Marina Steinle Popular Books

Marina Steinle Biography & Facts

Marina Apollonio (born 12 November 1940) is an Italian painter and optical artist. She lives and works in Padua. Work Apollonio was born in Trieste on 12 November 1940. She and her family moved to Venice when she was eight. In Venice she attended the Accademia di Belle Arti di Venezia. In 1963, Apollonio produced her first work, Metal Reliefs with Alternate Color Sequences. She shared with other Op-Artists the interest in a depersonalized art, as opposite to Abstract Expressionism. She used industrial material in her process, creating dynamic and fluctuating environments in the user's perception. In 1965, she became part of the international Op art movement, meeting and exhibiting with artists such as Gruppo N Padua; Gruppo T Milan; Getulio Alviani; Dadamaino and Azimuth Milan. In the same year she was invited to Nova Tendencija 3, an international group show held at the Galerija Suvremene Umjetnosti in Zagreb, to Aktuel ’65 at the Galerie Aktuel Bern and, together with Getulio Alviani and Paolo Scheggi, the Oeuvres Plastiques et Appliquèes at Galerie Smith in Brussels. In 1975, Apollonio started making work based on the orthogonal relationship of parallel colored lines. In 1981 she expanded her practice to textiles, showing her works at the Laboratorio Artivisive Foggia and later, in 1983, at the exhibitions Morbide & Trame, at the Civica Galleria d’Arte Contemporanea in Foggia and Testi Tessili, at the Il Monte Analogo Library in Rome. In 2007, she presented her work Spazio ad attivazione cinetica 1967-1971/2007, a 10-meter rotating disc, in the Schirn Kunsthalle Frankfurt for the international show Op Art, where she was invited to exhibit together with Victor Vasarely, Bridget Riley, François Morellet, Julio Le Parc and Gianni Colombo. Her work has also been included in other Op art shows such as Optic Nerve: Perceptual Art of the 1960s, at the Columbus Museum of Art and Bit International Nove tendencije - Computer und visuelle Forschung. Zagreb 1961-1973, at the Neue Galerie in Graz. Her works have been reviewed by major news publications. Selected solo exhibitions 1966 Centro Arte Viva Feltrinelli, Trieste; Centro d’Arte il Chiodo, Palermo; Galleria 1+1, Padua 1967 Galleria il Cenobio, Milan; Studio 2b, Bergamo 1968 Galleria Sincron, Brescia; Galleria Barozzi, Venice 1969 Studio di Informazione Estetica, Turin 1970 Galerie Historial, Nyon; Galerie 58, Rapperswil, Switzerland 1971 Galleria la Chiocciola, Padua 1972 Galleria dei Mille, Bergamo; Imeges 70, Abano, Italy; Il Segnapassi, Pesaro 1973 Neue Galerie Am Landes Museum Joanneum, Graz 1974 Galleria il Nome, Vigevano, Italy 1975 Galleria Temi, Bari; Galleria Method, Bergamo 1979 Arte Struktura, Milan 1981 Centro ricerche artistiche Verifica 8+1, Venice 2008 Neue Galerie, Graz Selected group exhibitions 1964 Il Chiodo d’oro, Centro d’Arte il Chiodo, Palermo 1965 Aktuel 65, Galerie Aktuel, Bern; Nova Tendencija 3, Galerija Suvremene Umjetnosti, Zagreb; Oeuvres Plastiques et Appliquées, Galerie Smith, Brussels 1966 Op-pop, Galerie D, Frankfurt; 11° Premio Castello Svevo, Termoli; Premio S. Fedele, Galleria San Fedele, Milan; Sigma 2, Bordeaux - Il gioco degli artisti, Galleria del Naviglio, Milan 1967 La nuova tendenza, Galleria il Cenobio, Milan; Premi Joan Mirò, Barcelona; Museo Sperimentale d’Arte Contemporanea, Turin; Ipotesi linguistiche intersoggettive, travelling exhibition (Florence, Bologna, Naples, Turin) 1968 Dodekaedr, Galerii d, Praha; 2° Miedzynadorowe Biennale Grafiki, Krakov; Arte Internazionale Contemporanea, Studio 2 b, Bergamo; 13° Premio Spoleto, Italy; Public Eye, Kunsthaus, Hamburg; Arte permanente, Galerija 212, Belgrade 1969 Konstruktive kunst: elementen und rinzipien, Biennale 1969, Nűrnberg; Kunst als spiel, spiel als kunst, Kunsthalle, Recklinghausen; Nova tendencija 4, Muzej Za Umjetnosti I obrt, Zagreb; 8° Mednarodna graficna razstava, Moderna Galerija, Ljubljana; El arte cinetico y sus origens, Ateneo de Caracas, Caracas; Nuovi materiali nuove tecniche, Caorle; Meno 31: Rapporto estetico per il 2000, Varese, Italy; Plastic Research, New Goodman Gallery, Johannesburg; Grafica italiana d’oggi, Palazzo Reale, Naples 1970 Achromes, Circolo la Nuova Torretta, Sesto San Giovanni, Italy; Salon des comparaisons, Paris; 3° Miedzynarodowe biennale grafiki, Krakov; Premi Joan Mirò, Barcelona - Screen print 70, Chicago; Kunst als spiel, spiel als kunst, Kunstverein, Wolsburg e. v.; Miniaturen 70 international, Galerie 66, Hofheim; Inostrana grafika iz zbirke, Museja Savramene Umtenosti, Belgrade; Grafica rysunek collage, Muzeum Sztuki W Lodzi, Lodz; La percezione pura, Barozzi-Ricci, Milan; Proposta del piccolo formato, Galleria Vismara, Milan 1971 Serigraphies duo d’art Geneve, Galerie Historial, Nyon; Grafica internazionale 1971, Sincron, Brescia; Panorama di grafica, Galleria la Chiocciola, Padua; 9° mednarodna graficna razstava, Moderna Galerija, Ljubljana; Operazioni estetiche e strutture sperimentali, Ti. Zero, Turin; Senza titolo, Rocca Sforzesca, Soncino; Luglio 1971, Galleria Ferrari, Verona 1972 4° Miedzynarodowe biennale grafiki, Krakov; Faites votre jeu, Galleria del Cavallino, Venice; Premio Burano 1972, Venice; 1° Norske Internasjonale Grafikk, Biennale 1972, Fredrikstad; Continuità, Studio d’Arte Eremitani, Padua; 4° Biennale d’Arte Mario Pettenon, S. Martino di Lupari, Italy 1973 Tendenze attuali, Galleria la Chiocciola, Padua; Xerox, Galerija Studentskog Centra, Zagreb; Grafiska italienska, Italianska Kulturinstitutet, Stockholm; 3° Internationalen Malerwochen, Eisenstadt; Iki 1973, Dűsseldorf 1974 Sull’opera come campo, Centro Culturale Serre Ratti, Como; V miedzynadorowe Biennale Grafiki, Kraków; Arbeiten aus den internationalen malerwochen in der orangerie, Landesgalerie Im Schloss Esterhazy, Eisenstadt; Norske Internasjonale Grafikk Biennale 1974, Fredrikstad; Accrochage, Galerie Seestrasse, Rapperswil; Grafica dei linguaggi non-verbali, Galleria Zen, Milan; Beispiel eisenstadt, Museum des 20 jahrhuderts, Vienna 1975 Raccolta Nikol Art, Saletta della Grafica, Gallerie d’Arte La Chiocciola, Padua; Proposte ’75, Galleria di Arti Visive, Parma; Collezione Nikol Art, MPM Arredamenti, Milan 1976 Grafica delle arti sperimentali, Galleria d’Arte Libera Parini, Como; Grafica delle Arti Sperimentali, Palazzo Strozzi, Florence 1977 Expo Arte 77, Bari; Il Volto Sinistro dell’Arte, Galleria De Amicis, Firenze;Herbert Distel Museum of drawers, Zurich 1979 Graphik in Padua Heute, Tiroler Kunstpavillon, Innsbruck; Sixth British International Print Biennale, Bradford City Art Gallery and Museums, Cartwright Hall, Bradford (Lister Park); 10 protagonisti della plasticità inoggettiva, Arte Struktura, Milan 1981 Arazzi…?, Centro Culturale Laboratorio Artivisive, Foggia 1982 c.c.c.2, Arte Struktura, Milan 1983 Morbide & Trame, Civica Galleria d’Arte Contemporanea, Foggia; Costruttivismo, Concretismo, Cinevisualismo, Galleria Civica, Desenzano del Garda; Testi Tessili, Libreria il Mo.... 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