically important for travelers along the Silk Road, especially Buddhist monks from India and central Asia while on their journey to Chang'an (now Xi'an). Among meditations, the caves were used to reference the monastery's texts and records. Actor/Actress Transitions from Film to Television and Visa Versa (Film/Television links are for body of work) Film Film actors / actresses 1920s Anna May Wong Anna May Wong was the first Asian American to have become an international acting star. She became a fashion icon during the silent film era, beginning with her success in the film The Toll of the Sea (1922), the first color feature to be made in Hollywood. During her career she sought roles that portrayed Chinese and Asian Americans in a positive light, but these films never became famous except for a select few such as the film Daughter of Shanghai (1937). Frustrated by being stereotyped and typecast during her career in the United States, she moved to Europe, where she appeared in many plays and films, the most notable of which was the British film Piccadilly (1929). She later returned to the United States in an ironic twist, at a time when American studios were searching Europe for fresh new talent, despite the fact that she is an American. She returned with promises of leading roles, but these did not come about due to racism in the United States. She eventually stopped acting in professional films and turned to stage, cabaret, B movies, and anti-Japanese propaganda films such as Bombs Over Burma (1943) due to her being an advocacy against the Japanese aggression in China. She was set to make her comeback with the film Flower Drum Song (1961) but was unable due to failing health. Despite a prolific career Wong's only film to have ever been a truly big success was Shanghai Express (1932). For her later work in television, please see Television 1950s. On February 8, 1960, Wong became the first Asian American actress to receive a star on the Hollywood Walk of Fame. Sessue Hayakawa Sessue Hayakawa was the first and one of the few Asian American/Asian actors to find stardom in the United States and Europe and was also the first leading Asian male actor in the United States. He became the first male sex symbol of Hollywood long before and the precursor to Rudolph Valentino. His fame rivaled that of Douglas Fairbanks and Charlie Chaplin. His fame began during the silent film era, leading into sound pictures in his later life. He became a film actor in a somewhat reluctant and accidental manner when the famous producer Thomas Ince saw his theater play The Typhoon and wanted to turn it into a silent film and when it was released the film was an instant hit. With rising stardom he was eventually offered film contract by Famous Players–Lasky now Paramount Pictures. His second film with the production company, The Cheat (1915), was a success and made him a romantic hit with U.S. female audiences. He became a leading man of romance films, considered a heartthrob and a sex symbol; many actresses wanted to work with him in films, in which he was often cast as the exotic male Asian lover that women desired. After years of being typecast as a villain and exotic Asian lover that white women could not have, he decided to start his own production company, where he eventually made 23 films; he produced, starred in, and directed them, and contributed to their design, writing and editing. His films also influenced the way the United States viewed Asians. He personally chose American actress Marin Sais to appear opposite him in his films such as The City of Dim Faces and His Birthright. Hayakawa's collaboration with Sais ended with the film Bonds of Honor (1919). In 1919, Hayakawa mad.... Discover the Charlotte Bronte Weike Wang popular books. Find the top 100 most popular Charlotte Bronte Weike Wang books.