Chris Claremont Frank Miller Popular Books

Chris Claremont Frank Miller Biography & Facts

Christopher S. Claremont (; born November 25, 1950) is an American comic book writer and novelist, known for his 16-year stint on Uncanny X-Men from 1975 to 1991, far longer than that of any other writer, during which he is credited with developing strong female characters as well as introducing complex literary themes into superhero narratives, turning the once underachieving comic into one of Marvel's most popular series. During his tenure at Marvel, Claremont co-created numerous X-Men characters, such as Rogue, Psylocke (Betsy Braddock), Kitty Pryde/Shadowcat, Phoenix, the Brood, Lockheed, Shi'ar, Shi'ar Imperial Guard, Mystique, Destiny, Selene, Reverend William Stryker, Lady Mastermind, Emma Frost, Tessa, Siryn, Jubilee, Rachel Summers, Madelyne Pryor, Moira MacTaggert, Lilandra, Shadow King, Cannonball, Warpath, Mirage, Wolfsbane, Karma, Cypher, Sabretooth, Empath, Sebastian Shaw, Donald Pierce, Avalanche, Pyro, Legion, Nimrod, Gateway, Strong Guy, Proteus, Mister Sinister, Marauders, Purifiers, Captain Britain, Sunspot, Forge, and Gambit. Claremont wrote many classic stories, including "The Dark Phoenix Saga" and "Days of Future Past", on which he collaborated with John Byrne. He developed the character of Wolverine into a fan favorite. X-Men #1, the 1991 spinoff series premiere that Claremont co-wrote with Jim Lee, remains the bestselling comic book of all time, according to Guinness World Records. In 2015, Claremont and his X-Men collaborator John Byrne were entered into the Will Eisner Award Hall of Fame. Early life Claremont was born in London, England. His father was an internist and his mother was a pilot and caterer. Claremont is Jewish on his mother's side, and lived in a kibbutz in Israel during his youth. His family moved to the United States when he was three, and he was raised primarily on Long Island. Alienated by the sports-oriented suburbs, his grandmother purchased for him a subscription to Eagle when he was a child, and he grew up reading Dan Dare, finding them more exciting than the Batman and Superman comics of the 1950s and early 1960s. He read works by science fiction writers such as Robert Heinlein, as well as writers of other genres such as Rudyard Kipling and C. S. Forester. Career Comics 1969–1991 Claremont initially did not view the comic book industry as the place where he would make his career, as he believed the dwindling readership to be a sign that the industry was dying, and found the material being published to be uninteresting. Instead, when he began at Bard College, he did so as a political theorist, studying acting and political theory, and writing novels with the hope of becoming a director. His first professional sale was a prose story. He graduated in 1972. Claremont's career began in 1969, as a college undergraduate, when he was hired as a gofer/editorial assistant at Marvel Comics. His first professional scripting assignment was Daredevil #102 (Aug. 1973). As an entry into regular comics writing, Claremont was given the fledgling feature "Iron Fist" in Marvel Premiere as of issue #23 (Aug. 1975). He was joined two issues later by artist John Byrne. The Claremont/Byrne team continued to work together when the character received its own self-titled series in November 1975 which lasted 15 issues. Though his acting career did not yield great success, he functioned well at Marvel, where he obtained a full-time position. One of the first new characters created by Claremont was Madrox the Multiple Man in Giant-Size Fantastic Four #4 (Feb. 1975). Marvel's editor-in-chief at the time, Len Wein, who recognized Claremont's enthusiasm for the new X-Men that Wein and Dave Cockrum had created in 1975, hired Claremont, a relatively young writer, to take over the series as of issue #94 (May 1975), reasoning that doing so would not draw opposition from other writers, given the book's poor standing. Claremont approached the job as a method actor, developing the characters by examining their motives, desires and individual personalities. This approach drew immediate positive reaction. According to former Marvel editor-in-chief Bob Harras, "He lived it and breathed it. He would write whole paragraphs about what people were wearing. He really got into these people's thoughts, hopes, dreams." Claremont's take on the series has been likened to writing "the Great American Novel about complex characters who just happened to fly", incorporating surprise character developments and emotional nuances amid the operatic battles that otherwise typified American superhero comics. By his own admission, Claremont acquired a reputation for taking a long time to resolve plot threads, and longtime X-Men editor Louise Simonson recounted that whenever she was at a loss for story ideas, "All I'd have to do was go through all of the plot threads that he had left for the last year or two." Claremont introduced new supporting characters to the X-Men series including Moira MacTaggert in issue #96 and Lilandra Neramani in #97. Jean Grey a.k.a. Marvel Girl, one of Marvel's first female heroes, underwent a dramatic transformation into the extremely powerful Phoenix in issue #101. Issue #107 (Oct. 1977) saw the introduction of the Starjammers as well as the departure of artist Dave Cockrum. Claremont began his collaboration with artist John Byrne in the following issue. During his 17 years as X-Men writer, Claremont wrote or co-wrote many classic X-Men stories, such as "The Dark Phoenix Saga" and "Days of Future Past". Comics writers and historians Roy Thomas and Peter Sanderson observed that "'The Dark Phoenix Saga' is to Claremont and Byrne what the 'Galactus Trilogy' is to Stan Lee and Jack Kirby. It is a landmark in Marvel history, showcasing its creators' work at the height of their abilities." Comics historian Les Daniels noted that "The controversial story created a sensation and The X-Men became the comic book to watch." In 2010, Comics Bulletin ranked Claremont and Byrne's run on The X-Men second on its list of the "Top 10 1970s Marvels". Claremont and artist Frank Miller crafted a Wolverine limited series in 1982. With artist Walt Simonson, Claremont produced The Uncanny X-Men and The New Teen Titans in 1982, an intercompany crossover between the top-selling Marvel and DC titles. The New Mutants were introduced by Claremont and Bob McLeod in Marvel Graphic Novel #4 (Dec. 1982) and received their own ongoing series soon after. The second X-Men film was loosely based on his 1982 X-Men graphic novel God Loves, Man Kills. Besides his work on X-Men and its spinoffs, Claremont wrote Marvel Team-Up, Spider-Woman and Ms. Marvel during this time. He and artist John Bolton created the Marada the She-Wolf character in 1981. Claremont's stories for Marvel Team-Up included the cast of NBC's Saturday Night Live appearing in issue #74 (Oct. 1978) and the introduction of Karma, a character that later joined the New Mutants, in #100 (Dec. 1980). Claremont helped l.... Discover the Chris Claremont Frank Miller popular books. Find the top 100 most popular Chris Claremont Frank Miller books.